Ali Düşenkalkar

No synopsis available yet.

Mavi Sürgün is a fictionalized account of one period of the life of a Turkish journalist who was condemned to exile for an article he wrote in 1925. He turned his punishment into a reward by creating a little paradise in what is today the holiday resort, Bodrum. In fact he is considered by some to be the first ecologist. The film concentrates on this latter aspect of his character and through flashbacks portrays the inner turmoil of a man who is trying to come to terms with his past. The slow pace is somewhat of a drawback, the flashbacks are often confusing and the protagonist is not always very convincing. But the photography of the country side is exceptional Kenan Ormanlar and the short appearance by a very theatrical Hanna Schygulla of Fassbinder fame adds a little spice to the drama.

After his wife's sudden death, a man takes care of his son living with a disability with help from a new employee at his struggling factory.

Erdem goes to high school. The principle warnes him to cut his hair for him to obey the school rules. When his parents also pressure him for the same reasons he falls into hesitation because the girl he likes, likes his hair.

The sudden discovery of his son's secret turns Ibrahim's traditional world upside down. Fraught with emotional conflict he takes Ismail on a fateful trip. Inspired by the biblical story of Prophet Abraham, father of all patriarchs, and his son Ismail set in present-day Cyprus, unraveling the conservative facade of the society.

With its intriguing chess-like plot, Hain explores the scheming world of those in power who consider themselves "chosen" in Turkey and around the world. The seemingly unshakeable order of this powerful group is destroyed by female heroes, and the revenge-filled story is brought to the big screen with cinematic magic.

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.

During the sea battle which took place between the Ottoman Empire and the Italians, a ship which had been seized in the Mediterranean Sea is brought to Istanbul, and a young wounded lady named Francesca, the daughter of the killed Captain, becomes a slave for Hezarfen Ahmet Celebi.

Gürkan and Altan have fallen into the hands of Cevat Bakır. Cevat Bakır, who killed Şahin for betraying him in the first film, spares the lives of Şahin’s accomplices, Altan and Gürkan, on the condition that they dispose of Şahin’s body. However, the two buddies mess up this task as well, bringing countless troubles upon themselves, just like in the first film, and manage to get the country’s most psychopathic men on their trail.

No synopsis available yet.

Taner is a successful, wealthy, ambitious, and powerful businessman. His life, built on the pink lies he shares with his wife Filiz, is turned upside down by an advertisement he sees on television and in magazines. "Missed Opportunities Limited: Reclaiming the opportunities you’ve missed is no longer difficult!” Will Taner emerge profitable from the deal he enters into to reclaim the opportunities he’s missed, or will he fall victim to the schemes of Fuat Bey, the owner of Missed Opportunities Limited?

Askin Dünkü Çocuklari, tells a bittersweet love story from the 70s to the present day, blending it with the social issues of the period.

In the film, we follow the story of three close friends who work in the entertainment industry. The three friends set out to provide a consulting service that is a little out of the ordinary, but they witness an event they should not have seen. As a result, they find themselves trapped in an unexpected situation.

In the years of military coup, Turkey was unable to produce its own cars. But Pasha believed that Turkish people can produce their own cars so he ordered 2 cars. Gunduz and engineers with him must produce 2 cars in only 130 days!

No synopsis available yet.

The story of the war, which is the beginning of the history of Turks in Anatolia.

The action takes place in Aegean region. Melek is the most beautiful woman in the village. She is liked by more men. She get divorce with her husband and this annoys the rest of the villagers. They both want her and hate her. Melek is liked by the most rich man in the village Dönek Husam even though he is married. He wants only to sleep with her but she doesn't love him. He starts to pressure Melek more and more and by the end he hates her and even organize her murder. Melek's daughter's ex-fıancè Yaman has a sexual interest in Melek. He has just returned from the army and he needs sex with a mature and experienced woman. Yaman attacks Melek and tries to rape her but she hits him. Melek starts an avanture with Mert. Dönek Husam campaigning Melek for a witch and he and the other men decide they have to kill her. Melek tries to escape from the village but the men attacks her and kill her with stones.

Eleven-year-old Yekta lives in a crumbling island mansion with her strict aunts and ailing grandfather, yearning for her absent mother. As dreams and surreal visions shape her solitude, she sets out in search of a mythical seagull with a child’s head.

The film is set in present-day Istanbul. Selim is a shop owner in his early forties. He sells clothing for men in his shop situated in one of the back streets of Istanbul. Selim is a family man who has devoted his life to his home and his work. He lives with his wife Ayla, his six-year-old daughter Esma and his old father in a simple flat in and old, modest neighbourhood. He has warm relations with his family. He is an affectionate father. One of his neighbours, a young widow named Nihal tries to seduce Selim, but her flirtation leaves him cold. Selim is known for his honesty and integrity among his family and friends. He is a careful spender. As a little child, he has learned that money is not easily earned. He has no tolerance for petty "trickery" met in daily life. One day, Selim finds a bag full of dollar bills (approximately 500,000$) in a cab. From that day on, Selim finds himself in a bewildered state with a bag full of money on his hands.

Reha Erdem’s innovative group portrait of the inhabitants of an apartment building in Istanbul serves as a comic exploration of what it means to be human. The drama revolves around hapless taxi driver Ali, who suffers from amnesia as a result of an accident the cause of which he does not remember. As he struggles to regain his memory, his neighbors—embodying a variety of physical, mental, and emotional states—wrestle with their own difficulties, helping one another along the way.

Four 40-something friends are haunted by the violent past of a divided Cyprus. Temel wants desperately to speak about the crimes of vengeance he committed as a teenager. He would like to confess about the bodies buried in the muddy patch of a dried-up salt lake, but fear holds him back from even going there. Ali participates in Temel's UN projects aimed at defusing tension between Cyprus' Greek and Turkish communities....

Equilibria is upside down, humanity is exhausted, that’s all mentioned. Time correspond to now or seventy three years later. Humanity is ready to sacrifice everything for a dream machine to which they are hooked on even though this machine leads to death.

No synopsis available yet.

Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat's father owns a small boat that secures the family's survival through a miscellany of not always lawful ventures. Beyond the motion and romance of the water, Hayat's life is harsh and unrelenting. But Hayat has an instinct for survival. Her capacity for courage, endurance and hope in the face of these trials suggest that there is Life despite the manifold injustices of an unjust world.