C. V. Sridhar

Kodimalar is a 1966 Indian Tamil language film, directed by C. V. Sridhar and produced by S. L. Nahaatha and A. K. Balasubramanian. The film stars R. Muthuraman, C. R. Vijayakumari, A. V. M. Rajan, Kanchana and Nagesh in lead roles. The film had musical score by MS Viswanathan.

The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.

Kalai Kovil (Temple of Art) is a 1964 Indian Tamil-language film, directed by C. V. Sridhar and produced by Visu and Ganga. The film stars S. V. Subbaiah, Chandrakantha, R. Muthuraman and Rajasree in lead roles. The film had musical score by Viswanathan–Ramamoorthy. The film was released on 25 September 1964.

Murli (Rajnikanth) and Prabhu (Kamal) are owner and manager respectively, of an advertising agency in Madras. Prabhu has been raised by Murli's family, and feels greatly indebted to them. Prabhu is in love with Padma (Sripriya), but a misunderstanding leads them apart. In the meantime, Murli meets and falls in love with Padma.

Vayasu Pilichindi (lit. Youth is Calling) is a 1978 Telugu-language film directed by C. V. Sridhar. It is a remake of his own Tamil film Ilamai Oonjal Aadukirathu (1978). Sridhar remade the film in Hindi as Dil-e-Nadaan (1982), starring Rajesh Khanna, Shatrughan Sinha, Smita Patil, and Jayapradha

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

Kodimalar is a 1966 Indian Tamil language film, directed by C. V. Sridhar and produced by S. L. Nahaatha and A. K. Balasubramanian. The film stars R. Muthuraman, C. R. Vijayakumari, A. V. M. Rajan, Kanchana and Nagesh in lead roles. The film had musical score by MS Viswanathan.

Kodimalar is a 1966 Indian Tamil language film, directed by C. V. Sridhar and produced by S. L. Nahaatha and A. K. Balasubramanian. The film stars R. Muthuraman, C. R. Vijayakumari, A. V. M. Rajan, Kanchana and Nagesh in lead roles. The film had musical score by MS Viswanathan.

The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.

The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.

The film deals with a triangular love with a good measure of values of the high society and those of liberal culture of the 60s.

Kalai Kovil (Temple of Art) is a 1964 Indian Tamil-language film, directed by C. V. Sridhar and produced by Visu and Ganga. The film stars S. V. Subbaiah, Chandrakantha, R. Muthuraman and Rajasree in lead roles. The film had musical score by Viswanathan–Ramamoorthy. The film was released on 25 September 1964.

Kalai Kovil (Temple of Art) is a 1964 Indian Tamil-language film, directed by C. V. Sridhar and produced by Visu and Ganga. The film stars S. V. Subbaiah, Chandrakantha, R. Muthuraman and Rajasree in lead roles. The film had musical score by Viswanathan–Ramamoorthy. The film was released on 25 September 1964.

Murli (Rajnikanth) and Prabhu (Kamal) are owner and manager respectively, of an advertising agency in Madras. Prabhu has been raised by Murli's family, and feels greatly indebted to them. Prabhu is in love with Padma (Sripriya), but a misunderstanding leads them apart. In the meantime, Murli meets and falls in love with Padma.

Murli (Rajnikanth) and Prabhu (Kamal) are owner and manager respectively, of an advertising agency in Madras. Prabhu has been raised by Murli's family, and feels greatly indebted to them. Prabhu is in love with Padma (Sripriya), but a misunderstanding leads them apart. In the meantime, Murli meets and falls in love with Padma.

Vayasu Pilichindi (lit. Youth is Calling) is a 1978 Telugu-language film directed by C. V. Sridhar. It is a remake of his own Tamil film Ilamai Oonjal Aadukirathu (1978). Sridhar remade the film in Hindi as Dil-e-Nadaan (1982), starring Rajesh Khanna, Shatrughan Sinha, Smita Patil, and Jayapradha

Vayasu Pilichindi (lit. Youth is Calling) is a 1978 Telugu-language film directed by C. V. Sridhar. It is a remake of his own Tamil film Ilamai Oonjal Aadukirathu (1978). Sridhar remade the film in Hindi as Dil-e-Nadaan (1982), starring Rajesh Khanna, Shatrughan Sinha, Smita Patil, and Jayapradha

Punar Janmam (Rebirth) is a 1961 Indian Tamil-language drama film directed by R. S. Mani. The film stars Sivaji Ganesan, Padmini, Ragini and P. Kannamba in lead roles. The film, produced by N. S. Diraviyam under Vijaya Films banner, had musical score by T. Chalapathi Rao and was released on 21 April 1961.

Devi and Anita are best friends who once even help nab a killer. Anita loves Anand but he marries Devi. Their lives are disrupted when the killer breaks loose and seeks revenge from both the women.

Devi and Anita are best friends who once even help nab a killer. Anita loves Anand but he marries Devi. Their lives are disrupted when the killer breaks loose and seeks revenge from both the women.

1963 Tamil Film

Vani gets used by her boyfriend Venu who sleeps with her and disappears soon afterwards. However, things get tougher when Vani's brother and sister-in-law die unexpectedly in an accident.

Vani gets used by her boyfriend Venu who sleeps with her and disappears soon afterwards. However, things get tougher when Vani's brother and sister-in-law die unexpectedly in an accident.

