Rudolph Bernauer

Judy Aalders grows up in an orphanage. Albert Woudenberg happens to be present when Judy confronts the trustees of the orphanage and is expelled. He decides to send her to university and Judy, who has only ever seen his shadowy long legs, refers to him as 'Daddy-Long-Legs' from that day. Not knowing he is in fact her benefactor, Judy's relationship with Albert gradually turns into love.

During a concert tour, famous tenor Riccardo Gatti meets Lixie at an Aida rehearsal and takes her for a ballet dancer. She is in fact trying to get a position for her boyfriend, so she accepts Gatti's date for supper. When she runs away he publishes a newspaper ad offering to give a concert anywhere she chooses if she shows up. She chooses a swimming pool hoping to discourage him, but he accepts.

The year is 1880. On the outskirts of the fictional small Scottish town of Levenford there stands a strange building, half cottage, half castle, embraced with thick stone walls. The townsfolk nickname the fortress "Hatter's Castle", for James Brodie, the man who built it. Brodie is a hatter who keeps the members of the family in fear and submission; he is brutal, arrogant, selfish and cruel. His wife, who has long been ailing, and his daughter Mary, are in awe of him. His son Angus, aged 15, alone dear to his heart, suffers under his love as the others suffer under his sternness.

A famous tenor manages to charm away a lovely young lady who was just about to be married to the opera director.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

Gottfried Jonathan, a small civil servant, lives as a lodger and is roommates with the blonde Käthe. Although she tries very hard, she can’t find a job and can no longer afford her rent of 40 marks. Jonathan secretly loves Käthe and decides to raise the necessary money for her.

Judy Aalders grows up in an orphanage. Albert Woudenberg happens to be present when Judy confronts the trustees of the orphanage and is expelled. He decides to send her to university and Judy, who has only ever seen his shadowy long legs, refers to him as 'Daddy-Long-Legs' from that day. Not knowing he is in fact her benefactor, Judy's relationship with Albert gradually turns into love.

During a concert tour, famous tenor Riccardo Gatti meets Lixie at an Aida rehearsal and takes her for a ballet dancer. She is in fact trying to get a position for her boyfriend, so she accepts Gatti's date for supper. When she runs away he publishes a newspaper ad offering to give a concert anywhere she chooses if she shows up. She chooses a swimming pool hoping to discourage him, but he accepts.

The year is 1880. On the outskirts of the fictional small Scottish town of Levenford there stands a strange building, half cottage, half castle, embraced with thick stone walls. The townsfolk nickname the fortress "Hatter's Castle", for James Brodie, the man who built it. Brodie is a hatter who keeps the members of the family in fear and submission; he is brutal, arrogant, selfish and cruel. His wife, who has long been ailing, and his daughter Mary, are in awe of him. His son Angus, aged 15, alone dear to his heart, suffers under his love as the others suffer under his sternness.

A famous tenor manages to charm away a lovely young lady who was just about to be married to the opera director.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

Felix Bressart, later one of the most delightful members of the Ernst Lubitsch "stock company," plays the title character in the Austrian comedy Hirsekorn Greift Ein (Hirsekorn Does Something About It). It's a typical worm-turns affair, as a mild-mannered provincial actor ends up working as a chauffeur for a scatterbrained female novelist. Slapstick is the order of the day, except in the scenes involving heroine Charlotte Susa. Guiding the actors through their paces was Rudolf Bernauer, a stage actor-manager of vast experience. Critics in 1931 felt that Hirsekorn Greift Ein was too thin to be stretched to 90 minutes.

Gottfried Jonathan, a small civil servant, lives as a lodger and is roommates with the blonde Käthe. Although she tries very hard, she can’t find a job and can no longer afford her rent of 40 marks. Jonathan secretly loves Käthe and decides to raise the necessary money for her.

Gottfried Jonathan, a small civil servant, lives as a lodger and is roommates with the blonde Käthe. Although she tries very hard, she can’t find a job and can no longer afford her rent of 40 marks. Jonathan secretly loves Käthe and decides to raise the necessary money for her.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

An unemployed artist must choose between a flower seller and a Hungarian dancer and defend himself against suspicion of shoplifting.

In this musical, an enigmatic masked woman catches the roving eye of a wily playboy gambler at a masquerade ball. If he knew that she was using her wiles as bait and was planning to reform him of his gambling womanizing ways after catching him, he may have head for different waters.