Catherine Masud

This historic film, completed in 1995 by filmmaking duo Tareque Masud and Catherine Masud tells the true story of a troupe of singers traveling through the refugee camps and zones of war during the Bangladesh Liberation War in 1971. The film blends documentary and fictional genres in a musical structure to tell the story of the birth of a nation and the ideals of secularism and tolerance on which it was founded. The filmmakers combined footage of the cultural troupe and their activities, shot by American filmmaker Lear Levin in 1971, with historic footage collected from archives around the world, to create “Muktir Gaan” (Song of Freedom).

A family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world.

After the documentary movie Muktir Gaan (1995), few teenagers visiting in some independence war 71' devastated villages in search of some real scary stories of the days of the war.

Narir Kotha is an exploration of the experience of women in the Bangladesh Liberation War of 1971. During the war, thousands of women were systematically raped and tortured by the Pakistan Army and their collaborators. But they were not only victims of sexual violence, they were also in the front lines of the popular resistance against the occupying Army, as fighters and martyrs. Narir Kotha is an attempt to explore some of these stories, through the words of the women themselves.

A mother and her son return to their home in Sylhet, Bangladesh after 15 years abroad and try to retrace their roots. Beginning with the death of the father of the family, the film proceeds with the central characters seeking a link to their lives.

The grim news made international headlines: On August 21, 1971, prison authorities discovered a gun on famed Soledad Brother author, activist and San Quentin inmate George Jackson. A shootout ensued, killing Jackson, two other inmates and three guards, and wounding three more officers. Authorities asserted that only lawyer Stephen Bingham could have smuggled the weapon into the prison. Fearing that a conviction for abetting the guards’ deaths would lead to his own murder, the attorney fled, beginning a long, strange odyssey of pseudonymous exile. Strange indeed for the Yale-graduate scion of politically prominent New England elites.

This historic film, completed in 1995 by filmmaking duo Tareque Masud and Catherine Masud tells the true story of a troupe of singers traveling through the refugee camps and zones of war during the Bangladesh Liberation War in 1971. The film blends documentary and fictional genres in a musical structure to tell the story of the birth of a nation and the ideals of secularism and tolerance on which it was founded. The filmmakers combined footage of the cultural troupe and their activities, shot by American filmmaker Lear Levin in 1971, with historic footage collected from archives around the world, to create “Muktir Gaan” (Song of Freedom).

A family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world.

A family must come to grips with its culture, its faith, and the brutal political changes entering its small-town world.

After the documentary movie Muktir Gaan (1995), few teenagers visiting in some independence war 71' devastated villages in search of some real scary stories of the days of the war.

Narir Kotha is an exploration of the experience of women in the Bangladesh Liberation War of 1971. During the war, thousands of women were systematically raped and tortured by the Pakistan Army and their collaborators. But they were not only victims of sexual violence, they were also in the front lines of the popular resistance against the occupying Army, as fighters and martyrs. Narir Kotha is an attempt to explore some of these stories, through the words of the women themselves.

Narir Kotha is an exploration of the experience of women in the Bangladesh Liberation War of 1971. During the war, thousands of women were systematically raped and tortured by the Pakistan Army and their collaborators. But they were not only victims of sexual violence, they were also in the front lines of the popular resistance against the occupying Army, as fighters and martyrs. Narir Kotha is an attempt to explore some of these stories, through the words of the women themselves.

A mother and her son return to their home in Sylhet, Bangladesh after 15 years abroad and try to retrace their roots. Beginning with the death of the father of the family, the film proceeds with the central characters seeking a link to their lives.

A mother and her son return to their home in Sylhet, Bangladesh after 15 years abroad and try to retrace their roots. Beginning with the death of the father of the family, the film proceeds with the central characters seeking a link to their lives.

The grim news made international headlines: On August 21, 1971, prison authorities discovered a gun on famed Soledad Brother author, activist and San Quentin inmate George Jackson. A shootout ensued, killing Jackson, two other inmates and three guards, and wounding three more officers. Authorities asserted that only lawyer Stephen Bingham could have smuggled the weapon into the prison. Fearing that a conviction for abetting the guards’ deaths would lead to his own murder, the attorney fled, beginning a long, strange odyssey of pseudonymous exile. Strange indeed for the Yale-graduate scion of politically prominent New England elites.

A young man who lives nearby an airport finds himself in trouble upon meeting a mysterious stranger.

A young man who lives nearby an airport finds himself in trouble upon meeting a mysterious stranger.

Set against the backdrop of the Pakistan Army crackdown during Bangladesh’s 1971 war, this political thriller follows a student activist who takes refuge from the Pakistan army in a local barbershop.

This is a film which challenges our notions of child labor. It peeks into a world where the concept of childhood as we know it has no meaning, where children support their parents, and where work is just another part of growing up. This is Dhaka, Bangladesh. Following several children over a period of six years, A KIND OF CHILDHOOD is an attempt to focus on the realities of child labor, with real children, their struggles and dreams.

'Narir Kotha' (Women and War) is a tribute to the sacrifice and contribution of women during the Bangladesh Liberation War. The film explores issues of rape, genocide, and militant resistance through several stories of women from different backgrounds. Their wartime stories, whether as victims of rape and violence, as freedom fighters, as refugees, or as religious and ethnic minorities, are a testament to dignity and courage and a call for justice.—tarequemasud.org

The current struggles and future dreams of working children in Bangladesh