Adriana Aizemberg

It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.

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Three women - a single girl, scared of being alone forever, another whose boyfriend is still attached to his ex-wife and an old lady who has nobody left - will learn from each other that it's always possible to shift and get out of one's current existence.

A remote village 100 kilometers from the city of Buenos Aires. Stephen, Matías, Alejo, Damián and Guido were born 13 years ago in this small town. They have always been friends and together they share the monotonous summer afternoons sitting on the stoop of a women's hairdresser. Anxious, restless, impatient for a change, they go through the most confusing period of experiment -- the transition from childhood to adolescence.

The poet Salvador Merlino didn’t live to see published April’s elegy, his last book, as he died when it was still in the printing press. His daughter Mary (72) and his son, Carlos (74), kept the parcels of copies of their father’s book stashed away for 50 years, high up, on top of a wardrobe. The curiosity of young Federico will force them to come face to face with themselves.

An actress goes to Canal Siete's studios to act on a TV version of Chéjov's "The Seagull". As the leading actor doesn't appear, an assistant must take his place.

Morán works as a clerk in a bank in Buenos Aires. He is as good as invisible to his colleagues. Over dinner with his colleague Román, Morán tells him that he stole exactly $650,000, which is exactly double what he would have made until his retirement. He plans to turn himself in, but not before offering Román to split the money if agrees to hide it for the duration of his incarceration.

During his last night as a bachelor, a man imagines what would happen if he ran away and avoided marriage, or if he were able to avoid conventions and have a sincere relationship with his girlfriend. Adaptation of the homonymous short story by Roberto Arlt.

A man meets a former military service buddy who offers him a good deal. Money starts pouring in, but things change from one day to the next.

In Buenos Aires, the twenty-something Jewish-Argentinean Ariel Makaroff ditches the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business. Ariel has never understood why his father left him when he was a baby, but when his dad returns to Argentina, that will soon change.

Martina, who has Alzheimer's, has been searching for her grandson for over three decades. Discovering he is in Brazil, her long and solitary journey becomes an intense struggle against time and oblivion.

A man in his thirties does not want to be like his father, but that seems to be unavoidable.

When a marriage separates, a teenage girl chooses to move in with her father.

When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.

Ana and Federico have only been married for a few years and everything is going well until the sudden arrival of Úrsula in their lives to change them forever.

The portrait of a man and his attempts to make things up with life after losing his job.

Film that includes three short films by different authors about love: "O pacto" by Eduardo Coutinho, "Terrible Night" by Rodolfo Kuhn, and "Magic World" by Helvio Soto.

After the death of his wife and his young daughter in a traffic accident for which he was responsible, Luna falls into a large pit of depression. Neither medication nor religion help him to keep going. Until one day, Luna has a dream that he receives as a revelation. In that dream, he sees himself driving a car and carrying a woman, Selva along with his son Beni. Luna takes it as a challenge and attempts to carry out his mission: to save the woman and the child from the dream.

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.

A romantic reimagining of William Shakespeare’s A Midsummer Night’s Dream set against the turbulent backdrops of the 1962 Argentinian military coup and the 1982 war for the Falkland Islands.

Ariel Llanarte, writer and journalist forced to live abroad, decides to return to the country. He has the purpose of finding out the reason why his best friend disappeared.

Pilar is autistic since she was four years old, now she is 26. The father wants to send her to an Institution , but the mother refuses, this creates a rift in the couple. The family is breaking up: Alejo, the youngest son, has conflicts at school and with his friends. Pilar suffers from increasingly frequent attacks that makes their living really impossible. Finally, they put her in an Institution. She will find another way to live, but something will happen that will change the course of the family.

A lonely and frustrated old woman offers a young student a deal that is difficult to fulfill: a house and food in exchange for a fluid daily conversation.

Second feature film from the Higher Institute of Cinema and Audiovisual Arts (ISCAA).