Donald Richie

Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan’s most powerful warlord, unifying the country.

Documentary on film maker Akira Kurosawa

An extremely lovely tribute to Ozu, on the 20th anniversary of his death. It uses a combination of footage from vintage films and new material (both interviews and Ozu-related locations) shot by Ozu's long-time camera-man (who came out of retirement to work on this). Surprisingly (or perhaps not), it focuses less on Ozu's accomplishments as a film-maker than on his impact on the lives of the people he worked with..

A profile and history of film director Akira Kurosawa.

Jonas Mekas assembles 160 portraits, appearances, and fleeting sketches of underground and independent filmmakers captured between 1955 and 1996. Fast-paced and archival in spirit, the film celebrates the avant-garde as its own “nation of cinema,” a vital community existing outside the dominance of commercial film.

Experimental short film depicting the life, perhaps real, perhaps a dream, of a young girl named Emi. Emi travels to the city where she encounters her counterpart, Sari, and falls in love with…a vampire?

A shot-for-shot reimagining of the opening credits and climax of Yasujirō Ozu’s Tokyo Story (1953). Re-setting the scene in Los Angeles and recasting Noriko and Kyoko with two Japanese actors performing in drag, the film interrogates notions of language and cultural memory in split screen Japanese and English versions (with literal translations of the original dialogue into English subtitles and literal translations of the English subtitles from the Criterion version back into Japanese).

Filmed only a few months after Tatsumi Hijikata’s first explosive public butoh performance, “Gisei” features Hijikata and members of his Asbestos Hall Troupe in a brutal allegory of a closed society. Shot by noted Japanese film scholar Donald Richie, “Gisei” still conveys the shock that Japanese audiences in 1959 must have felt at the birth of Hijikata's ankoku butoh, or "dance of darkness". Richie met Hijikata through mutual friend Yukio Mishima. They decided to collaborate on a film about segregation. Richie memorialized the film in his diary: “It is more than ever about the death of an individual, a distinct kind of human sacrifice.”

A documentary of an avant-garde theatre performance, presents an orgiastic rite of sex, degradation, and bloody sacrifice, performed by Zero-Jigen.

A young woman arrives at a resort and is soon pursued by a young man. Initially, he appears to be infatuated with her, but it becomes clear he simply wants to seduce her.

Fifteen years before Monty Python’s Flying Circus, Richie anticipated the animation of Terry Gilliam in this early 8mm film. He cut up Life magazine and animated the clippings through clever use of strings and editing. These “Four American Fables” offer up a slicing critique of gender and 1950s consumerism.

Donald Richie’s classic is, in the words of Yukio Mishima, an outrageous farce, and a pitiless indictment of all our false ‘human’ values. As an allegory of an ‘all-consuming’ Tokyo family cannibalizing each other in a Tokyo park, it attains the highest reaches of black humour.

Donald Richie’s classic is, in the words of Yukio Mishima, an outrageous farce, and a pitiless indictment of all our false ‘human’ values. As an allegory of an ‘all-consuming’ Tokyo family cannibalizing each other in a Tokyo park, it attains the highest reaches of black humour.

Short film for the "A Commercial for Myself" programme.

The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.

Richie captures the strange rhythm of sumo, where the wrestlers quietly and repeatedly face off—eye to eye—before smashing into each other. He focuses on the rippling muscles of the bodies, suspended, then in furious motion.

A cat's inquisitive look interferes with the pleasurable sensations of a boy while masturbating.

A group of boys playing near the seashore in Tokyo find a goat, kill it in a tug of war for ownership, bury it with ceremony, and, except for one boy, run off in heedless laughter ready for more games.

A group of boys playing near the seashore in Tokyo find a goat, kill it in a tug of war for ownership, bury it with ceremony, and, except for one boy, run off in heedless laughter ready for more games.

Love affair between an older European woman and a younger Japanese man.

Short film taking place in Vienna‘s Central Cemetery.