Gustavo Cerati

The actions of three medical friends to face situations in a context of boredom. Original music by Gustavo Cerati.

No synopsis available yet.

Nada personal en Obras is a VHS by Soda Stereo, recorded live in 1986 at the Obras Sanitarias Stadium in Buenos Aires, Argentina, as part of the tour to present Nada personal, their second studio album. It is the first video album made by the musical group.

Documentary that tells the story of Soda Stereo, the most popular Argentinian band in all of Latin America, from their beginnings in 1983 to their farewell tour in 1997

Un hombre alado is a feature-length documentary about Gustavo Cerati's creative, artistic and technical process. Through conversations with people who knew him, and the voice of Gustavo himself, we will discover aspects of his musical career and also what it was like when he faced his guitar to compose the music and lyrics of his songs. We will immerse ourselves in his universe to understand why his legacy continues to expand.

GIRA-ME VERAS VOLVER documents the trailblazing Argentine rock band Soda Stereo on their 2007 reunion tour. As one of the crucial groups in the development of the Rock en Español genre, Soda Stereo had a prolific and wildly successful career in the 1980s and ‘90s, and these live performances, recorded in locations as diverse as Buenos Aires, Bogota, Lima, and Miami, prove the outfit hasn’t lost any of its exuberant pop-rock chops over time. “Juegos de Seduccion,” “Hombre el Aqua,” and “Zoom” are among the highlights.

The last concert of Soda Stereo is the first work published by the group in DVD. This is a final concert by Soda Stereo on September 20, 1997 at River Plate Stadium in Argentina. In the same year, the group visited Mexico, Venezuela, Chile and finally, River Plate Stadium in Argentina.

A look into Argentina's rock scene post-Cromañon's tragedy. It does not just present the most popular songs by soloists and bands featured in the film, but it goes backstage and shows the artists’ private world, how they write their music, where they live, how they became what they are and what their dreams are.

No synopsis available yet.

No synopsis available yet.

Soda Stereo performing "Dynamo" at Canal 13 of Argentina.

Mercedes Sosa making of her last album depicts encounters with other characters, creative moments, testimonies of the artists who participated and reflections of Mercedes Sosa about her life and the recording of "Cantora".

Recorded live at Pepsi Music Stadium, Buenos Aires, Argentina, on June 16, 17, 18 and 30 and July 1, 2006.

Documentary about the "Ahi Vamos" concert tour

An unreleased documentary that shows the creative and recording process of each of the songs that make up this album, allowing us to see Gustavo Cerati's focus, resources, and demands to make each track the best possible.

Performance by Soda Stereo in Buenos Aires in 2007 as the end of their tour "Me veras volver". This tour marked the band's return to the stage after a 10 year hiatus

Soda Stereo, led by Gustavo Cerati, was a pioneering band in giving a media-aesthetic treatment to a musical show. We remember the career of this group and its leader, and relive the tour the band undertook in 2007, after ten years of separation.

A live album recorded by Gustavo Cerati at the Teatro Avenida of Buenos Aires in August 2001, where Cerati rearranged eleven tracks from both his former band Soda Stereo and his solo albums into symphonic melodies.

Hosted by Chilean singer Javiera Mena, the episode reviews the career of the former Soda Stereo frontman.

Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.

The recording was not made exactly under the MTV Unplugged standards because the band was 'Plugged', but includes a great Andrea Echeverri's performance in the track «En la Ciudad de la Furia» and also they used samplers in 2 tracks: 'Cementerio Club' from Luis Alberto Spinetta used on «Té para Tres» and 'Chrome Waves' from the English band Ride used on «Un Misil en mi Placard»

No synopsis available yet.

Aided by archival footage and interviews with its key figures, this documentary delves into the history of Argentine rock music from its origins up to the mid-1990s.

Concert recorded on december 4th, 2009 at the José Amalfitani Stadium in Buenos Aires