Karin Jagd

For a day we follow a group of children in a kindergarten through their eventful reality. Suddenly the children’s free play is obstructed by a series of tests, which become an encounter with the reality that soon awaits them.

Jonas is a Copenhagen homicide scene photographer, happily married, with two kids. One day, his car stalls, another car slams into him, runs head on into a third car and flips into the ditch. The other driver, Julia, is critically injured. He visits her in the hospital and is greeted by her family, who assumes he must be the Sebastian she told them about, the new fiance she met in Vietnam.

Being a stranger doesn’t necessarily mean to be coming from the farthest away. Karl and his mother are about to learn this when they move from the west coast of Denmark to the ethnically and religiously mixed area of Nørrebro in Copenhagen. Sawsan, a Danish-Turkish girl in Karl’s new class, takes him under her wings and tries to integrate him into the big city, with all its slang and hipness. Sawsan is far more experienced and blunt than most – especially compared to Karl, this young Danish boy from the provinces. Sawsan’s big dream comes true when one of her songs is chosen for the Danish version of the Eurovision Song Contest for kids. Sawsan’s father of course says no, but Karl has a plan.

In Nørrebro, in a property ripe for redevelopment, only one family remains: the Hansens. With Elvis as the head of the family. A welfare recipient who, sitting on the sofa with a beer in his hand, can fix the whole world situation, and Herdis Hansen, the all-embracing wife who provides electricity for her husband's TV and strolls around in a fur coat "given" to her by their son Brian. Despite the king's bailiff Kjeldsen's countless attempts to evict the Hansen family, Elvis manages to fend him off every time. To get them to move, he is offered director Knudsen's new headquarters, a villa in an affluent neighborhood in Charlottenlund, as a temporary solution.