Lalita Pawar

Gopichand Verma is a retired Judge of the Supreme Court of India. He re-locates to scenic Ooty and decides to live there in a palatial home. He has a cook/servant in Badriprasad Chaurasia. When Chaurasia wins a lottery, he quits, and Verma hires a woman by the name of Nandini in his place. He soon finds out that there is a mystery behind Nandini and her presence in his house, apart from the fact that she is mentally imbalanced. When he probes further, he finds that she is claiming to be his illegitimate daughter. He does accept her and decides to let her live there, but his wife, his son, his sister, his son-in-law, and daughter have other plans - for they have hired notorious hit-man Samar Khan to abduct and kill Nandini at any cost. Is Nandini really Verma's daughter? Why would the Verma family want her dead?

When a young woman is pushed off a boat, she must unmask her would-be killer.

After the passing away of his wife (Sunita), Vijay brings up his two children, Bhishan and Charudatta, who want him to re-marry, and go around selecting a mother. They pick on Alka, who is a stage singer, and lives alone as a paying guest. Vijay and Alka approve of each other, get married, and go for a honey-moon. On the way back Vijay drives too fast, has an accident, and is killed. Alka does not have the courage to tell the children, so she hires Vijay's look-alike, a dreaded bandit and killer, Tiger, who agrees to impersonate Vijay for 30 days, make the kids hate him, then leave forever - for a sum of 3 Lakh rupees. Things do go according to plan, and the children do start hating their dad. But on the 30th day, Alka receives a phone call that the children have been kidnapped and the kidnapper is demanding a sum of 25 Lakh rupees. Watch and find out who abducted the children, and whether or not Tiger had a hand in this.

At the time of his mother's death, Raja comes to know that his father is still alive and living a wealthy life. Raja now befriends Shankran, his step-brother.

The lives of friends Namdev, Raghu, Damu and Jaggi take a turn for the worse when they win a lottery. Raghu and Damu murder Jaggi and frame Namdev who later returns to seek revenge.

Bishan loses his fortune while helping his friend Kishan in his singing career. Now successful, will Kishan return the favour?

Baffling the authorities, a secret organization with powerful connections is creating havoc and getting away with loads of money. But their criminal run may be drawing to an end as an astute secret agent closes in with plans to bring them down. Unfortunately, the gang of baddies is tipped off to his activities and devises a counter-attack designed to eliminate him permanently.

In order to assist her close friend, Rajni Thakur, Geeta Choudhary, has an abortion in her name, so that Rajni can get married. When her secret gets leaked out, Geeta's husband, Ashok, blames her, accuses her of being unfaithful, and drives her out of his house. They have twins, Sunil and Anil, and each parent is allowed custody of one child. The children meet each other at Scout camp, and decide to re-unite their parents, without realizing that they are exposing not only them, but also each other, to danger and death.

Unorthodox, honest, simple-minded, and unemployed Gopi is blamed for a theft he did not commit, and gets thrown out of his home by his elder step-brother.

Pushpanjali (An Offering of Flowers) is a 1970 Hindi, romantic drama film, produced and directed by Kishore Sahu. The film was made under the "Kishore Sahu Productions" banner. Dinesh Khanna, his wife, Lata, and their son, Pappu, lead a harmonious and happy upper-middle class life in Bombay, India. Despite of their happiness, they know that Lata's heart is weak, and unable to withstand shock or over-excitement. While on a outing, Pappu starts having health problems, and must be admitted in hospital, so that various tests can be carried out to isolate and treat the problem. A few days later, Dinesh is at work, and the phone rings in the Khanna household. Lata answers the phone, and what she is told the shocking truth - a truth so devastating that it may take her life, and change the lives of her husband and child forever.

A poor Rajaram pretends to be wealthy in order to get married to his sweetheart, much to the displeasure of her father. Everything changes when Rajaram finds a bottle containing a 20000 year old genie that will help him for one year.

Dr. Bhaskar Bannerjee struggles with his patients' suffering and the darkness and poverty he confronts daily. He treats cancer patient Anand who upon learning of his impending death determines to use the time he has left to the absolute fullest.

Film starring Waheeda Rehman, Dharmendra and Sujit Kumar

Sushma believes that she is too young to get married, but her father, Lalla Banarsilal insists, and she runs away. Her adventures take her to a lonely wealthy widower with a cute daughter named Guddi; a drunken lout in a brothel; Dr. Kruparam, a psychiatrist, who admits her in his mental hospital; a dreaded bandit who has killed his tormentor, cut him into pieces and fed them to birds, and who still on a killing spree; Pandit Gorakhnath who lives a double life - as a priest and as a smuggler; a leper Dhanraj, who once was a very wealthy man, but is now shunned by everyone; a transvestite stage actor; and a hunter who saves Sushma's life by shooting dead a man-eating lion. As things spiral out of control for Sushma, there is yet one more male she has to meet, and it is this meeting that will change her life even more.

