Pietro Giordano

Ciprì and Maresco are fierce critics of post-modern society. They bear witness to the colonization of the imagination attributable in part to the omnipresence of mass communications and the globalization of neo-capitalist values. Their works, scatological in the literal but especially in the metaphorical and etiological sense, denounce social institutions and practices thought to be at the root of injustice, inequality and criminality.

"I migliori nani" simulates the television programs that have dominated much of Italian programming since the 1990s: a studio and a series of what in conventional television would be called "reports," but which are actually excursions into a twisted, mutilated, and discordant world.

No synopsis available yet.

In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

No synopsis available yet.

"I migliori nani" simulates the television programs that have dominated much of Italian programming since the 1990s: a studio and a series of what in conventional television would be called "reports," but which are actually excursions into a twisted, mutilated, and discordant world.