Pascal Rémy

Henry can't control himself : he's got to cheat, con, plot. It's not his fault, it's his nature ! Underhand deals, compromise, lies, and betrayals are the daily lot of this guitarist for provincial village dances. And he has no qualms about anything : getting his depressed sister committed, ripping off his mother who's grief-stricken after the death of her companion, compromising himself with an extreme right-wing party.

A "camera-less" stop motion film made entirely using a photo-copier.

A man jumps off a train and soon after arrives in a sort of dressing room where a mannered individual is copiously putting on make-up. Between the man and this stranger a dialogue is established, the first one telling a story that happened to him with a woman... or rather his quest for a woman, his hesitations, his feelings of hope, joy and anguish. In return, he will only get laconic and disillusioned, ironic, even aggressive answers until he is properly and simply chased away.

Henry can't control himself : he's got to cheat, con, plot. It's not his fault, it's his nature ! Underhand deals, compromise, lies, and betrayals are the daily lot of this guitarist for provincial village dances. And he has no qualms about anything : getting his depressed sister committed, ripping off his mother who's grief-stricken after the death of her companion, compromising himself with an extreme right-wing party.

A "camera-less" stop motion film made entirely using a photo-copier.

A "camera-less" stop motion film made entirely using a photo-copier.

A man jumps off a train and soon after arrives in a sort of dressing room where a mannered individual is copiously putting on make-up. Between the man and this stranger a dialogue is established, the first one telling a story that happened to him with a woman... or rather his quest for a woman, his hesitations, his feelings of hope, joy and anguish. In return, he will only get laconic and disillusioned, ironic, even aggressive answers until he is properly and simply chased away.