Isabel Abreu

The story of a man. Maybe two. A father who leaves home taking nothing with him but the mailbox and a suitcase. He sits on a garden bench, on the street, waiting for a son's answer. Every day he sends him a letter and every day he hopes to get a letter back. Every day he combs his hair, puts a tie on, and shaves to be ready to receive that letter by the time the postman passes by.

When her mother dies, 40-year-old Helena now has time for herself after years of taking care of her family. She works at a film production company, dances boisterously, gets drunk. A quiet film about letting go morphs into a coming of middle age story.

After another night at work, Paulo can't park his car and drive home.

All sympathetic magic is based upon two principles: the first called the Law of Similarity says that “likes produce likes,” or that an effect resembles its cause; the second, called the law of contagion or contact says that all things having been in contact with each other continue to react upon one and another at a distance even after they have been severed or disconnected. A fearful man meets a disquiet woman. Do you believe in magic?

Rui is in the process of separation from Silvia, his wife and John, his son, realizing that his father can not get out of this situation and that he will never be happy, decides to ask for help from the mythical Bolivian hero "El Justiciero".

In the mid-1940s, in a Portugal mired in poverty and illiteracy, a group of boys work in the potteries of Alhandra, on the coast, collecting clay to make tiles and bricks. Gineto, Sagui, Malesso, Guedelhas and Gaitinhas form strong friendships and bonds of camaraderie, while dreaming of other places and embarking on liberating adventures, facing the harshness of work, the daily dramas of family life, hunger, abuse and injustice with courage, rebellion and determination. In the end, their unity always prevails in a world of adults who do not understand them.

The mysteriously familiar face of a deceased young woman shakes young surgeon Fabian out of his lethargy. On a whim, he leaves Berlin for Portugal, determined to win back his former girlfriend Doro, who works at an architectural company in Lisbon.

The mountain burns in the August heat. A firefighter falls, swallowed by the ground. The broken body survives as it can. Outside, the night descends.

Lisbon's traditional Saint Anthony's Weddings have hit rock bottom. At least, that's what Stardust, a major French multinational poised to take over the event, believes. Carmo and Valentim, two Lisbon City Hall employees who have spent more than 25 years organizing the celebrations, are given a harsh ultimatum: reinvent the event and turn it into a modern success, or lose their jobs. Directed by the filmmaker behind The Gilded Cage, Saint Anthony is a vibrant comedy and a heartfelt love letter to Lisbon. A celebration of human connection, identity, and cultural resilience in an increasingly globalized world.

After long years spent in exile in Paris, Lyubov, a strange and elusive woman, returns to her ancestral estate, about to be sold to pay off the family’s debts. As the centre around which the play revolves, forever oscillating between tragedy and comedy, this maternal figure, this mater dolorosa, played by Isabelle Huppert, returns to a family unsettled by the future of the estate, and more largely, by that of this world she left behind. Modern society, with its social changes, is right around the corner, noisily announcing its arrival.

A theatre having national as part of its name, at the top of a square, reflecting a country’s history. But which one? This is a voyage through the various narratives about D. Maria II National Theatre, forged through the intentions of the several regimes that intended to convey their own ideologies within the theatre’s mission. This is also the story of those who fought against it, opposed the institution and became part of it. How can one become heir of these stories, even if never having set foot inside.

A young adolescent, living with a swinger couple in a campsite, meets an emotionally unstable man and finds herself fascinated by his special powers.

A group of soldiers are sentenced for the murders of key political figures in the night of October 19th, 1921, in the streets of Lisbon. But the names of the conspirators remain unknown. Berta Maia, a widow of the 1910 revolution hero Carlos da Maia, will fight for the truth…

A young man drifts through a post-disaster African landscape looking for his mother's ghost.

A small village in Portugal, Águas-Altas, is being sued by a Spanish multinational corporation because the village hosts a website that uses the same name as an international brand of mineral water. A judicial battle for website begins, that quickly turned in to a media circus. Thus the residents of this small village, who are not even sure what the internet is, are forced defend their website and their villages honour.

Oscar, a renowned hypnotherapist, uses the last moments in his hotel room to say goodbye to the vertiginous Mercedes and rid old Norberto of his bitterness.

A boy in Lisbon, in this Lisbon in permanent renovation.

A pagan tradition in a village in the countryside of Portugal leaves painful traces in a group of young teenagers. 25 years later, when they meet again, the past resurfaces and tragedy sets in.

Ubu, instigated by his wife, murders King Venceslau and usurps the throne of Poland. Intoxicated by power, this grotesque and coward character conducts his reign in an absurd and cruel way, leading his kingdom to ruin. A cinematographic adaptation of Alfred Jarry’s play, a political satire that, cyclically, turns to the reality of world politics.

Two women victims of domestic violence exchange stories through the grids of a prison. One changes the life of another.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

Two friends, Nuno (Pedro Laginha) and Flash (Miguel Borges) live together and decide to rent one room of the house in order to have more money to pay the rent. that's when they meet Carla (Maria João Bastos) who might change their lives forever.

Paulo works as night security in a deactivated industrial complex. He lost his daughter in dramatic circumstances, and no regrets would console him. He sleeps at Luisa's house and witnesses the repeated transgressions of an unstable neighbour. Everything threatens to crack.

Five characters intersect at a sidewalk beginning a journey through their lives.