Park Mi-hyeon

When a raging flood traps a researcher and her young son, a call to a crucial mission puts their escape — and the future of humanity — on the line.

Two sisters return home after a stay in a mental institution, only to face disturbing events and a strained relationship with their stepmother. As eerie occurrences unfold, dark family secrets begin to surface, blurring the line between reality and nightmare.

In a world where an AI programme allows people to communicate with their deceased loved ones, a flight attendant and a mother question the meaning of reality and humanity.

In the snowy seaside town of Sokcho, 25-year-old Soo-Ha works at a guesthouse. She drifts between her mother’s fish stall and her boyfriend until a French artist’s arrival stirs questions about her identity. As winter deepens, Soo-Ha and the artist form an unspoken connection through food and art.

Min-ho's adulterous lover Se-hee is murdered in a hotel where only the two of them were present, and Min-ho is immediately singles out as the prime suspect. Insisting on his innocence, Min-ho hires the talented lawyer Shin-ae to defend him, and confesses to her that a car accident on the day before may be connected to Se-hee's murder.

When filmmaker Young-soo introduces writer Soo-jung to his friend Jae-hoon, he unintentionally creates a love triangle. While Jae-hoon pursues Soo-jung, Young-soo clashes with his crew. Yet, just as the story appears to end, it starts all over again, this time with plenty of variations.

On the afternoon of the day before her school trip, Se-mi wakes up from her strange dream and heads to her Ha-eun. It was because she felt like she had to convey the feelings she had been holding back for a long time today. However, unlike her overflowing heart, the two keep falling apart.

Yong-ju, Gi-woong and Gi-taek used to be best friends in middle school, but in high school, Gi-woong becomes a member of the gang that bullies Gi-taek. As Yong-ju tries to fix this broken relationship, he realizes his special feeling toward Gi-woong.

"Short! Short! Short! 2009" is an anthology film commissioned by the Jeonju International Film Festival (JIFF) to celebrate its 10th anniversary. The film consists of 10 short films centered around the theme of "Money," made by 10 up & coming directors in South Korea.

Anna learns in prison that her mother has passed away in Seattle. Prison officials grants Anna a three day furlough to attend her mother's funeral. Anna embarks on a long trip to Seattle. Hoon is a Korean immigrant who works as a gigolo. Hoon is now on the run from a wealthy client's furious husband. These two seemingly lost souls are about to share three memorable days together.

When Sun-oh's abusive father dies while on duty as a firefighter, he feels a sense of liberation. As he dreams of a new life, his mother and sister seem to have forgotten the violence they endured. Confused, Sun-oh falls in with delinquent friends and starts his first relationship hoping to leave his father behind. However, at his father's memorial ceremony, Sun-oh shatters as his mother and sister speak of forgiveness.

Children who refuse to live with their families or give up on the streets work at a bar or steal money. When you don't have money, you'd rather starve than give up playing. Several people have to bowl as much as they want, jump out of the window with their lives, and dance with real dancers at a rock cafe.

Su-min is an orphan trying to balance work in a factory with study at an art college and an evening job. One night, a rich young businessman makes an advance on him during one of his driving jobs.

In response to a sudden dismissal of staff, workers at a big retail store begin a protest against their employer's oppressive labor policies.

On March 26, 1991, five boys set off to the mountain to go frog hunting and never come back to their family. While a documentary producer, detective and professor try to solve the mystery of the incident, one of the boys' parents is a suspect.

Funded by the National Human Rights Commission of Korea. If You Were Me 5 takes a close look at the violent nature hidden behind our eyes. 5 directors- Kang Yi Kwan, Boo Ji Young, Yoon Sung Hyun, Kim Dae Seung and Sin Dong Il disclose how closely ordinary events of society connect with our eyes. There is a hidden sexual violence beyond our eyes and the power of a controlled society works through the power beyond the eyes. Not only the violence of the eye itself, also limited the ability of individuals to see, the matter of the eye intervenes in various relationships between the individual and groups. The film demonstrates how sharp the eye has become in a society with developing technology.

The detective Hyun-soo tries to track down a girl who disappeared off of a cliff during a stormy night.

Returning from eight years abroad at work and in prison, Jeong-il struggles to reconnect with his wife and their young daughter, Ye-sol, whom he barely knows.

An omnibus of short films about gay men’s relationships and partings. Kim Chuja is a fantasy musical about two men who were lovers in the past and meet by chance. Floating Island is a quiet, sad love story about a man who wants to leave and a man who wants to hold him back. In La Traviata, a woman comes to Bogil Island to meet her dead husband’s lover. She’s angry when she sees him happy. She sees the red camellia flowers and she comes to terms with her husband’s homosexuality while recovering from the hurt.

A woman breaks up with her boyfriend of seven years. Devastated, she throws herself into another relationship and decides to get married, only to have her exboyfriend return to her...

A story of three families living different but similar lives. They always fight and quarrel, but love is the common denominator for their relationship, making people think about what families are for.

When his mother goes missing, Lee Ho-yeon sets out to search for her. In the course of that journey, he discovers his parents' pasts during the democracy protests of the 1980s when student activists rose up against the repressive Chun Doo-hwan regime. Reading a book written by his mother, Ho-yeon uncovers a story of hope, love and betrayal, and struggles to understand painful secrets that have been hidden away for thirty years.

The most important thing for Na-young, who has lived her entire life in a small seaside village, is taking care of her family and friends. However, her mother tries to sell their precious house full of memories, and her younger brother insists on moving to Seoul. While Na-young struggles to accept the changes, she comes across bowling and begins to spend more and more time at the bowling alley.

Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+