Sergei Prokofiev

Peter is a slight lad, solitary, locked out of the woods by his protective grandfather, his only friend a duck. In town, he's bullied. When a wolf menaces the duck - as well as grandfather's fat cat and an ill-flying bird that Peter has befriended - Peter bravely tries to tree the wolf. Grandfather, the townspeople, and the hunters who have antagonized Peter figure in the dénouement.

Disney's animated adaptation of Prokofiev's masterpiece, in which every character is represented musically by a different instrument. Young Peter decides to go hunting for the wolf that's been prowling around the village. Along the way, he is joined by his friends the bird, the duck and the cat. All the fun comes to end, however, when the wolf makes an appearance. Will Peter and his friends live to tell of their adventures?

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

Gorgeous tunes and orchestral thrills for the young and young at heart: with a twinkle in her eye, the warm, whimsical and occasionally wicked Miriam Margolyes leads us through an orchestral storytelling extravaganza. Matching instruments to their animal counterparts in Prokofiev's timeless classic, Peter and the Wolf exploring witty vignettes and a dazzling fugue in Benjamin Britten's The Young Person's Guide to the Orchestra and magical tales of love and fantasy in Borodin's Polovstian Dances from Prince Igor. Margolyes is joined by the Adelaide Symphony Orchestra with Principal Conductor Nicholas Carter in a captivating program filmed live in concert at the 2017 Adelaide Festival - a sellout performance season that was a crowd-pleaser for young and old.

Sergei S. Prokofiev's monumental setting of Leo N. Tolstoy's epic novel, War and Peace. The composer and his wife Mira compressed the plot, set during Napoleon's Russian campaign, into a powerful sequence of scenes in which the love story between Natasha Rostova and Andrei Bolkonsky and the description of the Russian army's fight against the French invasion alternate in rich contrast, and at the same time are closely interwoven. All is related by the music in its fullness of splendid themes and touchingly quiet moments. Prokofiev's musical-dramatic masterpiece combines social drama and historical chronicle in its 13 scenes to form an exuberant panorama. In this production by Dmitri Tcherniakov, the opera is performed in in Munich for the first time ever.

A couple and their hallucinatory journey to the dark side of passion. Renata is driven by a longing for the consummate sexual encounter. Since her youth she has had a vision of an ecstatic conjugation with a shining angel. Ruprecht falls for Renata and follows her unreservedly on her obsessive quest to fulfil this fantasy. The couple cross the boundaries of perception, leaving behind all traces of morality or reason, until their willingness to devote body and soul completely to one another threatens to pull their previous existence apart.

Peter is a slight lad, solitary, locked out of the woods by his protective grandfather, his only friend a duck. In town, he's bullied. When a wolf menaces the duck - as well as grandfather's fat cat and an ill-flying bird that Peter has befriended - Peter bravely tries to tree the wolf. Grandfather, the townspeople, and the hunters who have antagonized Peter figure in the dénouement.

Disney's animated adaptation of Prokofiev's masterpiece, in which every character is represented musically by a different instrument. Young Peter decides to go hunting for the wolf that's been prowling around the village. Along the way, he is joined by his friends the bird, the duck and the cat. All the fun comes to end, however, when the wolf makes an appearance. Will Peter and his friends live to tell of their adventures?

The love story of young Countess Natasha Rostova and Count Pierre Bezukhov is interwoven with the Great Patriotic War of 1812 against Napoleon's invading army.

Gorgeous tunes and orchestral thrills for the young and young at heart: with a twinkle in her eye, the warm, whimsical and occasionally wicked Miriam Margolyes leads us through an orchestral storytelling extravaganza. Matching instruments to their animal counterparts in Prokofiev's timeless classic, Peter and the Wolf exploring witty vignettes and a dazzling fugue in Benjamin Britten's The Young Person's Guide to the Orchestra and magical tales of love and fantasy in Borodin's Polovstian Dances from Prince Igor. Margolyes is joined by the Adelaide Symphony Orchestra with Principal Conductor Nicholas Carter in a captivating program filmed live in concert at the 2017 Adelaide Festival - a sellout performance season that was a crowd-pleaser for young and old.

