
Acting
Paulo Villaça
Born 1933-01-01 · Bauru, São Paulo, Brazil
Paulo Barbosa Villaça (Bauru, São Paulo, 1933 — Rio de Janeiro, Rio de Janeiro, 1992) was a Brazilian actor and theatre director. Villaça worked as a Literature professor, journalist and advertising manager before his breakthrough as an actor in the 1960s. He achieved success by playing the main role in Rogério Sganzerla's "The Red Light Bandit" (1968). During the 1970s, Villaça was married to famous Brazilian actress Marília Pêra. He played parts in over 20 films, being a reconizable figure in productions from the Brazilian Cinema Marginal movement during the 1960s and 1970s. He also had a solid career at the theatre, where he acted in the Teatro Oficina company and played roles in many important plays, such as "Navalha na Carne", "Fala Baixo Senão eu Grito" and "Grande e Pequeno". In TV, he appeared in shows such as Rede Globo's "O Bofe" and Rede Bandeirante's "Os Adolescentes", limited series like "Quem Ama Não Mata" and "Chapadão do Bugre" and soap operas such as "Helena" and "Vale Tudo". His last film was 1992's "Perfume de Gardênia", which paid homage to his iconic role of The Red Light Bandit. He died in Rio de Janeiro from HIV-related health problems, and was buried in São Paulo.
Acting credits
7.0No synopsis available yet.
O Forte
1977
4.3Tadeu, a poor lad from the Northeast of Brazil, comes to Rio de Janeiro to try his luck. His good looks and education win him the favor of rich people. In his spare time, he becomes the favorite among lonely and rich ladies. Soon he gets involved in trouble.
The Rich Are Something Else
1977
9.0When Cunda, a man living deep in the Brazilian rainforest, is bitten by a snake, he has a hallucination of four chimpanzees. Once he recovers, he is shocked to find the four chimpanzees waiting for him at home, and, believing them to be special, decides to take them to the city in order to sell them.
The Fifth Monkey
1990
9.0In the 17th century, to guarantee the possession of the region, disputed with Spanish and Dutch pirates, the Portuguese built a fort at the point where the dark waters of the Rio Negro meet the clear waters of the Rio Solimões, forming the Amazon River. Around the fort, the city of Manaus was born. Alli lived the Manaús Indians, warriors who worshiped Manari, the Good, and from him they received the order to fight all the invaders of the forest.
Ajuricaba, o Rebelde da Amazônia
1977
5.5Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.
Lady on the Bus
1978
Four thieves enter a house and terrorize a family.
Paranóia
1976
10.0No synopsis available yet.
Um Pistoleiro Chamado Caviúna
1972
7.7Born and raised in the misery of Brazilian slums, Jorge becomes a luxury house burglar in São Paulo and gets nicknamed "The Red Light Bandit" by the sensationalist press. In addition to wearing a red flashlight, he talks to his hostages in an irreverent tone and makes bold breakthroughs to later spend the money extravagantly. His world is the decadent neighbourhood of Boca do Lixo.
The Red Light Bandit
1968
4.6Zionists hire a hitman to kill a Nazi war criminal exiled in a Latin American country, where he's being protected by the local dictator. Get ready for gunshots; sex scenes; strange form of tortures; a cocaine-addict priest who helps the dictatorship; contemptous remarks and behavior from the main "hero"; amusing sequences of Chuchu having fun with beautiful women pretending to be James Bond; and the wimp colonel who is in love with a male prostitute. It's all good and fun to watch but remember that this is a product of its era, so it's quite possible to see some objectionable things. But for the most part it's never crass or insanely offensive.
The Torturer
1980
8.0The story of the great train robber Ronald Biggs.
Prisoner of Rio
1988
7.3Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer.
Copacabana Mon Amour
1970
6.7Unable to endure the idea that he would go without punishment, a criminal's victim chases him the length and breadth of Brazil for a showdown.
Sagarana: O Duelo
1974
4.8Toquinho is a young man living in Marechal Hermes, a poor neighborhood in Rio de Janeiro, together with his widow mother and a younger sister. Although he is poor, he is also ambitious, and wants to change his life. He spends all his time on the beach, at Arpoador, Ipanema, where he dreams to become a famous surfer. Besides, he usually finds Patricia there, a rich and liberated young woman, whom he likes a lot. To impress Patricia and satisfy some of her wishes, he lets himself be seduced by André, a gay guy who, in return for his sexual favors, promises him a trip to Hawaii for a surf championship.
Nos Embalos de Ipanema
1978
NR"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Celebração - 100 Anos do Cinema Nacional
1997
5.5After meeting a beguiling woman in a movie theater, a realtor becomes embroiled in a mysterious plot involving murder, double identities and movies.
The Lady from the Shanghai Cinema
1987
6.6Daniel is a taxi driver who’s married to Adalgisa. When she starts acting in low-budget movies, he forbids her from seeing their son, Joaquim. For more than a decade, Daniel nurtures a feeling of revenge for his ex-wife, which gains strength when their now adult son finds his mother in full professional decay.
Scent of Gardenias
1992
9.0For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
The Long Voyage of the Yellow Bus
2023
6.4In São Paulo, a businessman wants to rehabilitate street children, called "trombinhas", through a social project. After being discouraged by the police, he seeks help from the coach of the Santos Futebol Clube youth team.
Os Trombadinhas
1979
6.5Adaptation of the successful Brazilian TV series "Beto Rockefeller". Albert is a cunning poor man who pretends to be rich, using his congeniality and lack of morals to mix among rich people.
Albert, the Rockefeller
1970
4.6OSS 177 goes on holiday to Brazil, but is called into action when he finds himself being stalked by a double.
OSS 117 Takes a Vacation
1970
7.8Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.
The Woman of Everyone
1969
5.6A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
The Giant of America
1980
7.0Famous gunman Judas is hired to avenge the death of the city mayor, but his plans take an unexpected turn when he falls in love with the daughter of the colonel he is supposed to assassinate. Amidst the unfolding drama, the police attempt to broker a deal with those involved, but the arrival of the colonel’s nephew, an engineer with plans to build a dam in Degredo, disrupts the delicate balance.
Os Senhores da Terra
1970
5.0Based on a book by Machado de Assis (1839-1908) and adapted to the present time. After the death of the philosopher Quincas Borba, his friend and disciple Rubiao inherits all he possessed: his fortune, his dog, his philosophy and the germ of his madness. Rubiao's passion for Sofia, a friend's wife, places him at the center of a game in which she is the main piece while he is the only one who ignores the rules. The story of a dreamer and delirious man facing a reality to which he is not prepared.
Quincas Borba
1988
