Grigori Kozintsev

Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so amused that she invites them to visit the Duke to provide some merriment at court. Among other deeds, Don Quixote frees some prisoners, who then turn upon him, and Don Quixote attacks a windmill that he imagines is a monstrous wizard.

The collection consists of five short stories: "The Meeting," "One of Many," "At the Old Nanny's," "One Hundred for One," and "The Incident at the Telegraph Office."

The second film of Alexander Sokurov's documentary series "Petersburg Diary" is dedicated to the outstanding Soviet film director Grigory Kozintsev

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Bashmachkin, a lowly, impoverished government clerk in St. Petersburg, endures workplace mockery and dedicates his meager savings to buying a new winter coat.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so amused that she invites them to visit the Duke to provide some merriment at court. Among other deeds, Don Quixote frees some prisoners, who then turn upon him, and Don Quixote attacks a windmill that he imagines is a monstrous wizard.

The collection consists of five short stories: "The Meeting," "One of Many," "At the Old Nanny's," "One Hundred for One," and "The Incident at the Telegraph Office."

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Bashmachkin, a lowly, impoverished government clerk in St. Petersburg, endures workplace mockery and dedicates his meager savings to buying a new winter coat.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

Lost film.

Lost film.

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

The final part of trilogy about the life of a young factory worker, Maxim. Following the Russian Revolution, Maksim is appointed state commissar in charge of the national bank. With great efforts, he learns the complexies of the banking trade and begins to fight off sabotaging underlings. Dymba, now a violent enemy of the Republic, tries to rob a wine store but is arrested with Maksim's help. Maksim also exposes a conspiracy of a group of tsarist officers who prepare an attempt against Lenin. He then joins the Red Army in its fight against the German occupation.

The final part of trilogy about the life of a young factory worker, Maxim. Following the Russian Revolution, Maksim is appointed state commissar in charge of the national bank. With great efforts, he learns the complexies of the banking trade and begins to fight off sabotaging underlings. Dymba, now a violent enemy of the Republic, tries to rob a wine store but is arrested with Maksim's help. Maksim also exposes a conspiracy of a group of tsarist officers who prepare an attempt against Lenin. He then joins the Red Army in its fight against the German occupation.

Satire of the bourgeoisie and the West, anti-religious propaganda, agitation for a new lifestye, sees a young female revolutionary in a military helmet and miniskirt, ride a motorcycle through St. Petersburg

Satire of the bourgeoisie and the West, anti-religious propaganda, agitation for a new lifestye, sees a young female revolutionary in a military helmet and miniskirt, ride a motorcycle through St. Petersburg

The second part of trilogy about the life of a young factory worker, Maxim. In July 1914, the Bolsheviks and Mensehviks compete for representation of the working-class in the Duma. Maksim, who just returned from exile, calls the workers to strike as a protest against the firing of six of their colleagues. The traitor Platon Dymba assaults Maksim, wounding him severely. When the strike unfolds the workers demonstrate by the thousands, the news of the outbreak of World War I suddenly arrives. Maksim gets drafted.

The second part of trilogy about the life of a young factory worker, Maxim. In July 1914, the Bolsheviks and Mensehviks compete for representation of the working-class in the Duma. Maksim, who just returned from exile, calls the workers to strike as a protest against the firing of six of their colleagues. The traitor Platon Dymba assaults Maksim, wounding him severely. When the strike unfolds the workers demonstrate by the thousands, the news of the outbreak of World War I suddenly arrives. Maksim gets drafted.

A biopic based on the life of Russian scientist and doctor Nikolai Ivanovich Pirogov (1810-1881), famous for being the founder of field surgery.

A biopic based on the life of Russian literary critic Vissarion Belinsky (1811–1848). The production of the film was completed in 1951, but it was not released until 1953, following the reshooting of various scenes demanded by Stalin.

A biopic based on the life of Russian literary critic Vissarion Belinsky (1811–1848). The production of the film was completed in 1951, but it was not released until 1953, following the reshooting of various scenes demanded by Stalin.

A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. Picture is one of the Soviet prize winners and has particular merits in realistic performance, photography and movement, plus some musical touches in way of folk songs."

A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. Picture is one of the Soviet prize winners and has particular merits in realistic performance, photography and movement, plus some musical touches in way of folk songs."

A 1945 Soviet war film which, along with the second part of Eisenstein's Ivan the Terrible was harshly criticized by Andrei Zhdanov and banned. A version of the film, released in 1956 during the Khrushchev Thaw, was disowned by director Grigori Kozintsev because the reediting was done without his participation.

A 1945 Soviet war film which, along with the second part of Eisenstein's Ivan the Terrible was harshly criticized by Andrei Zhdanov and banned. A version of the film, released in 1956 during the Khrushchev Thaw, was disowned by director Grigori Kozintsev because the reediting was done without his participation.

One of the anthology films about Soviet citizens resisting the Nazi invaders during World War II, the feature consists of two stories, one about a teenage woman telephone operator who sacrifices herself, the other about a farm girl tending a sick pig who deals with two paratroopers seeking shelter.

Young Soviet navy sailor Vanya Shorin misses his ship after meeting a girl at a funfair. They ride a carnival attraction called The Devil's Wheel, which triggers a series of events pulling the sailor into a dangerous criminal underworld before he finds the courage to return to his comrades.

A young teacher is sent to a remote province, separating her from her lover, and sets about the difficult task of building a school there.

A young teacher is sent to a remote province, separating her from her lover, and sets about the difficult task of building a school there.

No synopsis available yet.

Right before the Decembrist Revolt of 1825, a chevalier of fortune decides that it's time for a game. But on whom make a bet? He asks the cards. But he's not the only one who makes the choice.

War-time satire about the inhumanity of the nazis. Based on Samuil Marshak's play which was extremely popular among soldiers at the front.