Mark Mothersbaugh

Live from Radio City Music Hall, witness the concert of a lifetime with a star-studded lineup bringing together legendary Saturday Night Live hall-of-famers, iconic guests and surprise musical performances.

When Champion City's hero Captain Amazing is kidnapped by the recently paroled supervillain Casanova Frankenstein, a trio of average, everyday superheroes -- Mr. Furious, the Shoveler and the Blue Raja -- assemble a new super team to save him.

Music is an integral part of most films, adding emotion and nuance while often remaining invisible to audiences. Matt Schrader shines a spotlight on the overlooked craft of film composing, gathering many of the art form’s most influential practitioners, from Hans Zimmer and Danny Elfman to Quincy Jones and Randy Newman, to uncover their creative process. Tracing key developments in the evolution of music in film, and exploring some of cinema’s most iconic soundtracks, 'Score' is an aural valentine for film lovers.

Urgh! A Music War is a British film released in 1982 featuring performances by punk rock, new wave, and post-punk acts, filmed in 1980. Among the artists featured in the movie are Orchestral Manoeuvres in the Dark (OMD), Magazine, The Go-Go's, Toyah Willcox, The Fleshtones, Joan Jett & the Blackhearts, X, XTC, Devo, The Cramps, Oingo Boingo, Dead Kennedys, Gary Numan, Klaus Nomi, Wall of Voodoo, Pere Ubu, Steel Pulse, Surf Punks, 999, UB40, Echo & the Bunnymen and The Police. These were many of the most popular groups on the New Wave scene; in keeping with the spirit of the scene, the film also features several less famous acts, and one completely obscure group, Invisible Sex, in what appears to be their only public performance.

Take one look at award-winning songwriter / artist Allee Willis and you see someone unafraid to be themselves. Dressed in a cacophony of prints and colors, her signature asymmetrical haircut and famed parties at her real-life Pee-Wee’s Playhouse, Allee didn’t waste any opportunity to tell you what she was about. But privately, Allee struggled with not fitting established gender and sexual norms. She buried herself in her work, until true love manifested her ultimate masterpiece - self-acceptance.

A failing television station is bought out by a slick TV evangelist and starts making mountains of money in the guise of religious programming, which is actually just an excuse to sell merchandise.

Originally formed amidst the chaos of the 1970 Kent State anti-Vietnam War protest killings, the not quite new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution."

Future Americans decide to time travel to 1776 to ask the founding fathers for the solutions to their problems. A glitch in the time machine changes their destination to 1976. Still believing themselves to be in 1776, the time travellers attempt to study this "ideal" civilization. 70's jokes, props and stars abound.

The new owner of a roadside diner stuck in a town built around an always leaking nuclear power plant plans to torch the place to collect insurance. However, an assortment of bizarre characters and weird events (such as spaceships flying around) gets in his way.

A documentary chronicling the filmmaking career of Dennis Hopper.

Raised in the Tennessee mountains, Wayne White started his career as a cartoonist in NYC. He quickly found success as one of the creators of the Pee-wee's Playhouse TV show which soon led to more work designing some of the most arresting and iconic images in pop culture. Recently his word paintings featuring pithy and and often sarcastic text statements finely crafted onto vintage landscape paintings have made him a darling of the fine art world. The movie chronicles the vaulted highs and crushing lows of an artist struggling to find peace and balance between his professional work and his personal art. This is especially complicated for a man who struggles with the virtues he most often mocks in his art...Vanity, ego and fame.

Interviews with individuals involved in the making of Wes Anderson's 1996 film "Bottle Rocket."

A documentary on the life and music of manic-depressive, paranoid-schizophrenic cult music icon Wild Man Fischer.

A brain-crushing collage of music and video presented in the form of a religious recruitment video. The topics covered (in deadpan narration) are basic psychology, the origin of the human race, spiritualism, religious dogma, UFO's, the end of the world, and the group's figurehead, J.R. "Bob" Dobbs.

The programme includes The Damned’s set-smashing performance on The Old Grey Whistle Test and the Sex Pistols' anarchic trip on the Thames. It also features powerful live performances from Iggy Pop, Patti Smith, Gang of Four, Linton Kwesi Johnson, Tubeway Army, Ian Dury and the Blockheads, Siouxsie and the Banshees, Soft Cell, The Selecter, Joy Division and the Au Pairs. In addition, there are gems from The New York Dolls, The Fall, Blondie, Pete Shelley, The Police, Devo, X-Ray Spex, Klaus Nomi, Laurie Anderson and many more.

What happens when a generation's ultimate anti-authoritarians — punk rockers — become society's ultimate authorities — dads? With a large chorus of punk rock's leading men — Blink-182's Mark Hoppus, Red Hot Chili Peppers' Flea, Rise Against's Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band's anthem, "Fuck Authority", to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.

Taking Punk to the Masses: From Nowhere to Nevermind visually documents the explosion of Grunge, the Seattle Sound, within the context of the underground punk subculture that was developing throughout the U.S. in the late 1970s and 1980s. This decade-and-a-half musical journey will be represented entirely through the lens of EMP’s oral history and permanent object collection, an invaluable and rich cultural archive of over 800 interviews and 140,000 objects - instruments, costumes, posters, records and other ephemera dedicated to the pursuit of rock n roll.

"This lone video artifact offers indisputable evidence that in 1980 Devo had reached a turning point. We were no longer just art monsters, we were mainstream performers too. " - Gerald V. Casale (from the back of the DVD case) August 17, 1980 Phoenix Theater, Petaluma

Members of pioneering New Wave band Devo and golfing legend Chi Chi Rodríguez recall how their paths crossed when Devo used an image of Chi Chi for their debut album.

A concert film capturing Devo at the Fox Theatre in Oakland on their 2014 "Hardcore Tour," in which they performed 21 songs written and recorded before they signed with a major record label, many of which had never been performed live. The set is intercut with stories and commentary from the band members, as well as Toni Basil and V. Vale.

A documentary about DEVO

Live performance of DEVO's debut album, "Q:Are We Not Men? A:We Are DEVO" at the Forum, London in 2009.

Like The Men Who Make the Music, We're All Devo! has a storyline to tie the videos together. In it, the character of Rod Rooter (Michael W Schwartz) is reviewing Devo's music videos for Big Entertainment. Much to his chagrin, his daughter Donut Rooter (Laraine Newman) is a fan of the band. Donut discovers the videos after asking her father for money to get an abortion (though this is not explicitly stated). Two excerpts from the storyline were included in the "Complete Truth About De-Evolution" laserdisc and DVD (both out of sequence) but the rest is exclusive to this videocassette. "Theme from Doctor Detroit" was also not included, and is unique to this tape. (Wikipedia)

Enter the minds of one of history's most misunderstood bands. With hits such as 'Whip It' & 'Freedom of Choice', they shared a trailblazing environmental message but were often mocked. 40 years later, we ask: were Devo right?

Part concert film, music video collection, and propaganda piece, The Men Who Make the Music was DEVO's first home video release. Features live footage from the band's 1978 "Duty Now for the Future" tour.

Several factory workers finish their day at work and get into a car. They drive to a club where they perform the song Secret Agent Man as a rock quartet. A man with a mask of a child named Booji Boy runs into a building where his father, a man named General Boy is waiting. Subsequently, a man gives a lecture by song on the subject of devolution.