Mitsuyo Seo

A rare glimpse of early Japanese sound anime and prewar Japanese culture, The Roots of Japanese Anime features the masterworks of such pioneers of Japanese animation as Noburo Ofuji, Yasuji Murata, and Kenzo Masaoka, in addition to Mitsuyo Seo’s Momotaro’s Sea Eagle, the notorious war cartoon billed as Japan’s first feature anime. These movies represent the brilliance and variety of anime, ranging from beautiful Japanese paper animation to powerful multiplane cel cartoons. They also evoke the fascinating complexity of Japan, a nation that is then both marching towards war, enlisting kids in militarist nationalism, yet also delighting in a mixture of modern popular culture, ancient folk tales, irreverent comedy, and the everyday life of prewar Japanese children.

Arichan the Ant finds a violin in a sandbox and keeps it. However, realizing how important it is to its owner, he returns it to her.

Considered the first animated feature film from Japan. Although it's short, it was billed as a main attraction. This government funded propaganda film features the classic folklore character Momotaro and his animal friends as they attack Pearl Harbor which is defended by characters strikingly similar to Bluto and Olive Oil from the Popeye cartoons. The animation is mixed with real video footage from the attack on Pearl Harbor supplied by the military.

The conflict between ducklings and frogs escalates into war. However, a lightning strike makes the fighters realize the trivial nature of their battle.

Short movie from 1934 about a war between monkeys and bears.

The first Japanese feature-length animated film. It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for the war by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on April 12, 1945. It is a sequel to Momotarō no Umiwashi, a 37-minute film released in 1943 by the same director. It is black and white. The whole movie also depicts the Japanese "liberation of Asia", as proclaimed by the Government at the time. Seo tried to give dreams to children, as well as to instill the hope for peace, with hidden movie's hints of dreams and hopes, under the appearance of war propaganda.

A rare glimpse of early Japanese sound anime and prewar Japanese culture, The Roots of Japanese Anime features the masterworks of such pioneers of Japanese animation as Noburo Ofuji, Yasuji Murata, and Kenzo Masaoka, in addition to Mitsuyo Seo’s Momotaro’s Sea Eagle, the notorious war cartoon billed as Japan’s first feature anime. These movies represent the brilliance and variety of anime, ranging from beautiful Japanese paper animation to powerful multiplane cel cartoons. They also evoke the fascinating complexity of Japan, a nation that is then both marching towards war, enlisting kids in militarist nationalism, yet also delighting in a mixture of modern popular culture, ancient folk tales, irreverent comedy, and the everyday life of prewar Japanese children.

Arichan the Ant finds a violin in a sandbox and keeps it. However, realizing how important it is to its owner, he returns it to her.

Considered the first animated feature film from Japan. Although it's short, it was billed as a main attraction. This government funded propaganda film features the classic folklore character Momotaro and his animal friends as they attack Pearl Harbor which is defended by characters strikingly similar to Bluto and Olive Oil from the Popeye cartoons. The animation is mixed with real video footage from the attack on Pearl Harbor supplied by the military.

The conflict between ducklings and frogs escalates into war. However, a lightning strike makes the fighters realize the trivial nature of their battle.

Short movie from 1934 about a war between monkeys and bears.

The first Japanese feature-length animated film. It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for the war by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on April 12, 1945. It is a sequel to Momotarō no Umiwashi, a 37-minute film released in 1943 by the same director. It is black and white. The whole movie also depicts the Japanese "liberation of Asia", as proclaimed by the Government at the time. Seo tried to give dreams to children, as well as to instill the hope for peace, with hidden movie's hints of dreams and hopes, under the appearance of war propaganda.

The first Japanese feature-length animated film. It was directed by Mitsuyo Seo, who was ordered to make a propaganda film for the war by the Japanese Naval Ministry. Shochiku Moving Picture Laboratory shot the 74-minute film in 1944 and screened it on April 12, 1945. It is a sequel to Momotarō no Umiwashi, a 37-minute film released in 1943 by the same director. It is black and white. The whole movie also depicts the Japanese "liberation of Asia", as proclaimed by the Government at the time. Seo tried to give dreams to children, as well as to instill the hope for peace, with hidden movie's hints of dreams and hopes, under the appearance of war propaganda.

When a samurai witnesses a dancing maiden being kidnapped by ruffians, he rescues the poor damsel and takes her to the spring flower dance.

Usagi-san was washed away by some large waves. He cheats a crocodiles to get home. When he does, he was so dirty that his friends abandoned him because he was unrecognizable.

A military troop of dogs go out to hunt a local tiger, while one of their members, Norakuro, causes a ruckus.

Short animated film by Mitsuyo Seo

Dreaming of rising up in the world, Chibisuke the little bonze travels to the city, where he becomes a retainer to a Cabinet minister, who takes a liking to Chibisuke who dances for him in his palm. One day, Chibisuke is accompanying a princess to Shimizu when a mountain devil attacks her. Chibisuke makes numerous surprise attacks on the devil before finally overcoming him, and using a horn of plenty left behind by the devil, he ends up a strapping young man.

A black-and-white short by Mitsuyo Seo.

A brave samurai rescues a beautiful maiden.

A black-and-white short by Mitsuyo Seo.