María Abadi

In a near future, crimes and accidents have disappeared because it has become possible to call the past. However, the peace will be disturbed by a killer who seems to have found the one crack in the system.

A dogged detective and hard charging prosecutor track the criminal ring behind a gruesome series of murders. What they find shocks them to their core - a sinister satanic female cult leader orchestrating gruesome murder rituals to bring about the rise of the anti-Christ. They must figure out why this happened, when the next ritual will happen and how to stop her!

An acclaimed actor returns to the character that defined his calling: Cyrano. As the play triumphs on stage, the role forces him to confront his own fears and take an intimate look at his craft.

Pistolero is a fiction that in a certain way is an essay on violence. The story follows the criminal raid of Isidoro Mendoza and his brother Claudio in the rural Argentina during Ongania’s dictatorship, and how the violence of his criminal deeds begins to leave a mark in them. A teacher from Buenos Aires arrives to Isidoro’s life, and love is the possibility to open himself to a new life, but even as he tries, he can not escape the entropy generated by his own drives and actions.

One night an uninspired writer selling to walk around Buenos Aires. Find a package in the trash. From there on, what we are going to achieve. His eagerness to preserve and hide it will transform his days and nights into a strange nightmare.

Luis has just returned home after spending time in a neuropsychiatric, and Beatrice, his wife, he fears a relapse. The disappearance of the house cat and certain behaviors Beatriz Luis begins to grow increasingly suspicious of his behavior.

A Hollywood actor grows tired of making the same corporate movies, so he moves to Argentina to find more experimental and meaningful work.

One stormy night, a large house near a little-traveled road. Mrs. Haidi lives there with her dogs. An accident on the road, a couple: Pablo and Mara, looking for help. Between mistrust and courtesy, Mrs. Haidi assists the injured couple. Far from any possible help, with no cell phone signal and the phone lines interrupted, Pablo and Mara have no choice but to spend the night in the guest room. Everything seems to fit into normality and they only have to wait for the light of dawn to arrive, but in the solitude of the room Pablo and Mara reveal their secret.

A young couple romantically contemplate the sunrise on the Buenos Aires waterfront. The talk becomes a discussion. The discussion in fight. And some fights can be irreconcilable. Each of them will go through the city separately, meeting with friends, family and even strangers, generating situations that will lead them to question how and why they got where they are. An external and internal journey, with learnings and reflections about love, the couple and life.

Agustín (32) returns to the city where he was born, after 6 years of absence, to watch the legal process in which he will be tried for the - supposedly - murder of his father and mother. Alone and in constant alert, he begins to experience acts of violence. Agobiado, he meets an enigmatic and unpredictable young woman who shows him other ways of experiencing isolation.

An incestuous love affair. Meme and Jeremias are the younger children in a typical bourgeois family. Their mother Lucia is the dominant force in the household, but her fixation on upholding the niceties of upper middle class life has prevented her from seeing what is going on under her roof. When the siblings’ older brother and his fiancee arrive home for their wedding, it seems inevitable that the concealment will be impossible to sustain. But equally it becomes apparent that if Lucia were to find out about the affair, there would be catastrophic consequences.

No synopsis available yet.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

A broken heart makes Sergio reject the city......A city full of late adolescents, girls that make you cry, drunks worried about matters they couldn´t handle even sober...and songs that say all that they would have wanted to say (if they knew that they needed to say something)