Sejr Volmer-Sørensen

A farce about cousins Aage and Viggo, whom Aage's girlfriend Else no longer wants living with them. The cousins then become embroiled in a rebellion against their workplace, Multi-Max, and against society in general, with chaotic consequences.

This is a film about the stuff dreams are made of, yet, there is nothing elevated in this concept, on the contrary. The characters around the bar Strudsen (the ostrich) are doing what ostriches do, hiding themselves from the threats of life and keeping their dreams to themselves. Scriptwriter Benny Andersen being a poet is rendering a loving portrait of a number of persons, who fail to try to make their dreams come true, possibly not being sufficiently dissatisfied with their life after all. The manager would like a bar of his own but dare not admit to it, the butcher would like to be an opera singer, the window cleaner (sorry, window polisher) is secretly in love with the bar lady, but dare not show it and the pianist willingly listens to all the different dreams being presented to him. This film was the best accomplished movie from Henning Carlsen since his debut with 'Sult'.

When a boring collage professor is mistaken for his cousin, he gets into all kinds of trouble, with hilarious results.

The second film in the series about the enterprising Gyldenkål family. Now the family has climbed to the top of the social ladder, but unexpected demands from the tax authorities mean that a forced auction is imminent. So they embark on their biggest scam yet: defrauding Fidusbanken.

The late 1930s. A young enemployed, unskilled worker walks through the streets of Copenhagen, sustaining himself partly on the dole and free soup-kitchen meals and partly on day-dreams. He spends time at a cemetry studying headstone inscriptions. Mild-mannered and of poetic bent, he understands little of an intellectual friend's advice and shies away from the love of a woman who shares her bed with him.

Based on Leif Panduro's 1958 satire classic. David, a senior high-school student, aims a swift kick at his principal's behind and is committed to a psychiatric ward from the perspective of which he takes a close look at his allegedly sane family. They, of course, are the real loonies. The psychiatrists are worse. Only lovely class-mate Lis is down-to-earth and trustworthy.

Bella is surrounded by external security, comfort, and expensive luxury. In her cold, unconnected everyday life, she randomly meets 20-year-old hippie Jacob. They share a sense of loneliness.

Heavily influenced by the French stage sensation La Cage Aux Folles (which was filmed the very same year) a drag-queen comedy about a group of homosexuals sharing an apartment with a naive but straight country boy did not live up to expectations. The lead characters lead boring lives during the day and, as depicted here, downright pathetic existences at night, all decked out in peacock plumes and high heels and with nowhere to go.

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A folk comedy loosely based on the career of Danish inventor and aviation pioneer Jacob Christian Ellehammer. We follow Ellehammer, his loyal assistant Pehtersen, and his patient wife as they battle creditors and widespread ridicule until, on September 12, 1906, Ellehammer becomes the first person in Europe to get a flying machine off the ground on the island of Lindholm.

The princess of Illyria, who has rejected all the fine suitors who have proposed to her, begins to take an interest in a gypsy who wanders around near the castle and who is in fact none other than the prince of Denmark with his friend, Kasper Røghat. The prince entices her with his magical toys, a rattle and a copper kettle, the price being a kiss and a night in the princess's chamber. Casper the Dwarf makes sure that the king is informed of the 'affair', and the princess is thrown out by her father.

Allan Thorsen is tired of his wife, but he finds it difficult to tell her that he wants a divorce. So he arranges a skiing holiday where she will fall in love with another man, so that he can get rid of her without having to do anything himself. She does find a man who is interested, but then Allan becomes jealous and soon tries to win his wife back. However, the situation is complicated by the fact that Allan's mistress suddenly shows up at the holiday hotel.

Poul Henriksen is a bank teller, a man in his prime with a hobby of studying Napoleon. He is happily married to the lovely Mrs. Gerda, a devoted mother to their three children. She has long since learned that men always remain big boys, and she is therefore also a mother to her husband. Their son William is "something" in an office, which bores him terribly. Instead, he has thrown himself into jazz with fanatical zeal and dreams of becoming the greatest jazz musician of all time. William also has a girlfriend, Nina, who is enthusiastic about jazz and visits him at all hours of the day and night, which greatly concerns his parents. A conflict forces Poul to kick his son out of the house. This makes the parents unhappy, and on top of that, they have come to believe that William should have a child with Nina.

The young bank assistant Harald Løve is not particularly suited to sharing his name with the king of beasts. At least, courage and decisiveness have not been his strongest qualities thus far; quite the contrary. Løve is a timid man who is afraid of almost everything and everyone, not least his boss, the arrogant and somewhat eccentric provincial director, bank director Nikolajsen.

It all begins innocently enough on a summer Sunday morning, with the sun shining from a cloudless sky. Mrs. Hald sends her two young twenty-year-old daughters on a cycling and swimming trip to North Zealand. Mr. Hartsen, a district court attorney who, incidentally, is married to a very jealous and combative wife, is taking his newly acquired Chevrolet for a long drive. When the two girls have everything stolen from them while swimming in the sea, they stop the first motorist they meet—and unfortunately, this happens to be our friend, district court attorney Hartsen.