Marie Paccou

Originating from the filmmaker’s childhood confusion over an English expression regarding sex, Marie Paccou’s 1998 animation is the absurd, yet emotive tale of a woman who wakes one day to find a small man growing out of her abdomen.

In the middle of summer, a couple waits in a green garden for a fish growing on a tree to reach maturity. The wait is long, but the fish is finally red and the young woman can pick it.

This little film, which juxtaposes animated sand and scratching on 16mm film, was made during studies at the Royal College of Art. The starting point of this film was the sentence "but it's always when you're asleep that I want to talk to you", read on a wall in the underground... a phrase actually taken from a Mano Solo song.

A woman who lives with her childhood.

Three poets, twenty-four hands, a love song.

Originating from the filmmaker’s childhood confusion over an English expression regarding sex, Marie Paccou’s 1998 animation is the absurd, yet emotive tale of a woman who wakes one day to find a small man growing out of her abdomen.

In the middle of summer, a couple waits in a green garden for a fish growing on a tree to reach maturity. The wait is long, but the fish is finally red and the young woman can pick it.

In the middle of summer, a couple waits in a green garden for a fish growing on a tree to reach maturity. The wait is long, but the fish is finally red and the young woman can pick it.

This little film, which juxtaposes animated sand and scratching on 16mm film, was made during studies at the Royal College of Art. The starting point of this film was the sentence "but it's always when you're asleep that I want to talk to you", read on a wall in the underground... a phrase actually taken from a Mano Solo song.

A woman who lives with her childhood.

Three poets, twenty-four hands, a love song.