Indrek Kalda

In 1914 on a family estate, Oda helps a wounded anarchist, and as their illicit friendship deepens, a family turmoil erupts as the war closes in.

The last film directed by Kaljo Kiisk has been dedicated to theatre and the people in theatre. You are entering the hectic world of musicians, zanies and jesters - and don't expect to hear a symphony but a single delicate sound of a flute.

Mati, a 70-year-old bibliophile, cannot cope with his wife's death. As loneliness and indifference overrun his thoughts, he contemplates suicide until he meets a younger man who sparks his interest in life.

There are two people who wake up in the same bed one morning, and neither of them has a clue who the other is. Viivi would like to run away and the man is sleeping like a log. Unlike Viivi and Andu themselves, the viewers know both very well. They know that Viivi has the worst day in her life and that Andu is a dweeb, but not completely hopeless; a rather good-hearted man. They are both hopelessly lonely people hoping that maybe there's someone somewhere - So they might as well meet.