Vlado Novak

The newest tycoon Robert wants to gets his hands on the land where the driving school stands and build a modern shopping center in it's place instead. It is during this acquisition that lands him in an altercation with Instructor Jože, whose wife left him and Roberts daughter Lija. Lija is determined to go to driving school in spite of his father's prohibition. Besides the tense that portray the ruthlessness of our world, the story offers a range of warm and interesting human relationships seen as part of our everyday lives.

In the revolutionary year of 1968, Stane is an active rebel student. Mojca is a freshman, has a boyfriend named Vid, whom she met at the carnival party. There she also met her later husband Stane. Vid leaves for military service, while Stane successfully avoids it. During the glorification of this event, Mojca and Stane come together intimately. Upon his return from the army, Vid discovers this love triangle. Stane and Mojca get married. The death of the child and the awareness that Stane is cheating on her, leads Mojca to divorce.

Documentary drama Partisan Priest is based on the dramatic life story of Slovenian priest and partisan Jože Lampret. All his life, this uncompromising fighter for justice and equality strived to reconcile the irreconcilable: Christian practice and international socialism. In the end, he was betrayed by both – not the ideas, but by those who saw him as the enemy or merely the means to get what they wanted. A story which indirectly reflects the present day.

A political drama with elements of a thriller discusses politics, electoral fraud, and the decay of moral values, taking place in the fictional town of Rovte under the idyllic Alps. Franta, a corrupt mayor, is about to lose the election. After a TV debate, where he fails utterly, Franta calls his mistress Jozica in desperation. She advises him to seek the aid of Fleischmann, a criminal who is the only one capable of solving the problem on such short notice. After all, there are only four days left until the elections.

The film explores creativity in a different, not necessarily psychoanalytic, but certainly self-purgative and self-critical way. This is a story of the creative processes of a director, screenwriter, musician and versatile artist Vinci Vogue Anžlovar. A person with a personality disorder, a witty and insightful author with borderline tendencies. Four feature films, music for his band and feature films, theatre, short films. But all this in some state of conflict – clashes with producers, slapping a minister, breaking the jaw of an actor, fits of rage, anxiety, drugs, gambling, divorces, poverty, wealth, depression, rehab...

After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.

Los Angeles in 1935. Fritz Lang receives in his hotel apartment the young film amateur Willy, who wants to prepare an interview with him. At a certain moment Lang starts relating how, as an army officer in the First World War, he spent some time in the house of the lawyer Karol Gatnik in a small town in the northeast of Slovenia. Lang makes friends with Gatnik and gets aquainted with all members of his family. When Lang finds out that Gatnik is a passionate film amateur and that he also possesses his own camera, they make a film together. This is probably Lang’s first contact with cinematography. Late at night Lang looks at the photographs in Los Angeles and revives in his spirit the imaginary meeting with his friend Gatnik.

Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".

A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.

Two girls who study theatre & drama and their friend photographer decide to rob a bank, using all sorts of their creative force and imagination to implement the idea.

In the wild times of the Second World War, Blanka marries political grandee Pavle, who is shortly afterwards sent to Goli Otok as a political prisoner. Blanka has enthusiasm for photography, becomes independent and opens a studio of photography with Laco. But soon she realizes that her business partner is an impostor. Pavle returns from prison, but their relationship, despite awareness of the political interference in their intimate sphere, imbues the bitter chill and misunderstanding. Blanka tries to drown her endless problems in alcohol and seduce her only male friend, but her last rescue, the thread of love, is being interrupted as well. Is every love of Blanka Kolak sentenced to death, is love possible at all, is worth living without it?

Pero is a professional funeral speaker in a small Slovenian town. His unique gift is to make every funeral that extra bit special. Pero just can't help turning his eulogies into witty personal confessions that bring the grieving crowd to tears for all the wrong reasons.

Tadej and Lana, a young couple, are struggling through the world of drugs, dealers, addicts and prostitution. He is addicted to heroin and she is trying to help her boyfriend. When she realizes that all her efforts are in vain she becomes so desperate that she decides to take heroin herself in order to show Tadej how weak he is. Unfortunately the drug is stronger then her too and a year later she finds herself in the same situation. Now they are both in continuous search for daily fix.

Worker Maks Bigec decides to take things in his own hands when he hears that his factory will be closed. He takes the factory director as a hostage and demands that the state should reopen the factory.

