Valérie Dréville

A novelist attends the trial of a woman accused of killing her 15-month-old daughter by abandoning her to the rising tide on a beach in northern France. But as the trial continues, her own family history, doubts, and fears about motherhood are steadily dislodged as the life story of the accused is gradually revealed.

David Zimmerman, almost 40, is a photographer but no one knows it. When friends drag him to a wild party, he spots a woman in the crowd and can’t take his eyes off her, he follows her… A few hours later, David wakes up: he’s in the body of the unknown woman.

During a book signing in Normandy, Annie Ernaux, 70, revisits her memories of the summer of 1958, when she was 17. That summer, she left her hometown to work as a camp counsellor. At the first party, the head counsellor set out to deflower her. Finding him handsome, she lets him do it, as if against her will... Her body becomes a foreign place for her, an offering to be sacrificed.

A credit card thief roams Paris in search of victims. At each encounter, she seduces by creating new identities. During a tumultuous night, she will test her limits.

Political rivals try to sabotage a new mayor and her eccentric plans for an underprivileged French municipality.

A journalist tries to balance the duties of marriage and motherhood while researching a piece on college women who work as prostitutes to pay their tuition.

Drawing some intriguing parallels between the work of the prostitute and that of the psychiatrist-both have clients, both charge for sessions, both take on roles that serve the needs, psychological or otherwise, of those they serve, Jeanne Labrune's drama stars Isabelle Huppert and Bouli Lanners as, respectively, Alice, a disaffected call girl and Xavier, a shrink with a crumbling domestic situation.

Françoise returns to her native Brittany to teach at her alma mater to find that the past of this very particular place still exerts an inexorable pull. A rapturous ensemble piece about the tricks of time and memory, Suite Armoricaine is a work of grand themes and small, surprising details, bursting with ideas and emotion.

Pilar is a Spanish widow who has raised her three daughters in France. In love with Fernand, the manager of the building in which she lives, she organizes a lunch in her home with the intention of introducing him to the rest of the family. The reunion goes wildly wrong and the family's craziness overtakes.

Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o'clock on the dot, as usual. He enters a meeting room, takes out a gun and kills two of his bosses. Then he locks himself in his office. As he waits for the inevitable police assault, this ordinary man looks back over his life and the events that led him to commit such an act.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...

The iconic book ”Europeana: A Brief History of the Twentieth Century” by Patrik Ouředník, first published in 2001, thanks to the imagination of the French filmmaker has transformed into an apocalyptic chronicle of the last century. A straightforward testimony of scientific rationality, which led the society to a spiritual crisis and resulted in six genocides, is accompanied with melancholic Mahlerian echoes of La Belle Époque when the world was just getting ready for the century that negated all humanity. The film raises the question whether Europe in post-history and post-humanity, sweetly anaesthetized to collective unconsciousness, will pretend as if nothing had happened.

This film is composed of fragments escaped from Qu’ils reposent en révolte (Des figures de Guerres). Fragments of voices, laughter and rage, snatches of words, images and memory, the words near and far; the breathe of the wind, the gesture of the sun at the sunset, the reflections red-blood; the raids of the police, processions, warriors, court of injustice ... For a map of the violence inflicted on migrants, the repetition of the colonial movement, and the unacceptability of the “world as it is”.

No synopsis available yet.

This film is a newsreel, which presents some views, scenes and mo-ments of the class struggle in Madrid. The “Movimiento 15-M” is the first major “movement” in the beginning of the 21st century. A deep movement, trans-border and trans-historical which reactivates and works ideas and concepts that were long thought to be forgotten: demos, logos, revolution ...

Sylvie Neige is 35. An only child, she lives and works on her parents' farm. The only entertainment she allows herself is a drama class held in the next village. There she meets Gabriel, a seductive city dweller who invites her to stay with him for a weekend.

Set in 1913, 1936 and 2001. When he returns to the casino and seaside resort of his early teens, Louis, a 78 year old man encounters Olivia, a 19 year old young woman madly in love with a violent cad. Louis tells the story of his own mother having a passionate, driven fling with his Italian tennis instructor in 1936, and of Marie Collins Brown, the slightly older widowed woman who helped him through his confusion and pain by recounting the story of her passionate 24 hour fling with a hopeless young Polish gambler in 1913.

A psychologist discovers troubling links between Nazism and modern-day big business.

James Faulkner plays Lew Millar, a renowned private eye who is hired by a gangster to be his bodyguard. When Millar arrives at the criminal's French hideaway, the gangster is already dead. Among the people Millar investigates are the gangster's brother, the man's sister-in-law, and their teenage daughter. A judge may also offer insight into the case, as well as Millar's own past.

A medical intern finds himself drawn into a world of international intrigue after discovering a shrunken human head in his luggage.

A young man who has just committed a hold-up finds refuge in an old house.

Dr. Bruno Sachs, the only medical practitioner in a small French town, seems on the surface to be compassionate and dedicated. However, in private he is not happy in his work and does not like most of his patients. Here he meets Pauline Kasser, a young woman, and they are attracted to each other...

Mise-en-scène, at the Comédie-Française, of La Vie de Galilée by Bertolt Brecht. This is the last staging by Antoine Vitez.

A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob.

In this whimsical fable, Resnais deftly interweaves three story lines: the creation of an early-20th-century utopia; romantic high jinks at a school conference; and a fantasy sparked by F/X pioneer Georges Méliès.

Professor Henri Laborit uses three people's stories to discuss behaviourist theories of survival, combat, rewards and punishment, and anxiety: René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing; Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite; and Jean is a controversial career-climbing writer/politician at a crossroads in life.

When film director Mathieu casts a famous actress to portray a character based on his aspiring-actress wife, he creates a rift in his marriage. French filmmaker Philippe Garrel's family members portray versions of themselves in this lyrical drama.

Mise-en-scène of the classic tragedy of Sofocles, carried out by Antoine Vitez in the National Theatre of Chaillot

No synopsis available yet.

Secretaries by profession, Joëlle and Béatrice are invited to spend a dream stay in Marrakech. However, this invitation is actually the result of a misunderstanding, Joëlle having been mistaken for the daughter of her boss, an important CEO. But it does not matter after all, because once arrived there, in a luxury hotel, the two young women are determined to seduce all the handsome boys on vacation.