A man falls for a woman and pretends to be rich in hopes of impressing her and her father. However, when the truth is revealed, her father attempts to separate them.

Decades ago, three kingdoms hid their wealth in a secret location and left clues in three necklaces. In the search for this treasure, two long-lost brothers unknowingly come together.

Adivasi Mahua lives a poor lifestyle in a fishing village along with her widowed dad. One day the local Poojary comes across a seemingly menacing looking male, feeds him, and asks Mahua's dad to look after him. This male has no memory and they name him Kishan. Shortly thereafter Mahua and Kishan fall in love and get married. After about 2 months Kishan goes to the city and does not return home. A frantic Mahua and her dad go to the Police as well as to the city to search for him albeit in vain and return home. Mahua continues to worry about Kishan and sets out on her own to try and locate him. She meets with a doctor who informs her that he recalls treating a male fitting Kishan's description and gives her his Bombay address. Mahua travels to Bombay and locates Kishan's house.

A man (Amitabh Bachchan) is found wounded on railway tracks and when he awakens he has no memory of who he is and doesn't remember anything about his life.

Mala, an aspiring Bollywood actress, witnesses a murder and boards a Goa-bound bus to escape the killer. On the journey, she meets exciting people from different cultures and a young man who will not leave her side.

Naive Ajay Anand (Rishi Kapoor) first few days in a hostel are marred by ragging and bullying at the hands of Vikram (Rakesh Roshan) and his friends. Eventually this leads to a fight, and then to a strong friendship between the two, and Ajay gets admitted to this group. Vikram's pastime is mainly playing practical jokes and tricks. One day they decide to play such a trick on Ghanshyamdas Johari (Jankidas), demanding a ransom of Rs.5000/- or else, and they use the name of "Black Cobra". They get the money, but Ghanshyamdas is killed the next day. The police are on their tracks, and so is the mysterious "Black Cobra", who is real, and not a figment of imagination. Written by rAjOo (gunwanti@hotmail.com)

An honest lawyer, Vishwanath is implicated and imprisoned at the behest of powerful underworld don, GNK and his associates. After his release from prison, Vishwanath decides to seek vengeance, but finds out that it is virtually impossible to do this through due process of law. So he decides to change his identity, hire a gang of crooks and assassins, to carry out his vendetta. Not realizing that in doing this he is alienating himself from the love of his life, Soni; and making himself a wanted man by the police, leaving his crippled sister, Munni and mom, Shanti to fend for themselves, and at the mercy of GNK and his associates.

A wealthy widower, Amar, swaps identities with his servant Dayal to test prospective brides. He ends up falling for Geeta, the household servant, while posing as Dayal.

Vidya (Moushumi Chatterjee) and Raja (Raju Shrestha) live in poverty. They get separated due to certain circumstances. Vidya starts working at Anand's (Jeetendra) house as a maid. Raja is forced to beg for a local gang. While Vidya is attending to her chores, the alcoholic, Anand, tries to molest her. She escapes but is unfortunately hit by a speeding vehicle driven by Sunil Verma (Navin Nischol). This accident makes her visually impaired. The guilt-ridden Anand wants to apologize to Vidya. Will she accept the apology? Will Vidya reunite with her brother?

Siblings Rakhi and Raju are orphaned at a young age but grow up to become successful entrepreneurs. However, petty differences over their earned wealth and property threaten to ruin their bond.

A newly married woman begins to sleepwalk, and her husband suspects she is inadvertently connecting with a lover from a past life.

When Ajay (Sunil Dutt) meets Asha (Asha Parekh), he mistakenly believes she's wealthy. The fact that she's not, however, doesn't prevent him from becoming smitten, and the couple soon marries with the full blessings of Ajay's family. Poverty is one thing, though, and childlessness quite another -- which Asha finds out the hard way. When she fails to produce an heir for the clan posthaste, her mother-in-law begins a search for her replacement.

A mother faces challenges when she is asked to look after her husband's very young step-brother.

Meet Pyarelal, a simple-minded, naive young man, orphaned at birth, living with a Muslim landlady, Fatima, who treats him like her son. When the police arrest Pyarelal on the charge of murder, no one really believes that this harmless man could harm anyone, leave alone kill. Their belief is shattered when Pyarelal openly admits in Court that he has indeed committed this crime, and demands capital punishment for it.

