Amleto Palermi

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Based on a play by Luigi Capuana, the black-and-white movie revolves around a comical matchmaker.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Based on a play by Luigi Capuana, the black-and-white movie revolves around a comical matchmaker.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

An aging count courts a beautiful singer who is also wooed by his son-in-law.

An aging count courts a beautiful singer who is also wooed by his son-in-law.

No synopsis available yet.

No synopsis available yet.

Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.

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No synopsis available yet.

Two Favazza's families want the patrimony of the dead uncle. The Cav. Favazza thinks to be the only heir and he starts spending money making debits. But the old uncle in his will has left his patrimony to both families and the poor Cav. Favazza doesn't know how to pay his debits.....

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No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

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Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.

The Confessions of a Woman (Italian: Le confessioni di una donna) is a 1928 Italian silent drama film directed by Amleto Palermi.[1] The film relates a woman falling into high-class prostitution, and her eventual redemption. It is set in Palermo.

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No synopsis available yet.

Carnevalesca with the beautiful Lydia Borelli is divided into four parts: white carnival - innocent and pure childhood, blue carnival - love and youth, red carnival - violent and destructive passion, black carnival - death and madness.

A silent precursor to the Indiana Jones adventures. Sydney played a double role as an American billionaire who has robbed a precious jewel from an Eastern temple and as a penniless painter who substitutes the other, not knowing that the Khama devotees are plotting a merciless revenge. Two kind souls, however, are watching over the menaced painter and help him out of many dangers; one is his girlfriend (Dolly Morgan).

Italian silent film.

The noble Pantaleo Di Santa Paola has just died, and the preamble to his will is a confession in which he claims that in his youth he had a relationship with a circus rider that produced twin sons.

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No synopsis available yet.

An elderly chestnut vendor lives in poverty but once a month puts on a show with silk and a carriage to impress her daughter in a convent. One day she is robbed of her meager savings.

An elderly chestnut vendor lives in poverty but once a month puts on a show with silk and a carriage to impress her daughter in a convent. One day she is robbed of her meager savings.

An elderly chestnut vendor lives in poverty but once a month puts on a show with silk and a carriage to impress her daughter in a convent. One day she is robbed of her meager savings.

Mastr'Antonio Miciaccio caretaker and shoemaker is devoted to Saint John Beheaded and is trying to find out who has been stealing the oil that keeps the candle to the saint burning. He also does not approve of his daughter's boy friend and he does not want him to marry her.

Mastr'Antonio Miciaccio caretaker and shoemaker is devoted to Saint John Beheaded and is trying to find out who has been stealing the oil that keeps the candle to the saint burning. He also does not approve of his daughter's boy friend and he does not want him to marry her.

It is only the prospect of having a child that draws the otherwise strictly urban new wife, Suzanne, to a family farm, she really doesn't care for the countryside of for her in laws.

This film was not based on the famous one-act opera of Pietro Mascagni but rather on the original story by the Sicilian writer Giovanni Verga. It's the story of Santuzza, her love Turiddu, and his passion for the married Lola that leads to his death in a duel when Lola's husband Alfio exacts satisfaction.

Seduced and abandonned by her fiance, Maria Ferrante leaves home to avoid any scandal. She is trying to find work and place to stay but one misfortune after another comes into her life Venice Film Festival 1940