Grigori Kozintsev

Directing

Grigori Kozintsev

Born 1905-03-22 · Kiev, Ukraine, Soviet Union

Grigori Mikhailovich Kozintsev (Russian: Григорий Михайлович Козинцев; 22 March [O.S. 9 March] 1905 – 11 May 1973) was a Soviet theatre and film director, screenwriter and pedagogue. He was named People's Artist of the USSR in 1964. In 1965 he was a member of the jury at the 4th Moscow International Film Festival. Two years later he was a member of the jury of the 5th Moscow International Film Festival. In 1971 he was the president of the jury at the 7th Moscow International Film Festival.

Acting credits

Behind the camera

Don Quixote poster
6.7

Senor Quexana has read so many books on chivalry that he believes that he is the knight Don Quixote de la Mancha. So Don Quixote sets off on his horse, accompanied by his squire Sancho Panza on a mule, to perform valiant deeds. They mistakenly save the Lady Altisidora who is so amused that she invites them to visit the Duke to provide some merriment at court. Among other deeds, Don Quixote frees some prisoners, who then turn upon him, and Don Quixote attacks a windmill that he imagines is a monstrous wizard.

Don Quixote

1957

Hamlet poster
7.3

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Hamlet

1964

Hamlet poster
7.3

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Hamlet

1964

King Lear poster
6.7

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

King Lear

1970

King Lear poster
6.7

King Lear, old and tired, divides his kingdom among his daughters, giving great importance to their protestations of love for him. When Cordelia, youngest and most honest, refuses to idly flatter the old man in return for favor, he banishes her and turns for support to his remaining daughters. But Goneril and Regan have no love for him and instead plot to take all his power from him. In a parallel, Lear's loyal courtier Gloucester favors his illegitimate son Edmund after being told lies about his faithful son Edgar. Madness and tragedy befall both ill-starred fathers.

King Lear

1970

No artwork available
NR

Lost film.

Мишки против Юденича

1925

No artwork available
NR

Lost film.

Мишки против Юденича

1925

The New Babylon poster
6.1

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

The New Babylon

1929

The New Babylon poster
6.1

In the short-lived Commune of Paris, a conscripted soldier falls in love with a Communard saleswoman. As the army cracks down on the revolutionaries, the soldier is forced to fight against the Commune, and the pair's love is put to the test.

The New Babylon

1929

Collection of Films for the Armed Forces #2 poster
10.0

The collection consists of five short stories: "The Meeting," "One of Many," "At the Old Nanny's," "One Hundred for One," and "The Incident at the Telegraph Office."

Collection of Films for the Armed Forces #2

1941

The Adventures of Oktyabrina poster
10.0

Satire of the bourgeoisie and the West, anti-religious propaganda, agitation for a new lifestye, sees a young female revolutionary in a military helmet and miniskirt, ride a motorcycle through St. Petersburg

The Adventures of Oktyabrina

1924

The Adventures of Oktyabrina poster
10.0

Satire of the bourgeoisie and the West, anti-religious propaganda, agitation for a new lifestye, sees a young female revolutionary in a military helmet and miniskirt, ride a motorcycle through St. Petersburg

The Adventures of Oktyabrina

1924

Simple People poster
6.2

A 1945 Soviet war film which, along with the second part of Eisenstein's Ivan the Terrible was harshly criticized by Andrei Zhdanov and banned. A version of the film, released in 1956 during the Khrushchev Thaw, was disowned by director Grigori Kozintsev because the reediting was done without his participation.

Simple People

1945

Simple People poster
6.2

A 1945 Soviet war film which, along with the second part of Eisenstein's Ivan the Terrible was harshly criticized by Andrei Zhdanov and banned. A version of the film, released in 1956 during the Khrushchev Thaw, was disowned by director Grigori Kozintsev because the reediting was done without his participation.

Simple People

1945

The Youth of Maxim poster
5.7

A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. Picture is one of the Soviet prize winners and has particular merits in realistic performance, photography and movement, plus some musical touches in way of folk songs."

The Youth of Maxim

1935

The Youth of Maxim poster
5.7

A 1935 USA trade-paper reviewer called it... "an impressive and technically outstanding historical drama dealing with czarist terrorism and revolutionary boiling in the days of 1907. Picture is one of the Soviet prize winners and has particular merits in realistic performance, photography and movement, plus some musical touches in way of folk songs."

The Youth of Maxim

1935

The Overcoat poster
5.1

Soviet film based on "Nevsky Prospekt" and "The Overcoat" by Nikolai Gogol.

The Overcoat

1926

Alone poster
5.5

A young teacher is sent to a remote province, separating her from her lover, and sets about the difficult task of building a school there.

Alone

1931

Alone poster
5.5

A young teacher is sent to a remote province, separating her from her lover, and sets about the difficult task of building a school there.

Alone

1931

Belinsky poster
5.9

A biopic based on the life of Russian literary critic Vissarion Belinsky (1811–1848). The production of the film was completed in 1951, but it was not released until 1953, following the reshooting of various scenes demanded by Stalin.

Belinsky

1953

Belinsky poster
5.9

A biopic based on the life of Russian literary critic Vissarion Belinsky (1811–1848). The production of the film was completed in 1951, but it was not released until 1953, following the reshooting of various scenes demanded by Stalin.

Belinsky

1953

The Return of Maxim poster
5.3

The second part of trilogy about the life of a young factory worker, Maxim. In July 1914, the Bolsheviks and Mensehviks compete for representation of the working-class in the Duma. Maksim, who just returned from exile, calls the workers to strike as a protest against the firing of six of their colleagues. The traitor Platon Dymba assaults Maksim, wounding him severely. When the strike unfolds the workers demonstrate by the thousands, the news of the outbreak of World War I suddenly arrives. Maksim gets drafted.

The Return of Maxim

1937

The Return of Maxim poster
5.3

The second part of trilogy about the life of a young factory worker, Maxim. In July 1914, the Bolsheviks and Mensehviks compete for representation of the working-class in the Duma. Maksim, who just returned from exile, calls the workers to strike as a protest against the firing of six of their colleagues. The traitor Platon Dymba assaults Maksim, wounding him severely. When the strike unfolds the workers demonstrate by the thousands, the news of the outbreak of World War I suddenly arrives. Maksim gets drafted.

The Return of Maxim

1937

Pirogov poster
7.4

A biopic based on the life of Russian scientist and doctor Nikolai Ivanovich Pirogov (1810-1881), famous for being the founder of field surgery.

Pirogov

1947