Caterina Sylos Labini

The key stages in the career of director and actor Maurizio Nichetti, following his return with the film Amichemai. The documentary recounts his unique career, between surreal comedy, visual experimentation and cinematic poetry, revealing the soul of an unconventional author capable of revolutionizing the language of cinema.

Agata receives a visit from Florence, an old woman who wants to contact her dead husband to prove to her son that his ghost exists and that their house cannot be sold. Terrified by her encounter with the ghost, Agata decides to help the old woman with the help of her daughter Milla and a listless Ulisse, who will not believe in the ghost's existence until the very end.

Fabio is in love with his colleague Linda, but she has never even seen him until he's mistaken for her boyfriend. Paolo and Mario leave for a luxurious vacation in Rio de Janeiro for Christmas, without knowing that their sons have booked a trip for the same low-cost destination and, for a problem of homonymy between fathers and sons, the two holidays are exchanged.

25-year-old philosophy major Marta faces the ugly truth for many young Italians — a complete lack of career opportunities. While babysitting for single mother Sonia, she starts to work as a telemarketer, experiencing first-hand the fanatical and exploitative rat-race culture pushed on employees while quickly rising through the ranks of the company. Around her revolve people like delusional supervisor Daniela, her womanizing boss Claudio, fragile coworker Lucio "2", and well-meaning but inconsistent union rep Giorgio.

Stefano is now forty years old but has not yet found his purpose in life, remaining an eternal dreamer waiting for that decisive enlightenment. With his parents who have great plans for him, Stefano realizes that he lost most of his years without a real goal and thinks back to all those missed opportunities that could have led him to another path, between old loves and unexploited opportunities .

Unemployed Domenico robs a bank, but is forced to take a hostage when things go wrong. The hostage, Tommaso, is a man who hates his wife and job, and who was already planning to run away with his gay cop lover anyway, so this seems to him like a good opportunity to disappear and start over again: the kidnapped becomes the kidnapper, and things get even more complicated when the two are joined by Rita, Tommaso's beautiful daughter.

Director Maurizio Nichetti is invited on TV to introduce a screening of his neo-realist classic 'The Icicle Thief'. He is horrified to discover that his black-and-white tale of life in poverty is constantly interrupted by garish color commercials, and even more horrified when a power cut in the studio causes film and commercials to mix up – a glamorous model finds herself in the arms of an unemployed pauper, while his wife finds herself in consumers' heaven. Nichetti has to break into the film to try to sort everything out.