Ingrid Øvre Wiik

A 16-year-old boy grows up in the '60s, experimenting with life, sex, drugs and alcohol.

A harrowing and ironic story about the first big and well educated generation born after WW2, living without any major concerns between 1965 and 1975.

The middle aged widowed Victoria has had to quit job due to work injuries. Helping people is her new goal in life. One days she meets young Carl, suffering from a difficult past, giving her an unforgettable experience.

Nora Helmer has years earlier committed a forgery in order to save the life of her authoritarian husband Torvald. Now she is being blackmailed lives in fear of her husband's finding out and of the shame such a revelation would bring to his career. But when the truth comes out, Nora is shocked to learn where she really stands in her husband's esteem.

The circus comes to town, and the criminal Bobla as well., trying to start a new life. But then he sees a parrot he just has to steal.

" Broder Gabrielsen " in its time awoke a major debate , and already during the shooting of the film went high waves in the press . The film points a strong warning against religious fanaticism and against contemporary preachers, and it met then also strong opposition from some of these . In the film we meet the piecemeal lay preacher , Brother Gabrielsen ( ALF MALLAND ) , who discovers how modern music , rhythms and ecstasy gives great success when it comes to getting listeners to his preaching . He will soon get his big break , and keeps ecstatic revival meetings with tongues and " healings " through prayer . It ends in discouragement and defeat then wonders absent for Gabrielsen , and personal tragedies for those who were misguided .

Norwegian propaganda film and cult drama about Eva (16) and Arne (17), both from well established homes, attend a class where a professor says that cannabis is safer than alcohol. Together with some friends they decide to try the drug. The start of a drug hell for all involved. The film was poorly received by the critics, but it nonetheless became one of the highest-grossing theater films in Norway in 1969.

The film is about suburban families, trying to be perfect housewives, and their theories in what is the right way of treating and accepting husbands and kids.

In "Skadeskutt" we follow the couple Einar and Else Wang in a painful drama about love, happiness, sorrow and eternal damnation. About a couple's struggle trying to get pregnant and the despair of not succeeding. About psychological disorders and the society's insane judging of people with such problems. A nationwide press was impressed with "Skadeskutt". The director Edith Carlmar, one of the first female directors in Norway, was compared with Hitchcock for her work. For actor Carsten Winger, his portrayal of the character in the movie was considered a victory and a big achievement. "A sure success", "Impressive" and "A victory for Norwegian Films" are some lines from the critics. "Skadeskutt" is one of the breakthroughs within Norwegian film making.

Gerd, considered a woman of dubious morals, falls in love with a boy whose family does not accept their relationship, so both run away and settle in a cabin in the woods where they meet a sullen man who tests their love.

Three young freshly educated pilots are about to start their career.

Knut leads a record company, and when he meets the night club singer Anita Daae, his wife has to win him back.