Sergei S. Prokofiev's monumental setting of Leo N. Tolstoy's epic novel, War and Peace. The composer and his wife Mira compressed the plot, set during Napoleon's Russian campaign, into a powerful sequence of scenes in which the love story between Natasha Rostova and Andrei Bolkonsky and the description of the Russian army's fight against the French invasion alternate in rich contrast, and at the same time are closely interwoven. All is related by the music in its fullness of splendid themes and touchingly quiet moments. Prokofiev's musical-dramatic masterpiece combines social drama and historical chronicle in its 13 scenes to form an exuberant panorama. In this production by Dmitri Tcherniakov, the opera is performed in in Munich for the first time ever.

A couple and their hallucinatory journey to the dark side of passion. Renata is driven by a longing for the consummate sexual encounter. Since her youth she has had a vision of an ecstatic conjugation with a shining angel. Ruprecht falls for Renata and follows her unreservedly on her obsessive quest to fulfil this fantasy. The couple cross the boundaries of perception, leaving behind all traces of morality or reason, until their willingness to devote body and soul completely to one another threatens to pull their previous existence apart.

For Peter and the Wolf, premiered in 1936, Prokofiev chose the form of a symphonic tale, featuring a narrator alongside the orchestra. A unique work in which each instrument embodies a character. Renaud Capuçon conducts the Orchestre de Chambre de Lausanne, while Jean Reno takes on the role of narrator.

A grieving 12-year-old Peter is now in the care of his grandfather after enduring the loss of a parent. Upon hearing stories of a wolf on the loose, Peter decides to explore the vast meadow and forest nearby to try and find the wolf himself. Along the way he encounters creatures who help him on his quest while contending with hunters aiming to win a prize for capturing the wolf.

Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)

A 1998 production staring Anna Netrebko, Larissa Diadkova, Nikolai Gassiev, Aleksander Gergalov in this Kirov Opera & Ballet production of the Prokofiev opera, with Valery Gergiev conducting.

Renata is obsessed with the love for the 'fiery angel'. Ruprecht, in love with Renata, wants to free her from the madness, but all his efforts are in vain. She goes to the monastery, but here too she is being haunted by the image of the fiery angel. The Inquisition accuses Renata of witchcraft and sentences her to death. Prokofiev's Fiery Angel is one of the outstanding operas of the 20th century. With her production, director Andrea Breth moves the action from 16th century Germany to the sterile environment of a modern psychiatric ward.

A fairytale-like production of Prokofiev's The Love for Three Oranges, conducted by Tugan Sokhiev and directed by Philippe Calvario, at the Aix-en-Provence Festival in 2004.

Conducted by Daniel Barenboim, the Staatskapelle Berlin performs THE GAMBLER, Prokofiev's moody, roiling opera based on a story by Fyodor Dostoyevsky.

With neat, plain building-block designs by Jacques Rapp, Louis Erlo's energetically-staged production of Prokofiev's surreal fairy-tale for the Lyon Opera is full of cartoon characters and swift farce. Based on a play by Carlo Gozzi, "L'Amour des Trois Oranges" tells the story of a doleful, hypochondriac Prince, who can only be cured through laughter. When he breaks into hysterics at the expense of the evil witch Fata Morgana, she curses him. His fate is to fall in love with three oranges

Ballet performance by The Royal Ballet, recorded at Covent Garden, London, United Kingdom, July 1984.

The support group for opera addicts is in session, and its participants perform Prokofiev's Betrothal in a Monastery. Rarely performed outside Russia, and consigned to oblivion by Andrei Zhdanov's anti-formalist policies after the Second World War, the work is transformed by Dmitri Tcherniakov's extravagant staging. Under the baton of Daniel Barenboim, an all-star cast featuring Aida Garifullina and Violeta Urmana bring the characters to life on stage at Berlin's Staatsoper Unter den Linden.