Helma Sanders-Brahms

No synopsis available yet.

A look at the lives of 19th-century composers Clara and Robert Schumann.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Lucy, who is already human-like, claims that the first humans were mothers: The mother built a nest to secure the child when it became too heavy to carry. This is how she invented the house. She penetrated the dense branches with her voice to maintain contact with the child. That's how she invented language. Today, Lucy shakes her head and asks: "How did you let yourself be dragged down like that?".

Extensive dialogue and the tight focus of a single apartment setting marks this romantic and politically symbolic drama about Malgorzata, a Polish photographer (Krystyna Janda) and her married French lover Paul (Sami Frey). The two rendezvous in West Berlin to spend some time together before Malgorzata has to go back to Warsaw and Paul returns to his wife and daughter.

In order to be reunited with Mahmood (Ören), a man she was promised to as a young girl, 20-year-old Shirin (Erten) leaves the life she had in a small village in Turkey in search of him.

No synopsis available yet.

A look at the lives of 19th-century composers Clara and Robert Schumann.

A look at the lives of 19th-century composers Clara and Robert Schumann.

40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.

Extensive dialogue and the tight focus of a single apartment setting marks this romantic and politically symbolic drama about Malgorzata, a Polish photographer (Krystyna Janda) and her married French lover Paul (Sami Frey). The two rendezvous in West Berlin to spend some time together before Malgorzata has to go back to Warsaw and Paul returns to his wife and daughter.

Extensive dialogue and the tight focus of a single apartment setting marks this romantic and politically symbolic drama about Malgorzata, a Polish photographer (Krystyna Janda) and her married French lover Paul (Sami Frey). The two rendezvous in West Berlin to spend some time together before Malgorzata has to go back to Warsaw and Paul returns to his wife and daughter.

In order to be reunited with Mahmood (Ören), a man she was promised to as a young girl, 20-year-old Shirin (Erten) leaves the life she had in a small village in Turkey in search of him.

In order to be reunited with Mahmood (Ören), a man she was promised to as a young girl, 20-year-old Shirin (Erten) leaves the life she had in a small village in Turkey in search of him.

Documentary by Helma Sanders-Brahms.

Documentary by Helma Sanders-Brahms.

Documentary by Helma Sanders-Brahms.

Helma Sanders-Brahms directs this inventive film that uses the verse of Jewish poet Else Lasker-Schüler and Nazi poet Gottfried Benn to dramatize the passionate, real-life affair between the two unlikely lovers. Forced out of Germany, Lasker-Schüler makes her way to Jerusalem even as Benn discovers the true nature of the Nazi ideology he had once championed. Lena Stolze and Cornelius Obonya star.

Helma Sanders-Brahms directs this inventive film that uses the verse of Jewish poet Else Lasker-Schüler and Nazi poet Gottfried Benn to dramatize the passionate, real-life affair between the two unlikely lovers. Forced out of Germany, Lasker-Schüler makes her way to Jerusalem even as Benn discovers the true nature of the Nazi ideology he had once championed. Lena Stolze and Cornelius Obonya star.

Helma Sanders-Brahms directs this inventive film that uses the verse of Jewish poet Else Lasker-Schüler and Nazi poet Gottfried Benn to dramatize the passionate, real-life affair between the two unlikely lovers. Forced out of Germany, Lasker-Schüler makes her way to Jerusalem even as Benn discovers the true nature of the Nazi ideology he had once championed. Lena Stolze and Cornelius Obonya star.

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Germany 1939. Hans and Lene marry the day before the war breaks out, and Hans is sent to the Eastern front. During a bombing raid their daughter Anna is born. The house is destroyed and Lene and Anna moves in with relatives in Berlin. Hans survives the war but he is not the same person as in 1939, and he and Lene find it difficult to live together again.

Germany in the 50ies: A love story between an eastern spy and a western secretary who detects him (and her love) ...

Germany in the 50ies: A love story between an eastern spy and a western secretary who detects him (and her love) ...

Germany in the 50ies: A love story between an eastern spy and a western secretary who detects him (and her love) ...

