Tamara Steffan

When a crass new-money tycoon's membership application is turned down at a snooty country club, he retaliates by buying the club and turning it into a tacky amusement park.

AMOR is an exquisite lyric, shot in Rome and at the natural theatre of Salzburg. The recurring sounds of cutting cloth, hands clapping, hammering, and tapping underline the associations of the montage of short camera movements, which bring together the making of a suit, the restoration of a building, and details of a figure, presumably Beavers himself, standing in the natural theatre in a new suit, making a series of hand movements and gestures. A handsomely designed Italian banknote suggests the aesthetic economy of the film: the tailoring, trimming, and chiseling point to the editing of the film itself.

My Hand Outstretched to the Winged Distance and Sightless Measure is a film cycle by American avant-garde filmmaker Robert Beavers. It consists of eighteen films in three parts. The films were made from the late 1960s through the early 2000s in different European countries. Most of the works in the cycle are radically re-edited, condensed versions of the original films. The cycle premiered in its entirety in 2005.