Miljenka Androić

Petar Gorjan is a 40-year-old successful propagandist and cynical strategist of consumerist society that is faced with family and identity crisis. He embarks on a journey from Zagreb to Dubrovnik, transporting humanitarian aid in his off-road vehicle, and on his way he will be accompanied by slightly mentally troubled Lukas and a vagabond girl.

It is about difficult times in Croatian family in Istria under Italian rule and the beginning of Italian fascism.

Set amid the atrocities of war in the Balkans, Witnesses is retold, Rashomon-style, from various characters' viewpoints, adding new information about the complexity of war and humanity. Beginning inside a rustic house with a woman in black (Mirjana Karanovic) standing beside her husband's coffin, Witnesses interweaves the stories of a small town confronting ethnic hatred and deep moral ambiguities.

The story retrospectively returns to the past of the noble Lenić Remetinski family through the stories of the last descendant, old woman Amalija. The novella talks about a frequent subject of 19th century prose, which is the decline of the nobility during the industrial revolution.

Spanish TV reporters covering the War in Bosnia. Based on true experience.

After finding out by chance that his ex-girlfriend Mina’s mother died, Simon decides to steal her body to provoke cathartic processes in Mina. Mina hasn’t been in contact with her mother for years because of some dark family secrets. Simon plans to keep the body hidden for a few days and then revive it. He possesses the powers needed to do this. However, the body is stolen from Simon and he has great difficulty retrieving it. Unaware of Simon’s problems, Mina confronts her past and the emotional baggage she’s been carrying for years.

The first story is about the wife and the daughter of a sailor, and various ties that connect him to the people in his homeland. The second story takes place on a ship that has just been delivered to the cutting room where the old sailor and his faithful dog are.

A projection of the situation in monarchist Yugoslavia after the infamous Proclamation and the Law on the Protection of the State, when repression and police violence stifled any progressive idea. Inspired by some literary works of Miroslav Krleza.

Lidija is a wealthy Zagreb lady who, during the German occupation, begins to collaborate with Yugoslav Resistance.

This drama premiered in Zagreb in 1935. The plot shows a young man from a well-to-do bourgeois family facing the anger of his parents over his absences from high school, behind which stands his forbidden love with a girl of humble working-class background.

After an oil field is discovered nearby the small Dalmatian town of Murvice, the local goverment wastes no time and throws all of the town's expenses towards building an oil tanker harbor. Urged by his wife, a local engineer named Slobodan Despot applies himself for the position of the chief engineer on the project, which her lover uses as an excuse to ruin Despot's reputation. Furious by this reputation and questioning all of his ideas, Despot decides to start an affair with a woman far younger than him.

In order to save her marriage, Marija tries to erase from memory the trauma that she's been haunted by ever since youth. The shock she had suffered killed all the love she felt for Dinko. When she meets him again, now that he has become a hopeless drunkard, she feels lost even more.

By using the motifs of Krleza's play "Adam and Eve", written in 1922, director Tomislav Radic questions a similar pattern of male-female relations in a trivial, contemporary context. With Krleza's lines, Radic counterpoints almost documentary sequences from life, showing how Krleza's youthful distaste for the bourgeois concept of "love" can be actualized in a fundamentally different social environment.