Marius Dybwad Brandrud

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

Artist Fia-Stina Sandlund and actor Alexandra Dahlstroem are to give a performance at the Venice Biennale. Dahlstroem, in character as Julie, will answer questions about Sandlund's upcoming feature, a feminist reinterpretation of the famous August Strindberg play Miss Julie. This is Dahsltroem's audition.

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Concert film documenting The Knife, taken from the April 12, 2006 concert at the Trädgår'n, Gothenburg, Sweden, in their Silent Shout tour.

"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

We were at it for seven years. My mother and I. Trying to make the perfect image of me.

Artist Fia-Stina Sandlund and actor Alexandra Dahlstroem are to give a performance at the Venice Biennale. Dahlstroem, in character as Julie, will answer questions about Sandlund's upcoming feature, a feminist reinterpretation of the famous August Strindberg play Miss Julie. This is Dahsltroem's audition.

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?

fifteen zero three nineteenth of january two thousand sixteen explores how everyday routines and gestures are transformed when a mother loses her child in the violence impacting Swedish outskirts since the early 2000s. The film resists simplistic media depictions of the suburbs and shows how a home can hold both mourning and the mobilization of women to fight for their own and others' children.

Concert film documenting The Knife, taken from the April 12, 2006 concert at the Trädgår'n, Gothenburg, Sweden, in their Silent Shout tour.