Anahí Martella

In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

Emilia is sent to a convent where paranormal forces begin to mount among the religious and mentally ill women confined in the place.

Mercedes and Victoria Carreras, mother and daughter actresses, reveal their intimate life and secrets of the trade while filming the documentary. Victoria discovers her lineage of Spanish actresses, which began three centuries ago. She embarks on an ancestral journey.

Clara, a psychologist, and her husband Gustavo have been separated since the disappearance of their son, Lucas. A year after Lucas' disappearance, Gustavo finds on Facebook information about a girl, Augustina, who went missing just two days after Lucas. The broken couple go Augustina's parents in an attempt to find clues about their sons disappearance.

A serial killer with a taste for the theatrical is killing powerful judges and leaving their bodies surrounded with dead pigeons. Félix, a detective haunted by his past, is the only one who is able to solve this enigmatic case.

Luis has just returned home after spending time in a neuropsychiatric, and Beatrice, his wife, he fears a relapse. The disappearance of the house cat and certain behaviors Beatriz Luis begins to grow increasingly suspicious of his behavior.

In just three days, Gabriela feels that her ideal marriage and her flourishing business are in grave danger, due to the sudden and fearful reappearance in her life of Felisa, a former high school classmate, who carries the history of bringing bad luck and misfortune with her.

As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.

Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.

Lucía, an active little girl, looses a tooth. Santiago, her father, is an out-of-work boss, and her mother, Pilar, is a successful but overworked architect, reassure Lucía, by telling her that the Hairy Tooth Fairy (a mouse named Pérez) will come to her bedroom to collect her tooth, leaving some money in its place. A mouse who had been monitoring the situation tells another mouse, who in turn tells another mouse until finally the news reaches Pérez, The Hairy Tooth Fairy, who lives in a boat in the port along with hundreds of other mice. They receive the teeth that he collects, and then clean, shape and polish them so that they can be transformed into shiny round pearls. These pearls are then carried through the citys sewers until finally they reach the jewellers owned by Morientes, where an old friend exchanges them for their weight in gold.

Florence, a young irresponsible mother and her precocious daughter, Eugenia, have an unusual relationship. The roles between the two are reversed. Florence is totally inept at caring for a daughter, whereas Eugenia, only 10 years old, shows maturity and responsibility far beyond what her age might lead you to suppose.

This is the story of Ariel Lambert, a twenty year old, who is advised to rest in a quiet place after a psychiatric episode. He moves together with his mother and sister to Villa Mar, small seaside resort, which is practically deserted at that time of the year. Slowly, Ariel discovers that children go into a house nearby, (which is supposed to be derelict) and they never come out again. Is this happening for real? Or is it only a figment of Ariel's sick mind? There will be only one way to find out: Ariel will have to go into the house himself