Private detective Emil Marlovsek can boast a wealth of solved cases of run away and lost dogs. He is assisted in his work by his secretary Beba and Milivoj, a retired officer of the Yugoslav National Army. One evening, Emil encounters the beautiful Sara in the bar where he occasionally plays the piano and falls in love at first sight. The next morning Sara disappears. Not long after he is paid a visit by entrepreneur Grubelic whose wife is missing. Emil soon realizes that she is Sara and immediately starts to search for her. He discovers that Sara is being held prisoner by the mafia, on account of her husband's fishy business involving people in high places. The story's outcome is completely unexpected.

Poker is not just a game, it's a Philosophy! What happens when Borut, a modern-day anti-hero with no respect for rules, gets mixed up in it? Duro was sent to find out where his boss's missing money has got to, Matjaz is in the game so as to be near his love, Aljosa is trying to find himself in poker. Vesna, the dealer, tries to satisfy everyone, herself included, in this dangerous game... Consequently Borut gets tangled up in a cruel game for life, in a crime drama full of twist and bloody score-settling, in which it would be difficult to find a winner. Poker tells the truth about life, not just about death written in the cards.

Felix Langus is increasingly obsessed with the idea of communicating with supernatural forces, which warn him of the great peril of danger. Attacks of obsession are triggered by aggressive media, which are constantly challenged by dangerous information in a graduated rhythm. At his job as a driver, he has more and more problems. He's moved to an undemanding workplace, but his obsession proves to be dangerous even there, which leads him to unpredictable and grotesquely funny complications. Together with his psychotherapist, he can not escape a common fate...

The focus is on the disintegration of an idyllic relationship between parents, Marko and Dunja. This is due to a lack of respect, caused by loss of employment and a financial breakdown. In time, the parents are no longer able to bear their burden, which is thus increasingly weighing their children down. In Slovenia, the story from The Basics of Killing occurs on a daily basis, but it could happen anywhere. To those familiar with the phenomenon, the film will be a painful experience, to others, may it be a warning.

The main protagonists of the film are members of the gypsy family Mirga. Lutvija Belmondo Mirga narrates a story about four generations. Belmondo is the central character of the film, a gypsy king, who decided to establish his own gypsy village. He names it Shanghai. Belmondo makes a living smuggling and his power and influence grow big. He even gets the local police and politics on his side and that helps him to become untouchable for law. But with the downfall of Yugoslavia, smuggling of goods is replaced by smuggling of the arms. Though lucrative the business starts to threaten Belmondo’s personal life and he finds himself at the crossroads. Will he protect his own family or is he going to sacrifice his personal happiness for business ambitions?

The reconstruction of creation of an influential avantguarde movement called "Novo Mesto Spring" that arrived on Slovenian cultural scene during 1920s. Within this movement worked significant local artists such as composer Mario Kogoj, painter Rihard Jakopic, poet Danijel Bohoric and many others.

Leo is an Italian who lives in Slovenia. Vučko is a Bosnian who arrived to Slovenia as a child refugee. Leo continues to stay in Slovenia because of his ex-wife Tanja and his son Luka, hoping that they can become a family again. When the bank refuses to grant a loan Leo and Vučko would need to renovate their restaurant, they have no choice but to accept an offer from Gianni, a swindler. They are tasked with stealing Gianni’s truck so that he can collect the insurance money. However, instead of stealing Gianni’s truck, Leo and Vučko mistakenly steal a truck full of refugees. Vučko the refugee and Leo the migrant themselves thus inadvertently become responsible for destinies of people similarly unfortunate as they had once been. In order to solve their financial problems, they decide to sell the refugees. At first it seems that they are not indifferent towards these people, but with each passing day there is less and less humanity left in Leo and Vučko.

Slovenia, Australia and Tomorrow the World is a drama film with elements of comedy. The central character Boris works as a machinery maintenance man in a factory, hoping that his work and efforts will be awarded in the future. And indeed, he is given an opportunity by Cosmica, a company providing door-to-door sales and counselling services as well as investment in securities.

Set in socialist Yugoslavia in 1986, a humble and diligent factory worker falls into a 10-year shock right at his working place. He wakes up from coma in hospital in 1996 capitalist Slovenia, only to find out that he's left without job as being redundant.

Catholic priest Jon Urski has broken the rules. As a result he has to go to Mokus, an abandoned parish in the middle of a marsh which has been without a spiritual leader since the mysterious death of the previous parish priest Janos Talaber. Jon Urski is resolved to rebuild, with the help of the villagers, the ruined church at Mokus. But the people are afraid that restoring the church will arouse pagan demons. The wild waters are beginning to rise... Water is pouring into the restored church from all sides and begins to erase the border between reality and the dreams.