
Directing
Mark Donskoy
Born 1901-03-06 · Odessa, Ukrainian SSR, USSR [now Ukraine]
Mark Semyonovich Donskoy (6 March [O.S. 21 February] 1901 – 21 March 1981) was a Soviet film director, screenwriter, and studio administrative head. Donskoy was born in Odessa in a Jewish family. During the Civil War, he served in the Red Army (1921-1923), and was held captive by the White Russians for ten months. After he was freed, he was discharged from military service. He studied psychology and psychiatry at the Crimean Medical School. In 1925 he graduated from the legal department of the Faculty of Social Sciences of the Crimean M.V. Frunze University in Simferopol. He worked in investigative bodies, in the Supreme Court of the Ukrainian SSR, and in the bar association. He published a collection of short stories drawn from his life called "Prisoners" (1925). Donskoy began his career in film in 1926. He worked in the script department, but soon advanced as an assistant director in Moscow. Later he worked in Leningrad as an editing assistant. In 1935 he became the first Soviet dubbing director; he dubbed the American film The Invisible Man. Following this, he directed numerous films. He also worked from time to time as a studio administrator: in 1938–1941, and in 1945-1955 he was the administrative director of Soyuzdetfilm's film studio in Moscow; in 1942-1945 and in 1955-1957 he was director of the Kiev film studio; after 1957, he was director and art director of the Maxim Gorky film studio where he mentored Ousmane Sembène. His wife was the screenwriter Irina Borisovna Donskaya (1918–1983).
Acting credits
Behind the camera
7.5Family drama centering on the childhood of Vladimir Lenin, then Vladimir Ilich Ulyanov, in the city of Simbirsk, and his relationship with his mother.
A Mother's Heart
1966
5.7Two country boys move to Moscow. One becomes a construction worker who dreams of being an inventor, the other becomes a decadent poet.
In the Big City
1927
5.7Two country boys move to Moscow. One becomes a construction worker who dreams of being an inventor, the other becomes a decadent poet.
In the Big City
1927
6.5Foma Gordeyev, the son of a wealthy Volga merchant, doesn't want to continue his father's work. The mind is sickened by the dirt and injustice of life around him. Foma is seeking solace in a drunken rampage and wild antics. After many years of desolation, he is half-ill at the opening of a night shelter built with his father’s money.
Foma Gordeyev
1959
6.5Foma Gordeyev, the son of a wealthy Volga merchant, doesn't want to continue his father's work. The mind is sickened by the dirt and injustice of life around him. Foma is seeking solace in a drunken rampage and wild antics. After many years of desolation, he is half-ill at the opening of a night shelter built with his father’s money.
Foma Gordeyev
1959
4.7Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary.
Mother
1956
4.7Timid old woman Pelageya Nilovna observes the revolutionary activities of her son Pavel Vlasov and gradually comes to realize that his cause is a great and noble one. She involves herself in the movement and finds joy and great courage in her new life as a revolutionary.
Mother
1956
9.0Set in the high North, this tale of a Russian teacher who begins to educate the children of the Chukchi tribe reinforces the director's firm belief in the power of education to overcome distrust and establish a shared civilizational foundation for all human beings.
The Romantics
1941
5.8Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.
The Childhood of Maxim Gorky
1938
5.8Young Maxim grows up under the czarist regime with his grandparents as guardians. Continually demeaned by his martinet grandfather, Maxim is drawn to his warm-hearted grandmother, who instills in him the willingness to pursue his writing muse.
The Childhood of Maxim Gorky
1938
8.0The film covers the period from 1900 to 1917. Historical events—the Russo-Japanese War, January 9, and others—are shown through the eyes of a mother who begins to realize that her children have many like-minded followers, and thanks to this, she comes to believe in the feasibility of the ideals for which her eldest son sacrificed himself. Only the awareness that his cause is not hopeless, that it is achievable and close to victory, gives her the courage to endure separation from her loved ones and wandering.
Mother's Loyalty
1966
NRLost movie.
Price of a Man
1929
5.2A life-long story of a romantic school teacher who left imperial St. Petersburg for teaching country children. Driven by noble intentions to enlighten people and examples by 1880s revolutionary "People's Will" member teachers, a young woman spent her life in a village and evidenced the changes a Russian village has undergone from pre-revolutionary tsarist times to late 1940s.
The Village Teacher
1947
5.8The inhabitants of Chukotka are shown to be cruelly exploited before the revolution. Once Chukotka is visited by the representative of the Kamchatka Revolutionary Committee, Los, and the ethnographer Zhukov. The news of the arrival of the Russians immediately disperses along the coast. Contrary to the pressure of the American Thomson and the local "oligarch" Alitet in Chukotka, fair trade laws are established, as a result of which the Americans and Alitet leave Chukotka.
Alitet Leaves for the Hills
1949
6.5The drunkard and his wife become orderlies in a cholera barracks during the outbreak.
The Orlovs
1978
6.5The drunkard and his wife become orderlies in a cholera barracks during the outbreak.
The Orlovs
1978
7.0A coming-of-age story about a flute-playing boy (Yyvan Kyrla) from the Mari people, a national minority who lived near the Volga, and how he is educated by the Soviet state.
Song of Happiness
1934
4.1An adaptation of a story by a Ukrainian writer Mykhailo Kotsiubynsky that anticipates the Ukrainian "poetic cinema" of the '60s in its focus on star-crossed lovers and its celebration of nature. Set in the 1830s, the film follows two lovers on the run - a girl forced into marriage and her boyfriend, a serf who's being sought by the authorities - as they try to make their way to freedom.
The Horse That Cried
1957
NRFighting Film Collection No. 9 (Boyevoy kinosbornik No. 9) is the ninth issue of Boyevoy kinosbornik series, released in May 1942. It contains three segments: "Kvartal No.14/Block 14" (Savchenko), "Siniye skaly/The Blue Cliff" (or "Blue Crags") (Braun) and "Mayak/The Signal" (or "Beacon") (Donskoy).
Fighting Film Collection No. 9
1942
9.0A sad story about a little Japanese girl fighting heavy decease in a Russian summer camp on the Black Sea coast.
Hello, Children!
1962
5.5My Universities is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.
My Universities
1940
5.5My Universities is the last installment of Russian director Mark Donskoy's "Maxim Gorki" trilogy. Having endured a painful youth in My Childhood and a torturous sojourn as a serf in My Apprenticeship, future writer Gorki reaches maturity with an insatiable desire for personal and artistic freedom. Gorky goes to work in the shipyards and commisserates with the hard-drinking, philosophical dockworkers.
My Universities
1940
2.8This literary adaptation was one of only two films made during World War II on the subject of the Civil War following the Bolshevik Revolution, as attention by filmmakers and viewers shifted away from past history and toward the current conflict.
How the Steel Was Tempered
1942
2.8This literary adaptation was one of only two films made during World War II on the subject of the Civil War following the Bolshevik Revolution, as attention by filmmakers and viewers shifted away from past history and toward the current conflict.
How the Steel Was Tempered
1942
