Paule Baillargeon

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

After escaping unscathed from a car accident, photo model Simone decides that having a baby is the only way to give her vacant life some meaning. She asks her best friend Philippe to get her pregnant, and he reluctantly agrees, on the condition that they conceive somewhere in a desert, so they leave Montréal on a 24-hour round-trip to Salt Lake City to find a suitable spot.

Jean-Marc is a man without qualities living in times that are out of joint. His wife and children ignore him; he's a mid-level government functionary in Montreal doing his job without care. He has an active imagination of sexual conquest, but his only real feelings come when he visits his aged mother, whose health is failing. When his wife leaves abruptly to work in Toronto, Jean-Marc sets out to reorder things with his daughters, his social life, and at work. In a world that at best is a farce, does he stand a chance?

Although he is something of a layabout, and is still living with his mother, her death comes as something of a shock to Louis Pelletier (Gilbert Sicotte). Still, he has hopes of some sort of legacy and believes that his relatives will help him find a job. All his hopes are dashed when, before the funeral, his three aunts come to Quebec City to settle their sister's estate. As grasping and efficient a crew as ever strode a parlor, by the time they leave, the estate has been cleaned to the bones, as if by vultures.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.

No synopsis available yet.

A beautiful stripper hires renowned criminals to exact revenge on those who raped her in her motel room.

A stage director learns of his young actors' fears as they are setting up a new play.

A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

Two strangers have a fateful one-night stand in Montréal.

Hélène is a woman who already has, in her view, quite enough children. For some time she has secretly been taking birth control pills, but now she is too old to use them safely. When her husband Gabriel discovers the pills, he is distressed, since he wants a large family. The two of them discuss their differing attitudes and desires but come to no resolution.

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

A woman learns secrets about her family while attending the funeral of her father.

Three couples meet at one of them for a slide show evening. But nobody takes pleasure in this evening, where triumphs the banality of the exchanges: it is a socialization forced by the bonds of the neighborhood, devoid of empathy or sincerity.

The experiences of a volunteer in a clinic for terminally ill patients.

Set on an ice-encircled island in the St. Lawrence, this is a drama of passion and violence. An old man, attached to his ancestral home and traditions, is confronted by his son, an immature young man who has no time for these values. The outcome is tragic as the father refuses to let his home fall into the hands of outsiders.

No synopsis available yet.

An actor works as night watchman at a film studio where a musical serial killer strikes.

A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.

A career guidance film about scientific research that shows the scientist as a methodical explorer of the unknown.

The unexpected return of his ex-wife and the assembly of a group of protesters both threaten to wreck a corrupt contractor's inauguration party for his new superhighway.

Group of prostitutes who rely on each other to revolt against their sinister pimps. Their bid for freedom turns much more dangerous than they ever imagined.

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

Un homme seul. Une femme seule. Lui, à l'aide de son ordinateur, voudrait désormais pouvoir gérer ses relations amoureuses; elle, de son côté, désire continuer à mener une vie autonome. Philippe et Hélène vivent donc dans une bulle, en solitaires, soignant les blessures d'une relation précédente, jusqu'au jour où ils se rencontrent. C'est le coup de foudre! Mais ils ont si peu en commun, sinon la peur de se faire mal, de décevoir et d'être déçus, de se tromper à nouveau... A single man. A single woman. Him, only wanting to interact with romantic relationships through his computer screen. Her, wanting to have an autonomous life. Phillipe and Hélène live their lives in a solitary bubble, healing their wounds from a previous relationship, until they meet. It's love at first sight! but they have so little in common, except the fear of being hurt, of dissapointing or be dissapointed, of being wrong again...

A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.

Two strangers have a fateful one-night stand in Montréal.

A 12-year-old girl faces a father she hardly remembers after his transition into a woman.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

Poetry and cinema merge as 11 filmmakers bring to life 21 poems by Québécois poets.

A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.

A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.

Today, Edith is tired of being the favorite spectator of her parents, famous but somewhat outdated singers. She wants to sing too. But just as she decides to take the plunge, familiar demons come to revive her and remind her that there is only one singer in the family. And that she was born after her...

Anastasia chooses to lock herself in an apartment and tame through rituals. She barricades herself, to protect herself from external violence and the destructive invasion of family life.

Anastasia chooses to lock herself in an apartment and tame through rituals. She barricades herself, to protect herself from external violence and the destructive invasion of family life.

Trente tableaux is a 2011 autobiographical feature documentary by Quebec film director Paule Baillargeon, made during her two-year film residency with the National Film Board of Canada. It is an anthology film composed of 30 short portraits—or tableau vivant—of her 66 years of life to date, reflecting her experiences as a woman in Quebec's changing society.

Trente tableaux is a 2011 autobiographical feature documentary by Quebec film director Paule Baillargeon, made during her two-year film residency with the National Film Board of Canada. It is an anthology film composed of 30 short portraits—or tableau vivant—of her 66 years of life to date, reflecting her experiences as a woman in Quebec's changing society.