Dato' S. Roomai Noor

Tells the story of Boi, who ends up living with his grandmother on Banda Neira Island after an accident that killed both of his parents. There he must face Dullah, the evil husband of his grandmother's adopted daughter who wants to take over his grandmother's property. Dullah always tries to get rid of Boi and seize his grandmother's property until he finally gets hurt and dies by himself.

A village comes alive with fear when a nefarious ‘oily man’ terrorises women in the dead of night. At their wits end, the local police enlist the help of talented police inspector Dasuki to trap and end the oily man’s mischief. Orang Minyak was digitally restored by the Asian Film Archive in 2018 using a 16mm black & white composite release print from its collection.

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

A rebellion movement outbroke in a country causing almost all of its people being murdered. Among those who survived was a loyal slave who saved the princess. They both manage to runaway to a fisherman's village. There he brought up the princess as if it was his own daughter. Few years passed by the rebellious King had passed away and was succeeded by his Prince. As the new king made his normal visits to the villagers his eyes was attracted to the young Princess who has grown up. The King and the princess have fallen in love deeply and was so happy on how things are going on with their relationship. But, will she ever take her rightful place on the throne over her country?

Revolves around a conflict between two step -siblings Omar and Salim. Salim who lives in the village works on a rubber plantation inherited by their father. While Omar is in the city depending on the money sent by Salim to finance his extravagant lifestyle.

Kassim is living with his brother and sister-in-law when he finds out he is about to inherit all his family's wealth. Kassim, a young man who prefers to sing and play, is thrown out of his home by his brother and deprived of his wealth. He starts to lead a wandering life with two friends. One day, Kassim discovers pirate treasure. (This film is different from the 1952 film Anjuran Nasib, also directed by B.S. Rajhans).

This film is about the danger of drug usage.

Ibrahim, a rich man, has a spoilt son, Hassan, who is a thief and a liar. When the family adopts nasir, a poor orphan, Hassan does not welcome him. But Sa'adiyah, the daughter of the family, becomes Nasir's devoted friend and ally. After marrying a wife consumed by greed, Hassan turns to thieving to support their lifestyle. He is caught and imprisoned; upon his release, he steals from his adopted brother Nasir. However, Nasir saves him from the arm of the law by informing the police that the stolen items are actually gifts he planned to give Hassan. Hassan is thus released and comes to realise Nasir’s noble heart and kind intentions.

The film tells the story of a young Javanese man, Ahmad, who leaves his village with a magic protective dagger given to him by his mother. He takes to the seas, eager to discover the world. He reaches the exotic Arabian coast, and travels all the way to Egypt, encountering belly dancers, harem women, etc. He meets Princess Nilam and falls in love. Nilam's father will allow Ahmad to marry her only if he brings back a blue diamond guarded by monsters at a faraway location.

Fuad Din has been missing for 10 years. One day a telegram arrives stating that he will be returning home soon. His family receive the news with mixed feelings. When he finally returns. Fuad faces every conflict calmly and no one in the family knows that he went abroad to seek medical treatment. Tires of living in pretence, Fuad’s only wish is to be in his beloved country and with his loved ones whom he misses dearly.

It tells the story of a family whose recent loss of their daughter make them receptive to the haunting of a murdered child as they move into an old bungalow.

This film is about Osman that accuse his wife dishonest with him after been slander by his own cousin. Does he overcome the matter at the end?

Omar, a music teacher, teaches Rokiah to play the violin. He falls in love with Rokiah’s sister named Zaharah. Their romance goes through various bitter and sweet stories.

Successful police officer ASP Zamri fails to build a happy home. His only child succumbs to leukimia and his life falls apart. Then, he meets Marina daughter of Mr. Cheong, a banker whom he had saved from a robbery cum hostage attempt. In time, Zamri’s frienship with Marina develops into love. Marina is somehow connected to Albert., who in turn is close to Ramon., the leader of the bank robber’s gang. Out of sympathy for ASP Zamri who longs for another child, Mr Cheong convinces Marina to marry the Asp Zamri, but her mother does not bless their marriage. Zamri and Marina are blessed with a son, Jefri, who placed in the care of Faridah, Zamri’s first wife. ASP Zamri spends most of his time with Faridah and Jefri. As a result, Marina starts to feel lonely.

Mahsuri is a Malay film produced in Singapore in 1959.It was produced in Black and white. Ti was based on a local Malay folklore.. The script was written by the first Prime Minister of Malaysia, Tunku Abdul Rahman Putra and was bought by Cathy Keris at RM10,000.

This film tell a story about a evil step mother that put a spell at her own children until he become a monkey. The monkey run deep into the woods until he come into a castle.

This is a film based on national unity. Hisham, an officer from Kuala Lumpur has travelled to Sabah to build a family but end up having a conflict within the community.

The story of a girl named Neng, hunting the man who was called Harun, in revenge for the death of his mother and sister.

The film tells of Pak Pandir, a rich man who uses a strange approach to his daily life. She raised her four children using a strict disciplinary approach such as having to get up early in the morning, to sleep early at night, and not to mix with women as well as the common people in the village. However, without her knowledge, her children were already hanging out with the people in her village. The problem begins when her children compete against each other to win the heart of a girl who is in fact a dumb girl who is an individual who desperately wants her daughter to marry rich and wealthy people. Unfortunately, without the knowledge of his children Mr Pandir himself managed to get the girl to be his wife.

