Werner Nöfer

Kurt Rosenthal has animated 102 abstract landscape drawings made by Werner Nöfer as frames for this film in such a way that they take on a continual travelling motion, varying the order and detail shown. When the movement – and the accompanying motor noise – stop, the film strip itself becomes the subject of the film. In Oberhausen in 1971, the film was counted as being among the ‘Trip’ films.

Kurt Rosenthal has animated 102 abstract landscape drawings made by Werner Nöfer as frames for this film in such a way that they take on a continual travelling motion, varying the order and detail shown. When the movement – and the accompanying motor noise – stop, the film strip itself becomes the subject of the film. In Oberhausen in 1971, the film was counted as being among the ‘Trip’ films.