
Directing
Mahlet Cuff
Known for
Directing
Credits
2 titles
Mahlet Cuff is a multidisciplinary artist, curator, writer, filmmaker, film programmer, DJ, sound artist, community organizer and arts cultural worker based in Winnipeg Manitoba (Treaty 1). Through an ethnographic based practice they are interested in themes of memory and erasure in order to make sense of the Black Queer diasporic communities they are a part of and engage with. By using Black feminist citational praxis and interrogating their own personal familial archives, they create reimagined Black Queer Diasporic dance and music histories by visually and sonically collaging moving images and sound. Cuff’s work has been screened and exhibited in Winnipeg, Toronto, Windsor, New York, Pari…
Known for
NRDrawing from archival footage of ballroom, voguing, juke, footwerk, dancehall and dance practices across the African and Black Queer diaspora, and using music from electronic duo Drexciya, What if We Kept it Between Us? works towards re-centring genres of Black music that have been appropriated. Pushing against extraction and offering gatekeeping as a way to protect and preserve Black music and dance ethnographies.
What if We Kept it Between Us?
2026
NRwhy some people be mad at me sometimes is a single channel experimental film that cites the mother of Dancehall Sister Nancy singing her song bam bam in dialogue with Maya Angelou’s performance of the poem The Mask. The video is a meditation on the misappropriation of Blackness within music, and how often Black folks are told to not criticize but to smile and be grateful. All while tracing the filmmakers' relationship to Dancehall and Afro Caribbean culture through archival footage of themselves as a young person dancing at Folklorama. Folklorama has the intention to be a space for sharing diverse cultures but oftentimes a space of cultural consumption that erases the colonial history of the countries that are on display.
why some people be mad at me sometimes
2024
Behind the camera
NRDrawing from archival footage of ballroom, voguing, juke, footwerk, dancehall and dance practices across the African and Black Queer diaspora, and using music from electronic duo Drexciya, What if We Kept it Between Us? works towards re-centring genres of Black music that have been appropriated. Pushing against extraction and offering gatekeeping as a way to protect and preserve Black music and dance ethnographies.
What if We Kept it Between Us?
2026
NRwhy some people be mad at me sometimes is a single channel experimental film that cites the mother of Dancehall Sister Nancy singing her song bam bam in dialogue with Maya Angelou’s performance of the poem The Mask. The video is a meditation on the misappropriation of Blackness within music, and how often Black folks are told to not criticize but to smile and be grateful. All while tracing the filmmakers' relationship to Dancehall and Afro Caribbean culture through archival footage of themselves as a young person dancing at Folklorama. Folklorama has the intention to be a space for sharing diverse cultures but oftentimes a space of cultural consumption that erases the colonial history of the countries that are on display.
why some people be mad at me sometimes
2024
