Syukri A. Rahim

Directing

Syukri A. Rahim

Born

1996-07-09 (30)

Place of birth

Seremban, Negeri Sembilan, Malaysia

Known for

Directing

Credits

9 titles

Born in the outskirts of Seremban, Syukri A. Rahim was raised around Peninsular Malaysia. Through this upbringing, he has developed a sense of sonic and visual curiosity about people and places. He balances his work between cinematic visuals and audio art. His works have been shown locally and in Osaka, Singapore, and Thailand.

Known for

Behind the camera

JISIM poster
NR

The film follows BUCK and D, in a journey to search for a burial ground after BUCK confesses a secret to D. After confessing to D, Buck makes sure with his decision and convinces D to help him. D tells him they need to find a place to bury him. They both go on a journey to seek a perfect burial ground for him. At first, D doesn’t buy with his idea until she witnesses his condition.

JISIM

2021

Mandang poster
NR

On the last night of Ramadhan, three cousins share ghost stories, convinced that spirits are chained away. But as the night deepens, eerie truths about one of their family members unravel.

Mandang

2025

DARI ALAM SELARI poster
NR

A woman is connected to a man in a parallel universe through a phone call.

DARI ALAM SELARI

2022

DARI ALAM SELARI poster
NR

A woman is connected to a man in a parallel universe through a phone call.

DARI ALAM SELARI

2022

STORY 2: REGARDLESS, I STILL LONG FOR YOU poster
NR

A man laments his recent breakup and affair through a recording tape in a motel.

STORY 2: REGARDLESS, I STILL LONG FOR YOU

2022

STORY 2: REGARDLESS, I STILL LONG FOR YOU poster
NR

A man laments his recent breakup and affair through a recording tape in a motel.

STORY 2: REGARDLESS, I STILL LONG FOR YOU

2022

ARCHIVE 4709 | DIGITAL STORAGE 3350 : 6.1944° S, 106.8229° E poster
NR

The film serves as a technological artefact that has been unearthed by future archaeologists and compiled together into a film. The narrator details his disease and his demise through scattered and spaced-out audio entries that were intended for someone, but the recordings never reached the intended listener. As he recalls his life and eventually the ending of all humankind, death, he accepts the imminent doom of his fate, due to nature’s law of entropy.

ARCHIVE 4709 | DIGITAL STORAGE 3350 : 6.1944° S, 106.8229° E

—

ARCHIVE 4709 | DIGITAL STORAGE 3350 : 6.1944° S, 106.8229° E poster
NR

The film serves as a technological artefact that has been unearthed by future archaeologists and compiled together into a film. The narrator details his disease and his demise through scattered and spaced-out audio entries that were intended for someone, but the recordings never reached the intended listener. As he recalls his life and eventually the ending of all humankind, death, he accepts the imminent doom of his fate, due to nature’s law of entropy.

ARCHIVE 4709 | DIGITAL STORAGE 3350 : 6.1944° S, 106.8229° E

—

ARCHIVE 4709 | DIGITAL STORAGE 3350 : 6.1944° S, 106.8229° E poster
NR

The film serves as a technological artefact that has been unearthed by future archaeologists and compiled together into a film. The narrator details his disease and his demise through scattered and spaced-out audio entries that were intended for someone, but the recordings never reached the intended listener. As he recalls his life and eventually the ending of all humankind, death, he accepts the imminent doom of his fate, due to nature’s law of entropy.

ARCHIVE 4709 | DIGITAL STORAGE 3350 : 6.1944° S, 106.8229° E

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