Directing

Gregory Bateson

Known for

Directing

Credits

6 titles

Known for

An Ecology of Mind poster
5.3

A portrait of Gregory Bateson, celebrated anthropologist, philosopher, author, naturalist, and systems theorist. His story is lovingly told by his youngest daughter, Nora, with footage from Gregory's own films shot in the 1930s with his wife Margaret Mead in Bali and New Guinea, along with photographs, filmed lectures, and interviews.

An Ecology of Mind

2010

Trance and Dance in Bali poster
5.5

Filmed in Bali in 1937 and released in 1952, this short documentary records a staged performance of the Kris Dance, documenting trance, ritual possession, and ceremonial movement within Balinese religious practice.

Trance and Dance in Bali

1952

Margaret Mead: An Observer Observed poster
7.5

A documentary on the influential anthropologist Margaret Mead. Using never-before-seen archival footage, stills, interviews and dramatic re-creations, it shows the journey of how Mead became a scientist, adventurer, and international celebrity. As a true pioneer of cultural anthropology, her findings and ideas shaped how we think about ourselves.

Margaret Mead: An Observer Observed

1996

Bathing Babies in Three Cultures poster
NR

This short ethnographic film presents a comparative study of infant bathing practices in three cultural settings: Bali, Iatmul communities along the Sepik River in New Guinea, and the United States. Through observational sequences, the film documents differing methods of mother–child interaction, caregiving routines, and degrees of maternal protection, situating everyday domestic practices within broader patterns of cultural socialization.

Bathing Babies in Three Cultures

1954

Childhood Rivalry in Bali and New Guinea poster
NR

This short ethnographic film presents comparative scenes of children of the same age in Bali and New Guinea responding to maternal attention given to another child. Produced as part of Gregory Bateson and Margaret Mead’s Character Formation in Different Cultures series, the film documents culturally distinct approaches to sibling rivalry through observational sequences involving infant care, ritual ear-piercing, and experimental interaction with a doll.

Childhood Rivalry in Bali and New Guinea

1952

No artwork available
NR

"...an almost real-time verite portrait of a one-year-old boy’s daily routine" (Light Industry screening notes).

Hand-Mouth Coordination

1952

Film credits

Behind the camera