A newly-wed woman is met with abuse in her new house

After her husband's death, Manorama is left alone with an infant daughter. The daughter falls ill due to poor nutrition, and in an act of desperation Manorama leaves the daughter in front of the house of Seth Jagatnarayan Chaudhary, a wealthy man who, having recently lost his wife, decides to adopt the girl. The following day, Manorama manages to get a job in the house as a servant but while she gets to care for Sarita like a mother, she longs for a day when her daughter might call her mom. Meanwhile Sarita grows up to be a beautiful girl who soon finds herself in some romantic entanglements.

Kishanlal, a professor, lives a peaceful life with his daughter, Mohini, and a bed-ridden wife. However, when Mohini gets pregnant, he tries to find the baby's father.

An ancestral property is distributed between two brothers, then a couple of years later, bitterness divides their families. An outsider in the younger brother's family tries to kill the others, which is resisted in time, and they reunite.

While defending his sister's honor, Shanker kills a man. His ashamed family say he is away in Africa, while he spends the next ten years in prison. What happens when the truth comes out, can he ever find forgiveness or acceptance?

A humorless and pompous businessman goes wild when he falls in love. Now if only his domineering mother could understand his new lease on life.

Circumstances have made Shaka a career criminal. When plague empties a town of its inhabitants, he takes the opportunity to burgle a house. He finds nothing except Shanti, a widowed daughter-in-law who has been left to die by her cruel relatives. Shaka nurses her back to health. When her relatives return they are not pleased to find her alive and even less pleased to discover that someone has tried to rob them. Shanti gets the blame and a beating. Shaka saves her from worse, at the hands of brother-in-law, and the pair flee. They set up home in Shaka's house, much to the displeasure of the respectable neighbours who are all too ready to think the worst.

An air force pilot, upon returning home from war after being assumed dead, weds the woman he had long loved, unaware that she had been planning to marry his best friend.

Bipinchandra breaks family tradition by marrying a city girl, Hemangini, much to the chagrin of his sister-in-law, Kadambini, and her husband, Navinchandra. Things are delicate even after both women give birth to two children each. Then Hemangini testifies against Navinchandra in Court, leading to the division of the property. Things got worse by the arrival of Kadambini's orphaned school-going step-brother, Kishan, who is beaten and abused by not only by Kadambini and Navinchandra, but also by their overweight son. When Hemangini objects to Kishan's ill-treatment, Bipin takes the side of the rest of the family, and may probably force her to abandon Kishan to his fate or divorce her.

A simple-minded, yet loving young couple, Rajoo (Sunil Dutt), and his wife Maya, who allow their child to be adopted by Rajoo's sister-in-law/Bhabhi, Shanti (Kamini Kaushal). Shanti's child was still-born after an accident. But Shanti does not know this, and believes the child to be her own. She is misled and misguided by Gangajali (Lalita Pawar), and as a result Rajoo and Maya are humiliated, not allowed to come near the child, asked to leave the house, and ultimately are charged with kidnapping the child. Rafi's joyful song "Aaj mera haal na poocho..."; and Lata's lullaby "Sohya mera pyar aanchal me pehli bar...", are still popular on radio.

Sita devi is a very strict aunt for a number of young ladies, and does not allow them to fraternize with males. Along comes Pritam disguised as an elderly Professor Khanna to break every possible rule of the aunt

Colonel Sahab is a doctor in a psychiatry ward and Nurse Radha (Waheeda Rahman) is heart-broken after a civilian patient, Dev Kumar (Dharmendra), whom she cared for, pouring out her love and affection, leaves the hospital, as she had been unable to keep her heart separate from her professional work and had fallen in love with her patient. Next Arun Choudury (Rajesh Khanna), a writer and poet enters as a patient, suffering acute mania after being rejected by his lover, Sulekha. After refusing to take his care, Radha relents and starts nursing him. In between while caring for Arun she reminisces her past and tells a story of how she took care of injured brave army soldiers when she was posted in Laddakh during the Sino-Indian war of 1962.

Ramdas is a trusting individual, and trusts everybody around him. When times turn bad for him, he entrusts the life of his son, Bansi, to his trusted employee, Ronaklal, and departs. He regularly sends money to Ronaklal to provide for the upkeep of his son, but Ronaklal uses this money to educate his son, Deepak, keeps Bansi uneducated, and makes him do a lot of manual work. Years pass by, Ronaklal is now crippled, and is dependent on Bansi, as Deepak has left him, got married to a wealthy girl, and lives with his in-laws. Ronaklal is unable to show his face to Ramdas, and avoids him, and Bansi has grown up without knowing who his real father is. Will Ronaklal be able to tell Ramdas the truth when he returns, or will be just let Deepak be the sole heir to all the estate and the property?