Movies Silence Is Beautiful is a Malay film published in Malaysia in 1985. The film Silence Is Beautiful was published in the form of color film. Silence is Beautiful first film aired in 1985 on cinema across the country. Displaying Lydiawati, nassier Wahab, Siti Rohani Zain, Haji Arshad, S. Shamsuddin, S. Roomai Noor, Sarimah, SA Fuel, Nora Shamsuddin, Rokiah Shafie and crowded again.

Haji Saaban, the chairman of Melati Holdings, dies suddenly. His son Safuan suspects that the death has something to do with Melati Holding’s. He allows his brother, Saiful to avenge the death of their father. Saiful falls in love with the daughter of one of the board of directors and his desire for vengeance dissipates. Safuan feels that Saiful has betrayed the family and challenges him.

This film exposes the weaknesses found in the high-society consisting of the minister, architects and lawyers. Each has different tastes and desires. As an influential person, the minister used his position to compromise the weak girl. The young lawyer was questioning the good name and status after the girl was betrothed with a tarnished. The young architect ignore Malay art elements. The film also presents a question of love in a family.

Asun, a young man from the Dayak jungle tribe ventures out of the forest and gets lost. He is rescued by Malay villagers, and befriends one of their sons, Noor. Years go by, and the two of them remain friends. Noor, by now the head of his village, sets off on a long jungle trip with Asun. Unfortunately, they are attacked by Iban warriors, who capture Noor and take him to their village, where they intend to cut his head off during a sacrificial ritual.

Facing the objections of a stubborn mother, star-crossed lovers Hassan and Lai Lai struggle to come to terms with the difficulties of separation in a time of a new multicultural Malaya. Believed to be one of the earliest Malayan film featuring an interracial romance between a Malay man and a Chinese woman, this film was deemed controversial for its time for being culturally and religiously insensitive.

Jamal the son of Kamal a woodsman owner is married to Aminah. Their marriage is blessed even more with Mardiana their new born. But their happiness was short lived when Jamal started to mix around with Harun and his bad influenced friends. Harun is an insurance representative who also works for Aishah the stunning beauty. Jamal is attracted to Aishah so much that he starts to abandon his family. Jamal had to spend a lot of his money to accompany Aishah who is used to the lifestyle of a rich person. Will Jamal ever repent and come back to his originally family and be the father figure he has been all these while?

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

Datuk Karim Jaya death is good news to Datuk Bandung and his followers who want to seize power.

Tengku Mahkota donation Norman who refuses to marry the daughter of an enemy state ayahndanya escape from the castle. During the run, the donation enamored with Harum Cendana and marry her. One day, Harum Cendana abducted. Donations common friend, Chelorong and Cheloreng try to find it.

Badang is a very extraordinary person who is very strong and does many miraculous things with his strength after he has eaten the vomit of the water ghost who at first wanted to kill him. Eventhough he is strong there are certain things that he cant do due to the promise he has made with the water ghost. He can’t marry because he will end a dreadful death. Badan’s strength was known by the Sultan where he was appointed as a warrior of the Sultan. Apart from that he has also won many strength competitions across the country. While in all this fame he has fallen for a girl who has also fallen for him. But due to his promise to the water ghost he cant. So, who does he choose his powerful strength or his true love?

Karim (Abdullah Chik) and Khatijah (Rose Yatimah) are undergraduates at the University of Malaya pursuing degrees in Medicine and History respectively. They are young, progressive in their thinking, and very much in love with each other. On a visit back home, Khatijah discovers that she is arranged to be married, without her knowledge, to the local village 'lebai' (healer), Din, who is a recent widower and father of six. Khatijah is torn between her fledging love for Karim and her adherence to centuries of tradition. Determined to win the hand of Khatijah, Karim sets aside his prejudiced view of the "mystical arts" and travels deep into the wilderness of Malaysia to study under a respected traditional healer, Pak Salleh (Dollah Sarawak).

Karim (Abdullah Chik) and Khatijah (Rose Yatimah) are undergraduates at the University of Malaya pursuing degrees in Medicine and History respectively. They are young, progressive in their thinking, and very much in love with each other. On a visit back home, Khatijah discovers that she is arranged to be married, without her knowledge, to the local village 'lebai' (healer), Din, who is a recent widower and father of six. Khatijah is torn between her fledging love for Karim and her adherence to centuries of tradition. Determined to win the hand of Khatijah, Karim sets aside his prejudiced view of the "mystical arts" and travels deep into the wilderness of Malaysia to study under a respected traditional healer, Pak Salleh (Dollah Sarawak).

The fairy tale is about two sisters, Bawang Merah and Bawang Putih. After their father dies, Bawang Merah and her mother, Labu, have to share the house with domineering Kundor and Bawang Putih. Bawang Merah has to endure more hardship when her mother dies. She is bullied, beaten and abused in every way imaginable by Kundor and Bawang Putih. As the tale goes, her mother eventually reappears – as a fish. Bawang Merah becomes happier and this puzzles both Kundor and Bawang Putih. Her ship comes in when a Prince hears her singing in the woods and marries her. Of course, Kundor is terribly unhappy that her brat, Bawang Putih, is married to none, let alone a prince. So she devises an evil scheme to destroy Bawang Merah’s marriage and get the prince to notice Bawang Putih.

Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.

Puteri Gunong Ledang (or The Princess of Mount Ledang) is a 1961 Malay period film directed by S. Roomai Noor and based on the Legend of Puteri Gunung Ledang. The film introduces actress Elaine Edley in her first film role.