André Rouyer

Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished. His cat Greffier being the only one he still gives affection to, he becomes the object of Clemence's anger.

Darien, a left-wing police informant, is forced to lure his old friend Sadiel to Paris, allegedly to film a television special about the Third World. Sadiel, the exiled leader of a North African state, is being hunted by the ruthless Colonel Kassar, who will stop at nothing to capture his political rival. Once Sadiel arrives in Paris, Darien realizes he has been manipulated. He tries to turn back the clock, not realizing what or who he’s truly dealing with.

On the planet Ygam, the Draags, extremely technologically and spiritually advanced blue humanoids, consider the tiny Oms, human beings descendants of Terra's inhabitants, as ignorant animals. Those who live in slavery are treated as simple pets and used to entertain Draag children; those who live hidden in the hostile wilderness of the planet are periodically hunted and ruthlessly slaughtered as if they were vermin.

In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.

After breaking into a house he believes is empty, thief Olivier is caught by the owner, Ariane, who turns out to be a dominatrix. Improbably falling for her, Olivier returns periodically, and an impulsive romance blossoms despite Ariane's profession. Soon Olivier becomes more familiar with her work, even joining in on occasion. However, when he discovers that Ariane has a son, he attempts to "fix" her, hoping to give her a better life.

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

Two people, a Frenchman and a Jewish German woman, meet on a train while escaping the German army entering France.

In Algiers, during the Algerian War of Independence, one of the leaders of the FLN was arrested by the French colonial army, which used the most violent methods to make the prisoners speak. The use of torture poses a conscience problem for a French officer. Playing shot-reverse-shot, between the tortured and his torturer, in a suffocating camera, Mohammed Lakhdar-Hamina approaches torture by drawing inspiration from the story of his father, who died of abuse.

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A former bank robber is released after 10 years in prison. He gets help from a social-worker, but gets harassed by an old cop from his past.

The relationship between a middle-aged French widow and a young drifter takes a turn when her young niece pays a visit.

Therese, a beautiful but naive young girl, who finds herself being passed around from depraved pervert to depraved pervert, enduring just about every kind of sexual degradation there is while still believing that some kind stranger will eventually help her.

Paris 1960. DeGaulle determines to end a bitter war in Algeria by granting its independence. Millions oppose him, including a group of DeGaulle's disenchanted Arm Officers. In a desperate attempt to save the colony for France, they plan a daring jailbreak of their imprisoned leader. A network of snitches inform a tenacious detective leading to an explosive three-way cat-and-mouse game among the rebels, the Gaullist politicos and the police.

The means used by foreign spy services to obtain the trade secret of a French invention.

Three little criminals get a tip for a great coup with lots of money in it. Unfortunately they lack the starting funds to buy the required welding torch. So they persuade their successful colleague Alphonse to join their team. But the well thought-out coup fails, and Alphonse is the only one of them who ends up in jail for several years. When he's released, he's out for revenge.

Three men kidnap a young girl and keep her in a small house on an isolated beach, waiting for her father to pay up the ransom. But the youngest one, in charge of watching her, let accidentally the girl see his face and it becomes no longer possible to return her alive...

In the USSR, political prisoners who were scientists were not always sent to GULAG, but also to The First Circle (named after Dante's Inferno), a special incarceration unit near Moscow where they could work for the government.

Auguste Maroilleur, an elderly farmer, exploits 400 hectares of crop land with the help of his family, over which he rules with an iron hand. Things go awry the day he discovers one of his grandsons is involved in drug traffic. To make matters worse, the reckless youth has hidden the white powder in the Maroilleur farm. Without a moment's hesitation, Auguste gets rid of the toxic substance but, of course, the mob has different views...

The Secret Service abducts a "rocket scientist" to better protect him against gangsters acting for Chinese agents.

Patterning himself after the American gangster John Dillinger, the criminal (Robert Hossein) is tracked by the inspector (Charles Aznavour), a former childhood friend. Plenty of gunplay and psychology is used to trap the killer. His only tender moments are spent with his girlfriend Stella (Virna Lisi). Dillinger is cornered by the police and kills several innocent victims in a crowd during the shootout. The mob decides to take things into their own hands as they approach the doomed man with a noose when he runs out of bullets.

Laurent, a young playboy, lives off his charms, maintained by wealthy women of the world. He becomes the lover of Sonia, a young woman painter, a lover at heart of course. But Sonia has a provincial friend, Clotilde. One day, Clotilde pays Bona a visit. As she has just come into a large inheritance, Laurent courts her and marries her. The young couple embark on a misguided life of easy pleasures and questionable company. Clotilde's nerves crack at this game. Among Laurent's acquaintances, François, a doctor, treats her in his clinic: sleep cure, rest, etc. Meanwhile, Laurent distracts himself with other women. But Clotilde, convalescing, refuses to resume life together. Laurent turns to his former mistress, Sonia.

In this sardonic comedy, after an executive is killed in a mysterious automobile accident, the French offices of his multinational company is inundated with mysteriously threatening be-ribboned anti-capitalist tracts, delivered overnight to everyone's desks. Later, the executive's body is brought to company offices for an official wake -- only no one at the company has ordered that such a thing be done. A mysterious prankster, who is able to imitate the voice of the company's president, has arranged these things. When Americans from the head office get wind of these developments, they institute a search for the perpetrator which leads to mysterious subterranean passages under the company's skyscraper.

In this French crime thriller, you can leave the mob, but the mob won't leave you. Louis (Jean Yanne) has retired to a Thailand plantation with an Asian wife and child. Back in Marseilles, however, because a no-holds-barred gang war has broken out, Louis' large collateral family is wiped out, and he is family are slated for destruction.

The film describes a strike in a French textile factory, when the striking workers occupy the factory.