Shekhar's maternal grandmother loves him dearly, but she is also very religious and firm in her beliefs. Convinced that every man must have a male heir to carry on the family's name, she will only permit Shekhar to marry a woman who will bear him a son. Shekhar wants to marry Sunita, but an astrologer tells the grandmother that Sunita cannot bear any children, and so she disapproves of her. However, Shekhar and Sunita marry anyway.

A Teacher from Siddharth College, Balraj Dutt (Sunil Dutt) from a well-known, wealthy, and reputed family falls in love with a former prostitute, Madhvi (Waheeda Rehman) and despite of opposition from his family, marries her, complications arise. The elder brother (Rehman), now married, recognizes Madhvi, as he had spent romantic nights with her. Then arrives Vinod (Ramesh Deo), a family friend, from the United States of America, with full approval for the marriage until he actually meets and then he too recognizes Madhvi, as he had spent some romantic nights with her. How will Madhvi continue to live her married life with the mirror reflecting her past?

Raju informs the police about a group of bandits, even though he is in love with the chief's daughter. The police set out to kill the clan and it is upto him to save the bandits and his love.

The story of a small-town man who comes to make it big in the city, where he is almost instantly relieved of all his possessions. Homeless and penniless, he is taken in by a woman who looks after him.

Roshan is a pickpocket whose life changes after a man he steals money from commits suicide. Driven by guilt, he sets out to repay the money to the deceased man's family.

Based on Umrao Jaan Ada by Mirza Hadi Ruswa.

Raj Kumar is an honest, handsome and intelligent young man. Working as a painter, he is unable to earn a living. One day Raj finds a wallet containing money and returns it to the man it belongs to. Impressed by his honesty, the man employs him to work in his office as a clerk.

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.

Kabhi Andhera Kabhi Ujala is a 1958 Hindi film starring Kishore Kumar and Nutan.

A Hindi social drama directed by Kalidas, starring Pradeep Kumar, Rajendra Kumar, and Vyjayanthimala.

Kamini (Shyama) runs over a young man (Dev Anand), who is seriously injured. Kamini visits him daily even while he is unconscious. When he recovers, she is attracted to him, and sets him up with employment with her dad Seth Mothumal's (Gope) business as a manager. He dines at Mothumal's house by Kamini, where he comes across a mute maid-servant named Asha (Nimmi). Asha is attracted to him, and he also feels attracted towards her, little knowing that his past has come to re-visit him in her form, and not knowing the changes it will bring to his life.

Kamini (Shyama) runs over a young man (Dev Anand), who is seriously injured. Kamini visits him daily even while he is unconscious. When he recovers, she is attracted to him, and sets him up with employment with her dad Seth Mothumal's (Gope) business as a manager. He dines at Mothumal's house by Kamini, where he comes across a mute maid-servant named Asha (Nimmi). Asha is attracted to him, and he also feels attracted towards her, little knowing that his past has come to re-visit him in her form, and not knowing the changes it will bring to his life.

Mohar starring Geeta Bali and Shammi Kapoor in the lead role

Thakur is a proud and dignified man who loves his only daughter, Chanda, dearly. His wife and he receive a proposal for Chanda from the house of a lawyer and his wife. While Thakur accepts the proposal, he makes it clear to the lawyer that he is unable to afford any dowry. After the wedding, Chanda's mother-in-law starts harassing Chanda about her lack of dowry.

Kidnapped by a villainous sorcerer, young mother Balanagamma (Pushpavalli) remains in captivity for more than 12 years, spurning her captor's sexual advances with claims of being in the midst of a long-term penance ritual. In her absence, her son has grown to adulthood -- and is determined to rescue his missing mother.

An orphan adopted by an upper caste family never learns of her untouchable caste background. This proves problematic when years later, she falls in love with an upper caste man.

A social drama centered on the life and struggles of an orphaned child. The film explore themes of vulnerability, resilience, the search for belonging, or the challenges faced by someone without familial support in society. It aim to evoke empathy and highlight societal responsibilities towards orphans.

a 1946 film by J.K. Nanda

Prabhat's expansively mounted historical set at a contentious period of the Maratha empire is a biographical of Ramshastri Prabhune (1720-89), chief justice at the court of Madhavrao and later of Nana Phadnavis, and a major figure in the development of an indigenous legal code.