Maria Monti

A writer returns home to his estate after service in World War I. He has developed a very bad case of depression due to a war wound concerning his genitalia. He contemplates suicide, but recovers after becoming interested in his caretaker's 12 year-old war orphan niece, who now lives in the manor.

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

A mother so insanely overprotective of her grown son decides to make a deal with death by offering alternate victims plucked from among her fellow tenants in a 1938 Italian apartment building.

Turin 1953. Lidia is a war widow with a ten year old daughter, Anna. She works in a factory, where does political work for the Communist Party.

A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.

Our hero is the 18-year-old Alessio Mainardi, who receives a token red carnation from a girl named Giovanna and becomes a symbol of love, desire, and even has political overtones as a symbol of the struggle for political freedom in opposition to Fascism.

After several Catholic school pupils are murdered, a teacher who is having an affair with one of his students becomes a suspect. When other gruesome murders start occurring shortly thereafter, the teacher suspects that he may be the cause of them.

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.

A vineyard's manager marries the owner's very young daughter; father dies. Deceit, infidelity. The husband is forced to watch from a distance as his wife blossom socially in his absence; then the plot thickens.

In La prova generale, Carlo (Carlo Cecchi) interviews with a tape machine and a microphone his young lover while the two wander in the beautiful splendour of a wood on the edge of the city.

In this adaptation of Tolstoy's story the Wurdulak, a mentally ill patient known as Nicola flashes back to horrifying experiences that he encountered while driving through the country. Upon damaging his car, Nicola sets out for help, only to meet a mysterious family that lives in total fear of someone or something. This evil force slowly penetrates the household and thrusts each of its members into a frenzy of absolute terror.

Young Betty Pellegrino (Orla Conforti) is a strong-minded 13-year-old, left on her own to deal with life in the poorer districts of an industrialized Turin. Street life alternates with bouts in the reformatory, and Betty's prospects for a decent life seem fairly dim in spite of her consistently ready wit and ability to take whatever life hands out. Then she meets a social worker willing to add Betty to her already heavy case load. Maybe there is some hope after all, as two against the world double Betty's odds.

In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."

The story of a woman whose past comes back to haunt her after a former lover re-enters her life.

Based on the novel 'Ritratto Di Provincia In Rosso' by Paolo Levi .Mario Aldara, a Ministry of the Intenal Affairs officer and former police inspector, is sent to his native town, Bologna to investigate the alleged suicide of Cesare Bonfigli, of a powerful local family linked to politics but also the church dealing in real estate business and welfare. Aldara may be pleased to see there Viviana again. Viviana is the widow of the dead man and used to be Aldara's girlfriend twenty years before

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In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.

Story of Roberta, a beautiful young woman from a wealthy industrialist family and her relationship with Franco, a rough car mechanic and stranger whom she meets on the beach of Forte dei Marmi.

A psychologist acquires wife and lover of a friend of him. But he has two more relationships yet. What will he do with four women following him?

Documentary about the life of Aldo Braibanti, an 'heretic' Italian intellectual, from early anti-fascist activism to his death, passing through the infamous 1968 mock trial which, under the flimsy accusation of “plagio”, actually aimed at his independence and homosexuality.

Yerma wants a child but with her dispassionate husband has failed to conceive. On the other hand, Victor courts her but the sense of caste and honor prevent from surrendering to him.

Luigi Tagrana, a hopeless social outcast living on the industrial outskirts of northern Italy, scrapes together a meager living by gathering worms to sell as bait. His days are spent in a bleak, repetitive cycle of labor and solitude amidst a decaying landscape, moving in and out of hospitals and prisons where he is treated as a number rather than a person.

Adriano Prosperi, a bank teller working in Milan, has spent years planning to steal a large sum of money and then disappear without leaving any trace of his existence.