Jonty Claypole

Poet Simon Armitage traces the evolution of the Arthurian legend through the literature of the medieval age and reveals that King Arthur is not the great national hero he is usually considered to be. He's a fickle and transitory character who was appropriated by the Normans to justify their conquest, he was cuckolded when French writers began adapting the story and it took Thomas Malory's masterpiece of English literature, Le Mort d'Arthur, to restore dignity and reclaim him as the national hero we know today.

Paul Morley investigates the lasting appeal of art's very own Pop Idol. From failed Abstract Expressionist to pioneering Pop Art hero, Roy Lichtenstein revolutionized the art world with his big, bold, brash cartoon images of American culture. Even before Andy Warhol had picked up his can of Campbell's soup, Lichtenstein was making merchandise into art and cultivating his own durable brand, turning out work that was highly consumable and tirelessly reproduced.

This unique recreation of an 18th-century home, in London's Spitalfields, has to be seen to be believed. Dan Cruickshank smells the rotting food and warms his hands by the roaring fires and asks whether this living museum is really more accurate than a National Trust treasure, or just an eccentric one-off from its outlandish Californian creator, the late Dennis Severs. A follow-up of sorts to the 1985 BBC series Ours to Keep episode "Incomers" focused on this residence.

Poet Simon Armitage traces the evolution of the Arthurian legend through the literature of the medieval age and reveals that King Arthur is not the great national hero he is usually considered to be. He's a fickle and transitory character who was appropriated by the Normans to justify their conquest, he was cuckolded when French writers began adapting the story and it took Thomas Malory's masterpiece of English literature, Le Mort d'Arthur, to restore dignity and reclaim him as the national hero we know today.

Paul Morley investigates the lasting appeal of art's very own Pop Idol. From failed Abstract Expressionist to pioneering Pop Art hero, Roy Lichtenstein revolutionized the art world with his big, bold, brash cartoon images of American culture. Even before Andy Warhol had picked up his can of Campbell's soup, Lichtenstein was making merchandise into art and cultivating his own durable brand, turning out work that was highly consumable and tirelessly reproduced.

Paul Morley investigates the lasting appeal of art's very own Pop Idol. From failed Abstract Expressionist to pioneering Pop Art hero, Roy Lichtenstein revolutionized the art world with his big, bold, brash cartoon images of American culture. Even before Andy Warhol had picked up his can of Campbell's soup, Lichtenstein was making merchandise into art and cultivating his own durable brand, turning out work that was highly consumable and tirelessly reproduced.

This unique recreation of an 18th-century home, in London's Spitalfields, has to be seen to be believed. Dan Cruickshank smells the rotting food and warms his hands by the roaring fires and asks whether this living museum is really more accurate than a National Trust treasure, or just an eccentric one-off from its outlandish Californian creator, the late Dennis Severs. A follow-up of sorts to the 1985 BBC series Ours to Keep episode "Incomers" focused on this residence.