Gérard Sire

Writing

Gérard Sire

Born — Died

1927-03-29 — 1977-11-22

Place of birth

Paris, France

Known for

Writing

Credits

16 titles

Known for

Film credits

1960s · 3 titles

Series credits

Behind the camera

Chinese In Paris poster
6.2

Overnight, Paris is invaded - although peacefully - but the Chinese Army, and millions of Chinese people... It's the Nazi occupation all over again, with modern - funny - twists.

Chinese In Paris

1974

I've Got You, You've Got Me by the Chin Hairs poster
5.2

In this satire, a police detectiveis investigating the disappearance and kidnapping of the host of a television dance show. However, instead of finding his man, he is trapped into becoming a contestant on a children's quiz show. What's worse is that he becomes a very successful contestant.

I've Got You, You've Got Me by the Chin Hairs

1979

Everybody He Is Nice, Everybody He Is Beautiful poster
6.4

Selon "Radio plus près de Dieu", rien n'est conçu sans Dieu, surtout pas les shampoings, produits de beauté, la vente des disques... Un animateur dénonce cette escroquerie à l'antenne, ce qui lui vaut d'être licencié. Il réapparaîtra sur de nouvelles ondes avec "Radio plus près de la Vérité".

Everybody He Is Nice, Everybody He Is Beautiful

1972

Moi y'en a vouloir des sous poster
6.5

Dismissed following an unfortunate initiative, financial advisor Benoît Lepape decides to work for his uncle, a union activist. His capitalist methods will surprise at first, but quickly bring in a lot of money.

Moi y'en a vouloir des sous

1973

Like a Pot of Strawberries poster
7.0

Amandine is twenty years old, the most beautiful buttocks in Paris, and unfortunately a very ugly nose, which forces her in her profession of model, to pose only from behind. Trying in vain to save money that her sister Joëlle constantly borrows from her, she will finally be reimbursed and will thus be able to afford aesthetic surgery and become a lovely cover girl...

Like a Pot of Strawberries

1974

That's Show Business poster
6.7

Clement Mastard is the head of a leading journal dedicated to extravagant vaudeville. An unexpected contract requires him to reconnect with his former headliner Celia Bergson part to try to avant-garde theater. It is through this that he met Johann Sebastian Bloch, misunderstood musician who cause the loss but the side which Mastard, the man without scruples, to humanize and eventually produce a real masterpiece, the Missa Solemnis

That's Show Business

1975