Dr. Ravi returns from abroad and takes up position as Chief Surgeon in a hospital. He then meets with Nurse Shanti, who lives an impoverished lifestyle with her ailing mother, and decides to perform surgery, but she passes away, and a guilt-ridden Ravi marries Shanti much to the chagrin of his mentor, Kaka, who had hoped that he would marry his daughter, Rajni. The couple then travel to Kashmir for their honey-moon, and then settle down to a harmonious relationship. Hoping to travel even more, their plans are interrupted by the hospital's head doctor, who wants Ravi to focus on cancer research. The couple drop all travel plans and immerse themselves in research so much so that Shanti herself becomes ill.

Thankamma is heartbroken when her lover Shivaraman abandons her for his duties as a sailor. She marries another man and tries to settle down, but she learns that she is expecting Shivraman's child.

Alaya Deepam is a 1984 Tamil Indian feature film directed by C. V. Sridhar and produced by K.R.Gangadharan. It stars Sujatha and Rajesh in the lead roles.

Alaya Deepam is a 1984 Tamil Indian feature film directed by C. V. Sridhar and produced by K.R.Gangadharan. It stars Sujatha and Rajesh in the lead roles.

When Sita’s husband, Ram, is diagnosed with cancer, their lives are thrown into a tailspin—only to be further complicated when his treating physician turns out to be Dharmesh, Sita’s former lover.

No synopsis available yet.

A simple man is caught in a web of deceit. He is blackmailed into participating in his bank’s robbery.

A simple man is caught in a web of deceit. He is blackmailed into participating in his bank’s robbery.

A simple man is caught in a web of deceit. He is blackmailed into participating in his bank’s robbery.

Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.

Dil-E-Nadaan (The Innocent Heart) is an Indian Hindi film directed by C.V. Sridhar, released in 1982. The film stars Rajesh Khanna in the main lead role as Anand and Shatrughan Sinha as his friend, as the second lead character of the film.[1] This film was remake of the 1978 Tamil film Ilamai Oonjal Aadukirathu, directed by C.V. Sridhar, where Kamal Hassan and Rajnikanth played the lead male roles. After the success of the Tamil version, C.V. Sridhar decided to remake it in Hindi and directed it himself.

A conspiring uncle separates the twin sons of his sister, the queen. One becomes his uncle's pawn while the other grows to be a brave and honest man, who inadvertently learns of his true parentage.

A conspiring uncle separates the twin sons of his sister, the queen. One becomes his uncle's pawn while the other grows to be a brave and honest man, who inadvertently learns of his true parentage.

Manase Mandiram (English: The Heart is a Temple) is a 1966 Telugu language romantic drama film, produced by Yarra Appa Rao on Sri Krishna Sai Films banner and directed by C. V. Sridhar. Starring Akkineni Nageswara Rao, Savitri in the lead roles and music composed by M. S. Viswanathan. The film was a remake of Tamil film Nenjil Or Aalayam (1962), Sridhar remade the film in Hindi as Dil Ek Mandir (1963). It was also remade in Malayalam as Hridayam Oru Kshethram (1976), and in Kannada as Kumkuma Rakshe (1977).

Manase Mandiram (English: The Heart is a Temple) is a 1966 Telugu language romantic drama film, produced by Yarra Appa Rao on Sri Krishna Sai Films banner and directed by C. V. Sridhar. Starring Akkineni Nageswara Rao, Savitri in the lead roles and music composed by M. S. Viswanathan. The film was a remake of Tamil film Nenjil Or Aalayam (1962), Sridhar remade the film in Hindi as Dil Ek Mandir (1963). It was also remade in Malayalam as Hridayam Oru Kshethram (1976), and in Kannada as Kumkuma Rakshe (1977).

Chandru, a practising psychiatrist, leaves his lover to travel to Kodaikanal and cure a rich client's daughter. However, she ends up falling in love with him during her treatment.

Chandru, a practising psychiatrist, leaves his lover to travel to Kodaikanal and cure a rich client's daughter. However, she ends up falling in love with him during her treatment.

Chandru, a practising psychiatrist, leaves his lover to travel to Kodaikanal and cure a rich client's daughter. However, she ends up falling in love with him during her treatment.

Nirmala (Padmini) is a poor but talented young dancer who falls in love with a rich man's son Sekar (Gemini Ganesan), but he is forced to marry a rich man's daughter Prathiba (Tambaram Lalitha). Nirmala promises to her lover that she will never dance in public. Due to various circumstances, Sekar's house is up for auction, and in order to save him, she performs in public. With the money thus earned, she saves his house, but Sekar is unaware of this. When he learns the truth, he begins searching of her, and in the meantime, Prathiba, who is now reformed, commits suicide. Sekar meets Nirmala, who is on the verge of committing suicide, and they are reunited.

Nirmala (Padmini) is a poor but talented young dancer who falls in love with a rich man's son Sekar (Gemini Ganesan), but he is forced to marry a rich man's daughter Prathiba (Tambaram Lalitha). Nirmala promises to her lover that she will never dance in public. Due to various circumstances, Sekar's house is up for auction, and in order to save him, she performs in public. With the money thus earned, she saves his house, but Sekar is unaware of this. When he learns the truth, he begins searching of her, and in the meantime, Prathiba, who is now reformed, commits suicide. Sekar meets Nirmala, who is on the verge of committing suicide, and they are reunited.

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

Ravi, the only son of Vedachalam (Baliah), has traveled on business. Returning home, he meets a young woman on the train after picking up her spilled luggage. The contents of the luggage reveal that she is his sister, from his father's teenage years. When he returns home, she is moved in and living a life of wealthy luxury. But is she really who she says she is?

The story centers on a doctor who discovers that the patient he is treating is the husband of his former lover.