Ainsley Gardiner

The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love.

Love blossoms for Lily over double Meaty Boy burgers at mid-day when uber-computer nerd Jarrod comes in and leaves with free extra large fries. After gatecrashing Jarrod's party and proving her skills on the game console, Lily goes down to Jarrod's home town with him so he can settle an old score with a past school bully.

Two women run a business breaking up couples for cash but when one develops a conscience their friendship unravels.

Boy, an 11-year-old child and devout Michael Jackson fan who lives on the east coast of New Zealand in 1984, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.

Sometimes first love is found in the most unlikely of places, like in the carpark outside the Te Kaha pub.

A pregnant woman returns to her recently-deceased grandparents’ old family home to spend time with her estranged mother. What begins as a tenuous reunion slowly turns terrifying.

The year is 2043. A military occupation controls disenfranchised cities in post-war North America. Children are property of the State. A desperate Cree woman joins an underground band of vigilantes to infiltrate a State children’s academy and get her daughter back. Night Raiders is a female-driven dystopian drama about resilience, courage and love.

Love blossoms for Lily over double Meaty Boy burgers at mid-day when uber-computer nerd Jarrod comes in and leaves with free extra large fries. After gatecrashing Jarrod's party and proving her skills on the game console, Lily goes down to Jarrod's home town with him so he can settle an old score with a past school bully.

Two women run a business breaking up couples for cash but when one develops a conscience their friendship unravels.

Boy, an 11-year-old child and devout Michael Jackson fan who lives on the east coast of New Zealand in 1984, gets a chance to know his absentee criminal father, who has returned to find a bag of money he buried years ago.

Sometimes first love is found in the most unlikely of places, like in the carpark outside the Te Kaha pub.

A pregnant woman returns to her recently-deceased grandparents’ old family home to spend time with her estranged mother. What begins as a tenuous reunion slowly turns terrifying.

Young Vinnie and Jonah are bored on the mean streets — tagging, BMX-ing — when Jonah peer pressures Vinnie to join him in breaking and entering a house. When they find more than Christmas pressies inside, it tests mateship, moral codes and festive spirit.

Six Māori Battalion soldiers camped in Italian ruins wait for night to fall. In the silence, the bros-in-arms distract themselves with jokes. A tohu (sign) brings them back to reality, and they gather to say a karakia before returning to the fray. Director Taika Waititi describes the soldiers as young men with "a special bond, strengthened by their character, their culture and each other.

Eight Māori female directors have each contributed a sequence to this powerful and challenging feature which unfolds around the tangi of a small boy who died at the hands of his caregiver.

Eight Māori female directors have each contributed a sequence to this powerful and challenging feature which unfolds around the tangi of a small boy who died at the hands of his caregiver.

Connected by blood but separated by circumstances, three cousins spend a lifetime in search of each other.

Connected by blood but separated by circumstances, three cousins spend a lifetime in search of each other.

This is a story about fear and fate, explored through the experience of both the victim and the perpetrator. A young woman home alone receives a call from a stranger, a young man asking her to the pictures. She declines but later finds the man with a knife standing in her dining room. He wants to have sex with her and seems confused about whether his intentions are brutal or romantic. Seeing his confusion and fear she talks him into letting her go outside to bring the washing. He holds his knife at her back – she realises she has no chance of escape. As they are walking back across the lawn to the house she is stung by a bee. She collapses. Weeping she tells him she is allergic to bees and convinces him to go inside to get vinegar from the kitchen to stop the swelling. As soon as he is out of sight she is up and running in one fluid movement. The intruder is left standing desolate on the lawn with the vinegar bottle – his fantasy unravelled. We find him at the pictures alone.

The Pa Boys is an energetic, uplifting road movie capturing the best of New Zealand's culture, beauty, talent and music, whilst exploring themes of identity, friendship and discovering your roots.

A short directed by Brian Challis.