TV movie by Helma Sanders-Brahms.

TV movie by Helma Sanders-Brahms.

Veronika is a young, devoutly religious Berlin woman from a strict bourgeois background diagnosed with schizophrenia. She experiences a profound mystical awakening, leading her to believe she is chosen by God to experience and absorb all human suffering through extreme asceticism and indiscriminate sexual encounters.

Veronika is a young, devoutly religious Berlin woman from a strict bourgeois background diagnosed with schizophrenia. She experiences a profound mystical awakening, leading her to believe she is chosen by God to experience and absorb all human suffering through extreme asceticism and indiscriminate sexual encounters.

Veronika is a young, devoutly religious Berlin woman from a strict bourgeois background diagnosed with schizophrenia. She experiences a profound mystical awakening, leading her to believe she is chosen by God to experience and absorb all human suffering through extreme asceticism and indiscriminate sexual encounters.

West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.

West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.

West Berlin, 1974. The revolution didn't happen like it was supposed. Grischa, a 30-year-old actress dissatisfied with standard left-wing politics, interviews working women to find out how they deal with being both mothers and members of society.

The film comprises a total of six episodes: in each, the authors seek to highlight the personal problems and feelings of three French and three German female filmmakers.

No synopsis available yet.

Emily, a child, stays with her bourgeois grandparents during frequent periods when her mother makes films. Isabelle wraps a picture, flies to her childhood home to pick up Emily, and plans to leave for her place in France. Old wounds between Isabelle and her parents open around Isabelle's life style. It's also apparent that Isabelle's mother, Paula, is unhappy - with her husband and with her youthful hopes dashed when she became pregnant with Isabelle. Unbeknownst to Isabelle, the co-star of the film she's just made has followed her, checked into a nearby hotel, and wants to begin an affair, even though he's married. Can Isabelle sort it out? What's best for Emily?

Emily, a child, stays with her bourgeois grandparents during frequent periods when her mother makes films. Isabelle wraps a picture, flies to her childhood home to pick up Emily, and plans to leave for her place in France. Old wounds between Isabelle and her parents open around Isabelle's life style. It's also apparent that Isabelle's mother, Paula, is unhappy - with her husband and with her youthful hopes dashed when she became pregnant with Isabelle. Unbeknownst to Isabelle, the co-star of the film she's just made has followed her, checked into a nearby hotel, and wants to begin an affair, even though he's married. Can Isabelle sort it out? What's best for Emily?

When East Germany ceases to be separate from its western half, one would think that things would be better for the couple in this movie who have been plagued by sexual and political harassment of the most virulent kind, but , they are completely unprepared to cope with the swift changes that are transforming their familiar yet desperately unhappy world. In the story, Heinz is a laborer in the cooperative apple orchards of an East German village and has married his sweetheart Lena. She works to take care of the sickly wife of the co-op's manager and also must cope with the sexual attentions of the perfidious man. One day, after discovering this state of affairs, Heinz blows up and assaults his wife's harasser, which only serves to land him in jail. While in prison, the state secret police (the Stasi) get him to help them entrap the co-op manager, whom they believe is going to try to defect.

Documentary about the soundtrack composer Werner Richard Heymann, who created many memorable soungs for german sound movies in the 1920s and early 1930s until he was forced to emigrate from Nazi Germany to Hollywood, where he continued working.

Documentary about the soundtrack composer Werner Richard Heymann, who created many memorable soungs for german sound movies in the 1920s and early 1930s until he was forced to emigrate from Nazi Germany to Hollywood, where he continued working.

Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...

Within four episodes ("Er am Ende", "Muss ich aufpassen", "Eva" and "Are You Lonesome Tonight?" ) are being told adventures of love sick Felix. On Sylt he meets two nymphomaniac women, in Hamburg he meets Eva, a girl who is even more love sick and later he meets Luci who gives him an indecent proposal. Thus he flees again...

Interviews and images from the work and leisure time of guest workers in the Federal Republic are combined into a militant appeal for solidarity.

Interviews and images from the work and leisure time of guest workers in the Federal Republic are combined into a militant appeal for solidarity.