
Directing
Amalia Hidalgo
Born
2005-01-28 (21)
Place of birth
La Habana - Cuba
Known for
Directing
Credits
3 titles
Amalia Hidalgo is a screenwriter and film director based in Barcelona, Spain.
Known for
NROlivia and Isaac wander through the city’s empty streets at night after a dinner with friends. What begins as trivial conversation turns into an intimate emotional face-off. The night becomes the stage for a verbal battle that questions the foundations of their love, the way they communicate, and their future. Olivia and Isaac are not simply arguing: they are confronting the fragile possibility of continuing to walk together.
VAIVÉN
2026
NROn a secluded beach at sunset, Gael and Silvio sit by the shore, sharing a quiet conversation. As the light fades, both reveal different but connected fears: Silvio is afraid of the sea, while Gael fears remaining on the shore forever. Through silences and glances, one tries to convince the other to take a step into the unknown. As night falls, the distance between desire and fear begins to grow.
ORILLA
—
Behind the camera
NROlivia and Isaac wander through the city’s empty streets at night after a dinner with friends. What begins as trivial conversation turns into an intimate emotional face-off. The night becomes the stage for a verbal battle that questions the foundations of their love, the way they communicate, and their future. Olivia and Isaac are not simply arguing: they are confronting the fragile possibility of continuing to walk together.
VAIVÉN
2026
NROlivia and Isaac wander through the city’s empty streets at night after a dinner with friends. What begins as trivial conversation turns into an intimate emotional face-off. The night becomes the stage for a verbal battle that questions the foundations of their love, the way they communicate, and their future. Olivia and Isaac are not simply arguing: they are confronting the fragile possibility of continuing to walk together.
VAIVÉN
2026
NROn a secluded beach at sunset, Gael and Silvio sit by the shore, sharing a quiet conversation. As the light fades, both reveal different but connected fears: Silvio is afraid of the sea, while Gael fears remaining on the shore forever. Through silences and glances, one tries to convince the other to take a step into the unknown. As night falls, the distance between desire and fear begins to grow.
ORILLA
—
