Takae Niyama

Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.

Divorced salaryman Yoji has just buried his mother in Tokyo. With few meaningful relationships left, he comes to grips with the realization that he has nothing to live for. A chance encounter with Minerva, a Filipina migrant worker who appears to sense his sadness, urges him to see his situation in a new way. A former nightclub entertainer, Minerva now works as a caregiver to provide for her only child in the Philippines. When Yoji discovers the decomposing corpse of his neighbor, an old man whose name he does not know, the death is ruled a kodokushi, or the lonely death. Unwilling to meet the same fate, Yoji throws caution to the wind to follow Minerva to Manila, the capital city of the Philippines.