Jean-Pierre Dardenne

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

At the 60th anniversary of Cannes Film Festival, 34 famous directors are followed by camera.

After the COVID-19 pandemic, Busan International Film Festival founder Kim Dong-ho, at eighty-five, picks up a camcorder for the first time and decides to make a documentary. His lens turns toward cinemas struggling through the crisis, as beloved theaters vanish amid dwindling audiences. Seeking to reconnect with old friends, "Mr. Kim" — now nearing ninety — travels the world to talk with filmmakers and cinephiles. Through these encounters, he reflects on cinema’s past and future, finding wisdom and resilience in a time of transformation. His journey becomes a meditation on change, memory, and the enduring spirit of film.

A documentary about the act of filmmaking.

A nostalgic look at the birth and death of arthouse film distribution in Russia in the early 2000s. The story of the company Cinema Without Borders and its two founders, Sam Klebanov and Anton Mazurov.

A documentary feature film about Vittorio De Sica, one of the greatest masters of world cinema. Through a new access to his family, rare archives and testimonies of contemporary artists and filmmakers from the entire world, the ilm retraces his life, his work and legacy. An intimate portrait of an author able to transform the observation of the real in an universal emotion and reveals the modernity of a gaze which keeps on illuminating cinema and our way of seeing the world.

From Martin Scorsese to Jane Campion, from Emir Kusturica to Quentin Tarantino, some of the greatest recipients of this trophy recall special moments relating to the award ceremony which closes the Cannes Film Festival. This film brings to light moving and personal stories, as surprising as they are varied, which all contribute to further enhancing the legend of the Palme d’Or.

French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.

No synopsis available yet.

Thirty-eighth documentary in the "Un film et son époque" series. It retraces the genesis, shooting and unexpected success of "Rosetta", a film by Belgian filmmakers Jean-Pierre and Luc Dardenne. Palme d'Or winner in 1999, "Rosetta" recounts the daily struggle of a young girl, played by Emilie Dequenne, who lives in a caravan with her alcoholic and depressive mother, struggling from one odd job to the next. All she wants is a normal life.

In eight films, Jacques Audiard has renewed French cinema, without alienating either the critics or the success. It is only at the age of 42 that he starts directing, after having been an editor and a scriptwriter. In 1994, he directed his first film, "Regarde les hommes tomber", whose conflicting shooting was an ordeal for this misanthropic beginner. It was with "Sur mes lèvres", in 2001, that he forged his cinematographic language: contained lyricism, deliberate imperfection of images, ellipses plunging the audience into a maelstrom of sensations. With each of his films, Jacques Audiard intends to renew himself, at the cost of challenges and doubts always more vivid.

The Dardenne brothers discuss their early documentary films, their relationship with Armand Gatti (who inspired them to become filmmakers), the impact various political events had on their career and work and the shooting of When Leon M.s Boat Went Down the Meuse for the First Time.

Directors Jean-Pierre and Luc Dardenne return to some of the key locations used in Two Days, One Night and explain how various sequences were shot.

Documentary about the Belgian filmmakers Jean-Pierre and Luc Dardenne trying to reveal their 'secret working method'

Award-winning filmmakers Jean-Pierre and Luc Dardenne profess their love for the classic "Modern Times." The directors expose their views on the many aspects of the film, Chaplin's brilliancy and they also provide interesting details about the making of Chaplin's masterpiece.

A “Cinéma, de notre temps” series episode directed by french film filmmaker Jean-Pierre Limosin, originally aired sometime around 2006.

An amused and impertinent chronicle that shares with us a few months of the life of independent art house cinemas with demanding programming. The film talks about freedom, independence, possible alternatives to multiplexes and programmed normalization, the role of the spectators in a process of resistance that is growing and takes us far beyond the cinema.

No synopsis available yet.

To give creativity free reign, in the space of fifty minutes: this is the strength of the documentary series Cinémas mythiques. This episode gives the critic Alain Bergala complete freedom to commemorate the original Éden de La Ciotat cinema. The oldest continuously operating cinema in the world first opened as a theatre in 1889, but the very same year it also hosted its first commercial film screening, comprised of nineteen Lumière “views”. Threatened with closure in the 1980s, the cinema was reopened in 2013 after a restoration project. This luminous documentary accompanies Jean-Pierre and Luc Dardenne over the course of a few days in October 2021 as they walk through the Teatro Éden, the shipyard and the Palais Lumière built by Antoine Lumière, the father of Auguste and Louis. And it does not forget the legendary station from L’Arrivée d’un train en gare de La Ciotat.

Documentary about the making of Luc and Jean-Pierre Dardenne's 2011 film "The Kid with a Bike"

Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job — not an easy task in this economy.

Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job — not an easy task in this economy.

Sandra is a young woman who has only one weekend to convince her colleagues they must give up their bonuses in order for her to keep her job — not an easy task in this economy.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Housed in a shelter for young mothers, Jessica, Perla, Julia, Ariane, and Naïma, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.

Housed in a shelter for young mothers, Jessica, Perla, Julia, Ariane, and Naïma, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.

Housed in a shelter for young mothers, Jessica, Perla, Julia, Ariane, and Naïma, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.

Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.

Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.

Young, impulsive Rosetta lives a hard and stressful life as she struggles to support herself and her alcoholic mother. Refusing all charity, she is desperate to maintain a dignified job.

In Belgium today, a young boy and an adolescent girl who have travelled alone from Africa pit their invincible friendship against the difficult conditions of their exile.

In Belgium today, a young boy and an adolescent girl who have travelled alone from Africa pit their invincible friendship against the difficult conditions of their exile.

In Belgium today, a young boy and an adolescent girl who have travelled alone from Africa pit their invincible friendship against the difficult conditions of their exile.

Bruno loved his job as a middle manager at a paper company, but optimistically views being laid off as an opportunity. After two years of searching for a comparable position, optimism turns to desperation. His wife works two jobs, and their marriage slowly deteriorates as their hold on the middle class slips away. Bruno concocts a grimly audacious plan to identify and kill his fellow job applicants so that he is the only qualified person left.

Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.

Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.

Abandoned by his father, a young boy is left in the hands of an unqualified childcare provider.

A joinery instructor at a rehab center refuses to take a new teen as his apprentice, but then begins to follow the boy through the hallways and streets.

A joinery instructor at a rehab center refuses to take a new teen as his apprentice, but then begins to follow the boy through the hallways and streets.

A joinery instructor at a rehab center refuses to take a new teen as his apprentice, but then begins to follow the boy through the hallways and streets.

In one fell swoop, nine-year old David Van de Steen lost his mother, his father and his sister in an attack by the Brabant Killers in Aalst. His grandfather, Albert, has the well-nigh impossible task of giving David a new perspective on life, a future.

Jenny, a young doctor who feels guilty after a young woman she refused to see winds up dead a few days later, decides to find out who the girl was, after the police can't identify the young woman.

Jenny, a young doctor who feels guilty after a young woman she refused to see winds up dead a few days later, decides to find out who the girl was, after the police can't identify the young woman.