Éric van Beuren

Picha's irreverent style has left a mark on 70s and 80s animation cinema. But where is he now? And how should we best approach his work as an iconoclastic cartoonist, animated film and tv series director and painter who once embodied a certain idea of outrageousness and subversion?

On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.

The film follows two brothers over the course of a decade. While they begin as kids in search of thrills in the sprawling slums of Morocco’s Sidi Moumen, we witness their gradual, and ultimately shocking, radicalisation.

A Greek-Irish sailor becomes friends with a 10-year-old sampan girl while his freighter is docked in Hong Kong.

The story of is placed at the end of the 19th and at the second half of the 20th century. The locations are different and completely opposite: the rural Macedonia at one hand, and the urban environment of an industrial region in Belgium at another...

Three misfits live peaceful lives of idleness and resourcefulness until the day a scam more lucrative than any other comes their way. At the same time, their wives are all threatened with dismissal. Panic ensues. The three men dread imagining their future lives, with their wives nagging them day and night and no peace and quiet. How far will our heroes go to preserve their modest happiness or to finally—perhaps—achieve a better life?