Luis Muñoz Marín

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

This documentary analyzes the origins of the Puerto Rican economic development plan of the 1960’s, better known as Manos a la Obra (or Operation Bootstrap). The film examines this economic plan within the framework of Puerto Rican society, with special emphasis on the mass migration of Puerto Ricans to the mainland.