Andy Chan Kong-Hung

Just out of jail, Fai finds a spot on a street corner where other homeless people welcome him. But he doesn’t get much time to settle in. The police soon chase them away, and their possessions disappear into a garbage truck. Young social worker Ms. Ho thinks it’s time to fight this in court. In the meantime, Fai and his friends have other concerns.

Four farmer-cum-robbers live together in a dilapidated house with a withered field. They discover a human finger inside a newly-harvested tomato one day. The gang leader decides to freeze it in the hope of selling it for a good price. Someone tells a story about a finger in a pub, so implausible that the listeners can hardly believe it. There are no fingers inside the other tomatoes and the gang remains poor. Tensions mount as the gang leader suspects a young member of hiding the secret of growing the finger-yielding tomato for his own benefit, leading to a big fight. The young man renounces his life of crime, but pays a hefty price…...

When Pak Tin Estate is going to be demolished, the residents will move to a new place, but how about the dead residents? Where could they go? Ho Ying-kuen who majors in Myth and Poetry, and Playwriting, leads us to a time and space of a demolishing public estate. We will come across the residents of the estate, a mother with her two sons selling incenses, and two monkeys having conversation about their mother. A mixture of fiction, experimental and documentary images, Lost Cemeteries studies about filial piety and death with a strange and interesting approach.